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Books > Arts & Architecture > Photography & photographs > Special kinds of photography
There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts: a unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing. This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, as well as practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production, and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production. It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema.
A mix of theory and practical applications, Placing Shadows covers
the physical properties of light and the selection of proper
instruments for the best possible effect. For the student, advanced
amateur, and pros trying to enhance the look of their productions,
this book examines the fundamentals and is also a solid reference
for tips on better performance.
CCTV for Wildlife Monitoring is a handbook on the use of CCTV in nature watching, conservation and ecological research. CCTV offers a unique ability to monitor wildlife in real time, stream video to the web, capture imagery of fast-moving species or cold animals such as wet otters or fish and maintain monitoring over long periods of time in a diverse array of habitats. Wildlife watchers can take advantage of a huge range of CCTV cameras, recording devices and accessories developed for use in non-wildlife applications. CCTV allows intimate study of animal behaviour not possible with other technologies. With expert experience in engineering, photography and wildlife, Susan Young describes CCTV equipment and techniques, giving readers the confidence to tackle what initially may seem technically challenging. The book enables the reader to navigate the technical aspects of recording: basic analogue, high definition HD-TVI and IP cameras, portable CCTV, digital video recorders (DVR) and video processing by focusing on practical applications. No prior knowledge of CCTV is required - step-by-step information is provided to get anyone started recording wildlife. In-depth methods for recording foxes, badger, deer, otters, small mammals and fish are also included, and the book makes comparisons with trail cameras where appropriate. Examples of recorded footage illustrate the book along with detailed diagrams on camera set-ups and links to accompanying videos on YouTube. Case-studies show real projects, both the equipment used and the results. This book will be of interest to amateur naturalists wishing to have a window into the private world of wildlife, ecological consultants monitoring protected species and research scientists studying animal behaviour.
The camera's movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer.
The Wild Atlantic Way covers 2500km, passing through an incredible variety of landscapes – from the verdant forests of Cork to the lunar landscape of the Burren, from rugged headlands and wild mountainsides to lazy rivers and brooding castles. Raymond Fogarty’s spectacular drone photography brings a new and thrilling aerial perspective to one of the world’s longest coastal touring routes. Ireland’s west coast is blessed with many examples of days gone by – where Iron Age forts, medieval castles, abbey ruins and round towers add to a special sense of timelessness. This will give you a taste of what’s to be found; it’s a record of a six-week adventure of one man and his camera drone.
Rob Higgins shows how taking the aerial route gives unique insights into the history and workings of Britain’s railways. The marvels of Victorian engineering in their construction, their relationships to the canals they replaced as the main arteries of transport, and the communities and industry they spawned along their length can all be seen in detail. This book flies from the Scottish Highlands to Cornwall; from marshalling yards in the centre of the UK to lines hugging cliffs and beaches. All the viaducts on the ‘top’ section of the Settle & Carlisle line are featured, together with many other viaducts and bridges, including the swing bridges in the Norfolk Broads. Lineside industries are seen, from a huge malting complex in East Anglia to our fast-disappearing coal-powered power stations.
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Do you want to take photos that make people say 'wow'? Photography has never been so easy; nor has it ever been so hard. Digital cameras and smartphones can deliver perfect exposures and pin-sharp focus time after time, but the tech alone won't create draw-dropping imagery, or supply the sort of photos that stand out in a sea of online visual overload. Stripped of pointless jargon and focusing instead on the most important element in the image-making process - the person holding the camera or phone - this book makes good on its promise to teach the key skills and mind-set for taking great photos on any device. - Gain the core skills needed by every photographer - Learn to see the world as a photo opportunity - Discover the tools that will raise your photography to the next level - Develop a visual sense that can be applied to a range of photographic situations
What happens when a drone enters a gallery or appears on screen? What thresholds are crossed as this weapon of war occupies everyday visual culture? These questions have appeared with increasing regularity since the advent of the War on Terror, when drones began migrating into civilian platforms of film, photography, installation, sculpture, performance art, and theater. In this groundbreaking study, Thomas Stubblefield attempts not only to define the emerging genre of "drone art" but to outline its primary features, identify its historical lineages, and assess its political aspirations. Richly detailed and politically salient, this book is the first comprehensive analysis of the intersections between drones, art, technology, and power.
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen's modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkacsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable-not just aesthetically but technically and conceptually-in a fashion photograph. From glossy pages in Vogue and Harper's Bazaar to framed prints on museum walls, fashion photography encompasses both commercial advertising and fine art. This survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre's most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.
Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or a vertiginous shot taken above Mexico's Tamul Waterfalls. There are extended commentaries on how individual images were created, profiles on notable photographers and a separate user guide containing key advice on how to use your drone. An introduction also discusses how the arrival of drone photography signals a major shift in the history of aerial photography. Dronescapes is a landmark publication at the cutting edge of contemporary photography, taking the medium - for once, literally - to newfound, dizzying heights.
Gray Malin's collection of incredible beach photography was a runaway hit. Now the it-photographer takes his astonishing photography beyond the beach. Collecting breathtaking images, journal entries, and behind-the-scenes anecdotes, Escape explores Gray Malin's enduring drive to capture life's joyful moments. These awe-inspiring images of exotic locales from around the world are a celebration of light, shadow, and absolute bliss. Whether trained on the snowy mountains of Aspen, the dry plains of Namibia, or the warm sun of Bora Bora, Malin's sharp eye highlights the exuberant colors and striking forms that make each location so unique. Featuring more than 22 destinations across 11 countries, the book also includes highlights from Malin's conceptual photography, offer ing a comprehensive look at the photographer's desire to showcase the beauty he sees in the world. From remote islands to major cities, Escape captures the spirit of dozens of unbelievable vacation spots and will inspire every lover of travel and exploration to plan an escape of their own.
Discover how to style and photograph food like the pros Whether you're taking shots for a foodie blog, advertisements, packaging, menus, or cookbooks, "Food Styling & Photography For Dummies" shows you how to take the next step in your passion for food and photography. This attractive, informative, and fun guide to the fundamentals of food styling provides information on the tools and techniques used by some of the most successful industry professionals. "Food Styling & Photography For Dummies " provides you with the fundamentals of food styling and gives you the inside scoop on the tools and techniques used by some of the most successful industry professionals. Shows you how to translate taste, aroma, and appeal through color, texture, and portionIncludes techniques such as extreme close-ups, selective focus, and unique angles to create dramatic effectDetailed coverage on lighting and compositionTips for choosing the proper equipment and mastering the use of camera settings, lenses, and post-production softwareAdvice for creating a professional personality and getting your food photography business off the ground Whether you're an amateur or professional food photographer, "Food Styling & Photography For Dummies" is a fun and informative guide to photographing and arranging culinary subject matter.
The successful history of Pierre Angénieux's revolutionary zoom and focus technologies, a world reference in optics for cinema, photography and television. This book presents the history and current challenges of the Angénieux brand, a must in the world of cinema. Angenieux zooms are present on the most prestigious film shoots from Hollywood to Bollywood, from Moonlight to Game of Thrones, to name only a few. The incredible epic of this brand began in 1935 with Pierre Angénieux: inventor of the Retrofocus, father of the concept of modern zoom with mechanical compensation, Pierre Angénieux revolutionised focal calculation and deployed unparalleled inventiveness throughout his life, making his workshops of Saint-Héand in France a world reference in optics for cinema, photography and television. The Angenieux zooms have been distinguished three times in Hollywood by the Academy of Oscars in 1964, 1989 and 2008, and were selected by NASA to participate in the extraordinary adventure of the space conquest. The incredible achievement of Pierre Angénieux beyond the success of his company is the persistence of his work. The principles he has developed and applied remain the basis of Angenieux's vision. Today, backed by the Thales group since 1993, the Angénieux brand continues to offer the best technological solutions for cinematographic image.
A history and theory of the drive to hide in plain sight. Camouflage is an adaptive logic of escape from photographic representation. In Hide and Seek, Hanna Rose Shell traces the evolution of camouflage as it developed in counterpoint to technological advances in photography, innovations in warfare, and as-yet-unsolved mysteries of natural history. Today camouflage is commonly thought of as a textile pattern of interlocking greens and browns. But in Hide and Seek it reveals itself to be much more-a set of institutional structures, mixed-media art practices, and permutations of subjectivity, that emerged over the course of the twentieth century in environments increasingly mediated by photographic and cinematic intervention. Through a series of fascinating case studies, Shell uncovers three conceptually linked species of photographic camouflage-the static, the serial, and the dynamic-and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its argument from the material forms camouflage has left behind: photomontages, paper blankets, stuffed rabbits, ghillie suits, and instructional films. Beginning with natural history and figurative art in the late nineteenth-century, continuing through the rise of aerial warfare in World War I, and onto the cinematic techniques designed to train snipers and civilians during World War II, this book is both a history and a theory of the drive to hide in plain sight.
