In a film career that spanned more than seven decades, Freddie Francis distinguished himself as both an award-winning cinematographer and as a director of classic British horror films of the 1960s and 70s. From his formative years as a clapperboy and camera assistant in the 1930s to his work as camera operator, director of photography, and director through the 1990s, Francis had a unique behind-the-scenes perspective on filmmaking, particular British cinema. Throughout his career, Francis was honored with several BAFTA nominations and received Academy Awards for Sons and Lovers and Glory. Freddie Francis: The Straight Story from Moby Dick to Glory, a Memoir is a personal story by one of the great British filmmakers of the 20th century. In this engaging volume, Francis provides a firsthand account of working on such classics as The Small Back Room, Beat the Devil, Room at the Top, Saturday Night and Sunday Morning, The Elephant Man, The French Lieutenant's Woman, Cape Fear, and The Straight Story. He also reveals what is was like to work with some of the most significant filmmakers on both sides of the Atlantic, including Carol Reed, Rene Clair, Michael Powell, Emeric Pressberger, John Huston, Karel Reisz, Robert Mulligan, Jack Clayton, Martin Scorsese, and David Lynch. With his own brand of humor and charm, Francis recounts his career as a director for the British horror studios Hammer Films and its chief rival, Amicus Productions. Freddie Francis's memoir provides an insider's view of the British Film industry from the mid-1930s to the 1990s. As such, it will appeal to both scholars of cinema and anyone interested in the golden age of filmmaking in the latter half of the twentieth century.

From stereoview cards to large-format IMAX films, 3-D technology's heightened realism and powerful visual allure have held audiences captive for over a century and a half. The technology, known as stereoscopy, creates an illusion of depth by presenting two slightly different images to the eye in print or on-screen. The advent of stereoscopic film technology excited both filmmakers and audiences, as a means of replicating all of the sounds, colors, movement, and dimensionality of life and nature for the first time. The origins of 3-D film are often linked with a proliferation of stereoscopic films in the 1950s. By the time films like Man in the Dark and House of Wax was attracting large crowds, however, the technology behind this form of filmmaking was already over a century old. Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952, examines this "novelty period" of stereoscopic film, charting its progression from Charles Wheatstone's 1938 discovery of 3-D to the 1952 release of Arch Oboler's innovative film, Bwana Devil. Stereoscopic specialist Ray Zone argues that the development of stereoscopic film can best be understood through a historical analysis of the technology rather than of its inventors. Zone examines the products used to create stereoscopic images, noting such milestones as David Brewster's and Oliver Wendell Holmes's work with stereoscopes, the use of polarizing image selection, and the success of twin-strip 3-D films, among others. In addition, Zone looks at the films produced up to 1952, discussing public reception of early 3-D short films as well as longer features such as Power of Love in single-strip anaglyphic projection in 1922 and Semyon Ivanov's 1941 autostereoscope Robinson Crusoe. He integrates his examination of the evolution of 3-D film with other cinematic developments, demonstrating the connection between stereoscopic motion pictures and modern film production. Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952, is an exhaustive study of not only the evolution of 3-D technology and the subsequent filmmaking achievements but also the public response to and cultural impact of 3-D movies. Zone takes the reader on a voyage of discovery into the rich history of a field that predates photography and that continues to influence television and computer animation today.

For the first time of its invention, photography has been used to visualize events that are either too fast or too slow for the eye to perceive, or subjects that are outside the spectral range of the human eye. This book shows how you can photograph a range of subjects and see the world as never before. Written with clear and accessible text, it explores and suggests techniques that expose new images in new ways, and pushes the boundaries of the photographer's creative potential. Techniques include: ultraviolet (UV) and infrared (IR) photography; high speed and time-lapse photography; close-up, macro and photography with the aid of a microscope and finally, photography using polarized light. Most of the techniques are accessible to all photographers using readily available equipment (UV and IR will require some specialist items), and have been relatively unexplored so give the adventurous photographer great potential to experiment and produce unique images.

In Things Come Apart, fifty design classics - arranged by size and intricacy - are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills. Welcome to Todd McLellan's unique photographic vision of the material world. The new compact paperback edition of the bestselling Things Come Apart comes equipped with a fresh, design-savvy package, and includes five new projects that reveal the inner workings of some of the world's most iconic designs. From SLR camera to mantle clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is made visible. In addition to showcasing the quality and elegance of older designs, these disassembled objects show that even the most intricate modern technologies can be broken down and understood. Stunning photography is interspersed with essays by notable figures from the world of restoration, DIY, and design innovation, who discuss historical examples of teardowns, disassembly, and reverse engineering. Things Come Apart conjures the childlike joy of taking something apart to see how it works, and will appeal to anyone with a curiosity about the material world.

