CCTV for Wildlife Monitoring is a handbook on the use of CCTV in nature watching, conservation and ecological research. CCTV offers a unique ability to monitor wildlife in real time, stream video to the web, capture imagery of fast-moving species or cold animals such as wet otters or fish and maintain monitoring over long periods of time in a diverse array of habitats. Wildlife watchers can take advantage of a huge range of CCTV cameras, recording devices and accessories developed for use in non-wildlife applications. CCTV allows intimate study of animal behaviour not possible with other technologies. With expert experience in engineering, photography and wildlife, Susan Young describes CCTV equipment and techniques, giving readers the confidence to tackle what initially may seem technically challenging. The book enables the reader to navigate the technical aspects of recording: basic analogue, high definition HD-TVI and IP cameras, portable CCTV, digital video recorders (DVR) and video processing by focusing on practical applications. No prior knowledge of CCTV is required - step-by-step information is provided to get anyone started recording wildlife. In-depth methods for recording foxes, badger, deer, otters, small mammals and fish are also included, and the book makes comparisons with trail cameras where appropriate. Examples of recorded footage illustrate the book along with detailed diagrams on camera set-ups and links to accompanying videos on YouTube. Case-studies show real projects, both the equipment used and the results. This book will be of interest to amateur naturalists wishing to have a window into the private world of wildlife, ecological consultants monitoring protected species and research scientists studying animal behaviour.

The camera's movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

In Street Photography: The Art of Capturing the Candid Moment, Gordon Lewis helps readers understand and conquer the challenging yet rewarding world of street photography. The book includes discussions of why photographers are drawn to street photography, the different styles of street photography, and what makes a great street photograph. Since the advent of the camera, there have been photographers whose mission is to record and interpret the public sphere in all its aspects. Eugene Atget documented evidence of everyday life in the streets as well as the buildings and monuments of Paris. Henri Cartier-Bresson pursued what he called "The Decisive Moment," the moment in which the meaning of an event was most clearly captured in a photograph. Their work, and that of many other masters, has inspired generations of photographers to wander public spaces, camera in hand, searching for meaningful moments in time. Success requires the street photographer to be proficient with their equipment, to be constantly aware of their surroundings, and to have a keen eye. Quick reflexes and self-confidence are essential. Street photographers know from experience that hesitation or procrastination could mean missing a once-in-a-lifetime shot. The adage "it's better to ask for forgiveness than permission" was probably coined by a street photographer. In Street Photography: The Art of Capturing the Candid Moment, Gordon Lewis helps readers understand and conquer the challenging yet rewarding world of street photography. The book includes discussions of why photographers are drawn to street photography, the different styles of street photography, and what makes a great street photograph. Lewis then goes on to explore how the choice of location can change a photographer's approach to image capture: from city streets to fairs to beaches, Lewis discusses the impact different environments have on the process of street photography. Another crucial element to becoming a good street photographer is learning to travel light, with minimal equipment. Lewis gives readers practical advice on everything from cameras and lenses to camera bags and clothing. Lewis also delves into the techniques and approaches that will help novices master the art of street photography. Whether your style is to engage your subjects or to remain unnoticed and take candid portraits, Lewis offers ideas on how to capture fascinating moments in time: a gesture, expression, or composition that may exist for only a fraction of a second, but can leave a lasting impression of the wonders, challenges, and absurdities of modern life.

What happens when a drone enters a gallery or appears on screen? What thresholds are crossed as this weapon of war occupies everyday visual culture? These questions have appeared with increasing regularity since the advent of the War on Terror, when drones began migrating into civilian platforms of film, photography, installation, sculpture, performance art, and theater. In this groundbreaking study, Thomas Stubblefield attempts not only to define the emerging genre of "drone art" but to outline its primary features, identify its historical lineages, and assess its political aspirations. Richly detailed and politically salient, this book is the first comprehensive analysis of the intersections between drones, art, technology, and power.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or a vertiginous shot taken above Mexico's Tamul Waterfalls. There are extended commentaries on how individual images were created, profiles on notable photographers and a separate user guide containing key advice on how to use your drone. An introduction also discusses how the arrival of drone photography signals a major shift in the history of aerial photography. Dronescapes is a landmark publication at the cutting edge of contemporary photography, taking the medium - for once, literally - to newfound, dizzying heights.