This lavish coffee-table book traces the history of photography from the first black and white images to celebrated examples of 21st-century digital photography. Photography celebrates the most iconic photographs of the past 200 years and includes more than 50 biographies of the most famous photographers, explaining how they pushed the bounds of the medium. It also showcases examples of the extraordinary cameras that photographers experimented with, from the daguerreotype to the latest camera phones! Charting the influence of social and cultural change, as well as the impact of science and technology, this beautiful book follows the history of photographs from the first grainy attempts at portrait and landscape photography to gritty photojournalism, street photography, and digital photography, with special features delving into the stories behind photographic images that changed how people saw the world. This fantastic photography book promises: - A selection of the most important "lost" cultural artefacts from ancient times to the present day - Features images of the artworks where available, or specially commissioned illustrations of them based on written accounts - Includes details of the ongoing debate about whether looted art should be returned to its country of origin Packed with information and full of inspiration, Photography is the perfect reference for budding photographers, seasoned professionals, and anyone with an interest in the subject. Whether you're looking for a riveting reference book to display on your coffee table or gift to a friend, or you're a life-longer learner with a thirst for knowledge - Photography is sure to delight!
Filmmakers and cinema fans can turn to this visual encyclopedia for an array of creative camera setups and moves. More than 200 storyboards with simple descriptions show how to achieve many effects, images, and compositions.
This is a thoroughly illustrated guide to the history and technology of autochromes with a practical guide for storage & preservation. Louis Lumiere is perhaps best known for his seminal role in the invention of cinema, but his most important contribution to the history of photography was the autochrome. Engagingly written and superbly illustrated with over 300 images, "The Lumiere Autochrome" tells the fascinating story of the first industrially produced form of colour photography. Initial chapters present the Lumiere family enterprise, set out the challenges posed by early colour photography, and recount the invention, rise, and eventual decline of the autochrome, which for the first four decades of the 20th-century was the most widely used form of commercial colour photography. The book then treats the technology of the autochrome, including the technical challenges of plate fabrication, described in step-by-step detail, and a thorough account of autochrome manufacture. A final chapter provides in-depth recommendations concerning the preservation of these vulnerable objects, including proper storage and display guidelines.
At first glance, Jessica Ingram's landscape photographs could have been made nearly anywhere in the American South: a fenced-in backyard, a dirt road lined by overgrowth, a field grooved with muddy tire prints. These seemingly ordinary places, however, were the sites of pivotal events during the civil rights era, though often there is not a plaque with dates and names to mark their importance. Many of these places are where the bodies of African Americans-activists, mill workers, store owners, sharecroppers, children and teenagers-were murdered or found, victims of racist violence. These images are interspersed with oral histories from victims' families and investigative journalists, as well as pages from newspapers and FBI files and other ephemera. With Road Through Midnight, the result of nearly a decade of research and fieldwork, Ingram unlocks powerful and complex histories to reframe these commonplace landscapes as sites of both remembrance and resistance and transform the way we regard both what has happened and what's happening now-as the fight for civil rights goes on and memorialization has become the literal subject of contested cultural and societal ground.
Enter the world of HBO's global television phenomenon Game of Thrones with The Photography of Game of Thrones - the definitive photographic collection from the set of the hit series. Witness how official unit stills photographer and Nikon ambassador Helen Sloan and the unit photography team selected 850 incredible images from the production of HBO's legendary series Game of Thrones, including candid, never-before-seen images of cast and crew. Enjoy exclusive access and images directly from the set as George R.R. Martin's world of Westeros was translated to the TV screen. One of 4 comprehensive and officially licensed Game of Thrones retrospective books from HarperVoyager. * UNPRECEDENTED ACCESS - 416 pages of images, details, and anecdotes covering Game of Thrones seasons 1-8. * EXCLUSIVE IMAGES - Curated from an archive of 1.5 million photos. Enjoy over 850 hand-selected images direct from the set. * UNSEEN MOMENTS - View legendary characters such as Tyrion, Daenerys, Cersei, Jaime, Brienne, and Jon Snow uniquely captured through Helen Sloan's lens. * HEAR FROM THE SHOW'S CREATORS - Features an exclusive foreword from Game of Thrones showrunners David Benioff and D. B. Weiss. * A PRESTIGE COFFEE TABLE BOOK - Deluxe 9.75 x 13 inch format. * A HIGHLY DESIRABLE GIFT FOR FANS - Released in time for the holiday season, this is the perfect gift for Game of Thrones fans. |
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