A richly illustrated account of the development of Singapore’s modern built environment.   Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social, cultural, and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of typical utilitarian buildings like the multistory parking garage. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The most intensive period of such change, the author shows, happened in the 1960s and 1970s under the rise of a developmental state that sought to safeguard its new-found independence. The book also looks both earlier and later, however, ranging from the 1930s to the 1980s to cover a wider range of histories, building types, and architectural styles, expanding from the International Style and Brutalism into Art Deco and even a touch of Postmodernism. The book’s essays are richly illustrated with hundreds of archival images and illustrations, as well as contemporary photos by architectural photographer Darren Soh. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore.  

New to this edition:
* Learn how many Hollywood techniques--previously impractical on video--can help solve problems on smaller productions
* Expanded cookbook recipes section
* Technically updated throughout
Make your soundtracks as good as your pictures with this compendium of professional audio techniques that can be adapted to desktop post. Specializing in sound after the shoot, this book features many practical examples, cookbook recipes, and tutorials. Audio theory, when necessary, is presented in plain English with plenty of visual analogies.
FAQs, full explanations, and from-the-trenches tips address the complete range of processes from wiring and hardware to testing the final mix. The one-hour audio CD features platform-independent diagnostics, demonstrations, and tutorial tracks. Novices will learn how to improve their soundtrack--even after the actors have gone home. Experienced producers will learn how to solve technical and creative problems quickly.
You'll get recipes and step-by-step instructions on how to:
* build an efficient and reliable audio post setup
* plan and budget a good soundtrack
* get sound into your NLE without losing quality or sync
* edit voices and music
* record Foley and ADR
* find music and use it effectively
* find and create your own sound effects
* shape sounds with equalization, reverb, noise reduction, and more
* produce the final mix
* test the final product for various media
Please visit the author's website for additional resources: http: //www.dplay.com/book/app
* Popular DV Magazine columnist Jay Rose makes it easy to improve your soundtrack
* Includes "cookbookrecipes"--step-by-step solutions for common audio processing operations
* One-hour audio CD includes platform-independent diagnostics, demonstrations, and tutorial tracks to load into your NLE

"If you buy just one guide...you won't do better than this" BBC Sky at Night Magazine "I will continue to enjoy 'Philip's Stargazing' as the months go by" Helen Sharman, Astronaut "Very useful indeed" Chris Lintott, Sky at Night presenter Now including the top astronomical places to visit, star festivals and the latest on star parties in Britain and Ireland, the new 2023 edition is totally up-to-date for exploring the wonder of the night skies, month-by-month and day-by-day. Whether you're a seasoned astronomer or just starting out, Philip's Stargazing 2023 is the only book you'll need. Compiled by experts and specially designed for easy and daily use, Stargazing 2023 acts as a handily illustrated and comprehensive companion. - 12 updated sky charts for year-round astronomical discovery - Month-to-Month information. Daily Moon Phase Calendar, highlighting special lunar events throughout the year - Planet Watch for ideal viewing days in 2023 - The best places to experience Dark Skies, along with the latest on Star Festivals and Star Parties - Top places to visit for astronomical insights - Expert advice and insight throughout from internationally renowned Prof Nigel Henbest - The latest on electronic telescopes from expert Robin Scagell - Complete calendar of major astronomical events, including the Top 20 Sky Sights of 2023 - Jargon Buster, explaining common or confusing terms - The planets' movements explained from solar and lunar eclipses to meteor showers and comets