Discover how to style and photograph food like the pros

Whether you're taking shots for a foodie blog, advertisements, packaging, menus, or cookbooks, "Food Styling & Photography For Dummies" shows you how to take the next step in your passion for food and photography. This attractive, informative, and fun guide to the fundamentals of food styling provides information on the tools and techniques used by some of the most successful industry professionals.

"Food Styling & Photography For Dummies " provides you with the fundamentals of food styling and gives you the inside scoop on the tools and techniques used by some of the most successful industry professionals. Shows you how to translate taste, aroma, and appeal through color, texture, and portionIncludes techniques such as extreme close-ups, selective focus, and unique angles to create dramatic effectDetailed coverage on lighting and compositionTips for choosing the proper equipment and mastering the use of camera settings, lenses, and post-production softwareAdvice for creating a professional personality and getting your food photography business off the ground

Whether you're an amateur or professional food photographer, "Food Styling & Photography For Dummies" is a fun and informative guide to photographing and arranging culinary subject matter.

The Wild Atlantic Way covers 2500km, passing through an incredible variety of landscapes – from the verdant forests of Cork to the lunar landscape of the Burren, from rugged headlands and wild mountainsides to lazy rivers and brooding castles. Raymond Fogarty’s spectacular drone photography brings a new and thrilling aerial perspective to one of the world’s longest coastal touring routes. Ireland’s west coast is blessed with many examples of days gone by – where Iron Age forts, medieval castles, abbey ruins and round towers add to a special sense of timelessness. This will give you a taste of what’s to be found; it’s a record of a six-week adventure of one man and his camera drone.

In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen's modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkacsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable-not just aesthetically but technically and conceptually-in a fashion photograph. From glossy pages in Vogue and Harper's Bazaar to framed prints on museum walls, fashion photography encompasses both commercial advertising and fine art. This survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre's most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.

Due to its ability to freeze a moment in time, the photo is a uniquely powerful device for ordering and understanding the world. But when an image depicts complex, ambiguous, or controversial events--terrorist attacks, wars, political assassinations--its ability to influence perception can prove deeply unsettling. Are we really seeing the world "as it is" or is the image a fabrication or projection? How do a photo's content and form shape a viewer's impressions? What do such images contribute to historical memory? About to Die focuses on one emotionally charged category of news photograph--depictions of individuals who are facing imminent death--as a prism for addressing such vital questions. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, the Holocaust, the Vietnam War, and 9/11, Barbie Zelizer demonstrates that modes of journalistic depiction and the power of the image are immense cultural forces that are still far from understood. Through a survey of a century of photojournalism, including close analysis of over sixty photos, About to Die provides a framework and vocabulary for understanding the news imagery that so profoundly shapes our view of the world.

THESE ARE THE WORDS THAT CAME TO ME. NO MATTER HOW THEY GOT HERE, THEY DID THE F***ING JOB. Iggy Pop hasn't left a mark on music; he's left it battered and bruised, too. Inducted into the Rock and Roll Hall of Fame in 2010, here for the first time are his selected lyrics, complete with stunning original photographs, illustrations, alongside Iggy and others' reflections on a genre-defining music career that spans five decades. Coinciding with a new album, FREE, this is the ultimate book for every rock and roll fan.

With sound becoming more important in cinema exhibition and DVD release, this book offers user-friendly knowledge and stimulating exercises to help compose a story, develop characters and create emotion through skilful creation of the sound track. Psychoacoustics, music theory, voice study and analysis of well-known films expand perception, imagination and the musical skills of the reader.

At first glance, Jessica Ingram's landscape photographs could have been made nearly anywhere in the American South: a fenced-in backyard, a dirt road lined by overgrowth, a field grooved with muddy tire prints. These seemingly ordinary places, however, were the sites of pivotal events during the civil rights era, though often there is not a plaque with dates and names to mark their importance. Many of these places are where the bodies of African Americans-activists, mill workers, store owners, sharecroppers, children and teenagers-were murdered or found, victims of racist violence. These images are interspersed with oral histories from victims' families and investigative journalists, as well as pages from newspapers and FBI files and other ephemera. With Road Through Midnight, the result of nearly a decade of research and fieldwork, Ingram unlocks powerful and complex histories to reframe these commonplace landscapes as sites of both remembrance and resistance and transform the way we regard both what has happened and what's happening now-as the fight for civil rights goes on and memorialization has become the literal subject of contested cultural and societal ground.