In this unprecedented work on the status and role of intellectuals in Soviet political life, a former Soviet sociologist maps out the delicate, often paradoxical, ties between the political regime and the creative thinkers who play a major part in the movement toward modernization. Beginning with Stalin, Vladimir Shlapentokh explores the mutual need and antagonism that have existed between political leaders and intellectuals. What emerges is a fascinating portrayal of the Soviet intellectual network since the 1950s, which touches on such topics as the role of literature and film in political opposition, levels of opposition (open, legal, and private), and the spread of paranoia as fueled by the KGB. Throughout he shows how the intellectual communityusually a cohesive, liberal grouphas fared under Khrushchev's cautious tolerance, Brezhnev's repressions, and now Gorbachev's Glasnost. Shlapentokh maintains, however, that under Glasnost freer speech has revealed a more pronounced divergence between liberal and conservative thinkers, and has allowed for open conservative opposition to the reformatory measures of Gorbachev and the liberals. He argues that one of the strongest checks on reform is the growing presence of Russophilism--a movement supporting Russian nationalism and Stalin's concept of socialism--among the political elite and the masses. Although the role of the liberal intellectuals in the late 1980s was less prominent than it was in the 1960s, Shlapentokh asserts that they remain the major agent of modernization in the Soviet Union, as well as in other socialist countries. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Find your own streaming success with Dummies Twitch For Dummies will get you up to date with Twitch, the breakthrough streaming platform where you can set up a channel, increase your viewership, and find your people. Step-by-step guides and helpful, real-life examples get you ready to go live and, who knows, maybe even earn a little money while having fun online. Check out this new edition for all the details on the new Creator Dashboard interface, streaming in the metaverse, and details you need to know to get the world watching. This handy reference even covers the latest Twitch integrations for streaming from your mobile devices. Community-based entertainment has never been hotter, and Dummies shows you how to get on board. Discover why the streaming platform Twitch is taking the world by storm Set up your first channel, stream gameplay, create highlight reels, and find viewers Understand the ad revenue structure so you can earn cash from your stream Get current on going live from the latest console models to Virtual Reality This is the perfect Dummies guide for new and established Twitch streamers who want to improve their audience and skills.

Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs. Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.

Behind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work. Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as: Does the shot composition accurately reflect the idea that initiated the shot? Will the content and method of presenting the subject accurately convey the idea? Major innovations in television and film production since the previous edition have affected the styles of composition, such as wide-screen and the use of mini DV cameras. These new technologies and their implications for picture composition are addressed in this new edition. A new colour plate section is also being included to update the section on colour. If you are a practising camera operator, trainee camera operator, student or lecturer on a television or film production course, or simply a video enthusiast wishing to progress to a more professional standard you will find this book essential in enhancing the quality of your work.

In this unprecedented work on the status and role of intellectuals in Soviet political life, a former Soviet sociologist maps out the delicate, often paradoxical, ties between the political regime and the creative thinkers who play a major part in the movement toward modernization. Beginning with Stalin, Vladimir Shlapentokh explores the mutual need and antagonism that have existed between political leaders and intellectuals. What emerges is a fascinating portrayal of the Soviet intellectual network since the 1950s, which touches on such topics as the role of literature and film in political opposition, levels of opposition (open, legal, and private), and the spread of paranoia as fueled by the KGB. Throughout he shows how the intellectual communityusually a cohesive, liberal grouphas fared under Khrushchev's cautious tolerance, Brezhnev's repressions, and now Gorbachev's Glasnost.

Shlapentokh maintains, however, that under Glasnost freer speech has revealed a more pronounced divergence between liberal and conservative thinkers, and has allowed for open conservative opposition to the reformatory measures of Gorbachev and the liberals. He argues that one of the strongest checks on reform is the growing presence of Russophilism--a movement supporting Russian nationalism and Stalin's concept of socialism--among the political elite and the masses. Although the role of the liberal intellectuals in the late 1980s was less prominent than it was in the 1960s, Shlapentokh asserts that they remain the major agent of modernization in the Soviet Union, as well as in other socialist countries.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Producing Video for Teaching and Learning: Planning and Collaboration provides lecturers, researchers, professors, and technical staff in educational settings with a framework for producing video resources for teaching and learning purposes. This highly useful guide brings together the literature from the field into a constructive, developmental framework, prompting users to reflect on their own ideas at each stage of the production process. O'Donoghue makes clear distinctions between related aspects of video production, and offers working definitions where appropriate in order to address the academic and tertiary support technical audience. Interviews with established professionals in the field illustrate the possibilities-and limitations-of video for teaching and learning. Producing Video for Teaching and Learning gives readers the power to enhance the learning capacity of their own video materials.

The combination of color schlieren with high speed flash techniques has proved to be a valuable tool for investigating high speed transient events. Fully two dimensional refractive index information can be ob tained. The resolution on 35 mm film was sharp enough to allow 50 cm by 75 cm color enlargements. REFERENCES 1. Barnes, N.F., Jour. of the SMPTE, Oct. 1953, Vol. 61,487-511. 2. Cords, P.R., S.P.I.E. Jour., February-March 1968, Vol. 6. 3. North, R.J., NPL/Aero/266, 1954. 4. Settles, G.S., Image Technology, June-July 1972. 5. Smith, L.L., and J.R. Waddell, 9th Congress of Righ Speed Photogra phy, Denver, Colo., August 1970, Paper 86. 6. Stong, C.L., and G.S. Settles, Scientific American, May 1971, Vol. 225, No.5. 7. Stong, C.L., and Vandiver, J.K., Scientific American, August 1974, Vol. 231, No.2.,105 DISCUSSION MY' R J North, (UK): Pould the author care to comment on possible ambiguities of interpretation due to the omnidirectional sensitivity of the colour filter system used? I notice that in two of his pic tures density gradients in directions at right angles are shown by the same colour transitions. MY' J Kim Vandiver: The photographs presented were not composed to yield accurate determination of the direction of density gradients."