Enter the world of HBO's global television phenomenon Game of Thrones with The Photography of Game of Thrones - the definitive photographic collection from the set of the hit series. Witness how official unit stills photographer and Nikon ambassador Helen Sloan and the unit photography team selected 850 incredible images from the production of HBO's legendary series Game of Thrones, including candid, never-before-seen images of cast and crew. Enjoy exclusive access and images directly from the set as George R.R. Martin's world of Westeros was translated to the TV screen. One of 4 comprehensive and officially licensed Game of Thrones retrospective books from HarperVoyager. * UNPRECEDENTED ACCESS - 416 pages of images, details, and anecdotes covering Game of Thrones seasons 1-8. * EXCLUSIVE IMAGES - Curated from an archive of 1.5 million photos. Enjoy over 850 hand-selected images direct from the set. * UNSEEN MOMENTS - View legendary characters such as Tyrion, Daenerys, Cersei, Jaime, Brienne, and Jon Snow uniquely captured through Helen Sloan's lens. * HEAR FROM THE SHOW'S CREATORS - Features an exclusive foreword from Game of Thrones showrunners David Benioff and D. B. Weiss. * A PRESTIGE COFFEE TABLE BOOK - Deluxe 9.75 x 13 inch format. * A HIGHLY DESIRABLE GIFT FOR FANS - Released in time for the holiday season, this is the perfect gift for Game of Thrones fans.

Aretha was private. I respected this and she trusted me. Linda Solomon met Aretha Franklin in 1983 when she was just beginning her career as a photo journalist and newspaper columnist. Franklin's brother and business manager arranged for Solomon to capture the singer's major career events-just as she was coming back home to Detroit from California-while Franklin requested that Solomon document everything else. Everything. And she did just that. What developed over these years of photographing birthday and Christmas parties in her home, annual celebrity galas, private backstage moments during national awards ceremonies, photo shoots with the iconic pink Cadillac, and more was a friendship between two women who grew to enjoy and respect one another. The Queen Next Door is a book full of firsts as Solomon was invited not only to capture historical events in Aretha'smusic career showcasing Detroit, but to join in with the Franklin family's most intimate and cherished moments in her beloved hometown. From performance rehearsals with James Brown to off-camera shenanigans while filming a music video with the Rolling Stones, from her first television special to her first time performing with the Detroit Symphony Orchestra, to her last performance with her sisters at her father's church and her son's college graduation celebration. In the book's afterword, Sabrina Garrett Owens, Franklin's niece, honors her aunt, a woman who wasan over whelming supporter of civil rights, women's rights, and fundraising campaigns that helped to benefit her hometown. There was a time in her career-when Franklin was more in demand than ever before-when she insisted that if someone wanted her to perform, they had to come to Detroit. During this time all of her majorconcerts, national television specials, music videos, and commercials would happen in Detroit. Aretha Franklin showed her respect for the people in the city who championed her from the very beginning when she started singing as a young girl in the church choir. Franklin used to say, ""I am the lady next door when I am not on stage."" The Queen Next Door offers fans a personaland unseen look at an extraordinary woman in her most natural moments-both regal and intimate-and highlightsher devotion to her family and her hometown Detroit-""forever and ever.

Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting

The Corporate Eye examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing the work of, among others, Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Elspeth H. Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject itself.

"A highly welcome contribution to the field of business history as well as American visual culture." -- Business History Review

"This highly readable, interdisciplinary book provides insights into both the history of American economic development and the history of photography." -- Patricia Johnson, Afterimage

"A unique and interdisciplinary analysis of the intersection between visual and commercial culture in the USA." -- History of Photography

"The Corporate Eye is American studies and interdisciplinary cultural history at its best." -- Journal of American History

"This is a book whose 'big picture' is fully in focus." -- Technology and Culture

"Meticulous research and rich contextualization... A welcome and imaginative addition to the history of visualtechnologies and commercial history." -- Industrial Archaeology

Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.