The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.

Low level flying in military aircraft at speeds of up to 500 mph and as low as 100 feet above the ground is as challenging for the pilot as it is for the photographer wishing to capture the action. This is two books in one, the main subject is about military low flying; the skills, reasons and dangers from a pilot's perspective. The writer also talks about the challenges faced, revealing how and where the images were taken from mountainsides and desert canyons to cockpits for air to air. Pilots describe their training, mission planning, systems and the aircraft they love to fly; from A-7 Corsairs and F-4 Phantoms to Tornados, Typhoons, F-15 Eagles and Gripen. They fly low to deliver weapons or gather data and evade Radar. Pilots from air forces across Europe and the United States talk about the skills they need to be effective in very dangerous flying environments, discussing the challenging conditions they face when flying fast and low over snow, the sea or through mountain ranges at night. Commanders with years of low level flying give a fascinating insight in to their most memorable sorties.

The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership. -- .

Increasing use of digital signals for transmitting data in television, photography and printing means the reproduction of pictorial colour in the 21st century continues to drive innovation in its development.

Hunt's classic text "The Reproduction of Colour" has been fully revised and updated for the sixth edition to provide a comprehensive introduction to colour imaging and colour reproduction. New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical applications behind the phenomena they encounter.

"Key features: " Describes the fundamental principles of colour reproduction for photography, television, printing and electronic imaging. Provides detailed coverage of the physics of light and the property of colorants. Includes new chapters on digital printing and digital imaging, which discuss colour reproduction on HDTV and desktop publishing. Presents expanded coverage of the evaluation of colour appearance.

"The Reproduction of Colour" is already used as a basis for lectures in universities and specialist institutions and continues to be an essential resource for scientists, engineers and developers needing to appreciate the technologies of colour perception.

"Reviews of the Fifth Edition: "

"The book is beautifully written and superbly presented. It is a credit to both author and publisher, and deserves to be on the shelves of anyone who has any concern with the reproduction of colour."

From "The Journal of Photographic Science, Vol. 43 1995"

"Using his ability as a teacher, Dr Hunt has made potentially very difficult topics quitereadable...he brings the insight that leads the reader to a greater depth of understanding."

From "Color Research and Application, Vol. 23 1998"

The Society for Imaging Science and Technology is an international society that aims to advance the science and practices of image assessment. A major objective of the Wiley-IS&T series will be to explain the latest scientific and technological developments in the field of imaging at a professional level. The broad scope of the series will focus on imaging in all its aspects, with particular emphasis on digital printing, electronic imaging, photofinishing, image preservation, image assessment, image archiving, pre-press technologies and hybrid imaging systems.

'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Se n Street, Bournemouth University

The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre.

Using a cross-disciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms.

The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.

Astounding aerial photographs revealing an immense and unsuspected wealth of color hidden behind Ireland's green facade. Yellow islands of gorse, the turquoise edges of the western coast, the algae borders of the winter lakes varying in color from green to orange, deserted islands overgrown with rust brown ferns and deserts of black peat bogs.

The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process.

The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie.

Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student.

Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.

Table of Contents

FILMMAKING THE BASICS

WRITING YOUR STORY

PRODUCTION

THE AD TEAM

CONTINUITY AND COVERAGE

THE WORK OF THE DIRECTOR

CINEMATOGRAPHY

LIGHTING AND GRIP

THE ART DEPARTMENT

SLATING AND SCRIPTY

AUDIO BASICS

THE WORK OF THE EDITOR

SAFETY

GETTING STARTED IN THE BUSINESS

TERMINOLOGY

RESOURCES

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Capture stunning macro floral images with this gorgeous guide by acclaimed photographer Harold Davis. You'll learn about different types of flowers, macro equipment basics, and the intricacies of shooting different floral varieties in the field and in the studio. Harold also shows you techniques in the Photoshop darkroom that can be applied to flower photography to help you get the most out of your images. Beautiful and authoritative, this guide to photographing flowers is a must-read for every photographer interested in flower photography. Photographing Flowers will also win a place in the hearts of those who simply love striking floral imagery.