Learn to edit your videos using Pinnacle Studio 17 Plus and Ultimate. This book works as both a set of tutorials and a manual, with comprehensive Contents and Index sections. It shows you how to get the best out of the program, suggests workflows and provides troubleshooting techniques. Beginning with some basic principles, you can then get started with the sample footage that comes with the program. Learn the basics of editing and how to use audio and multiple tracks. Studio's Smart editing rules are then explained. For more advanced techniques, download raw material (or have it sent to you on DVD) and make projects that teach you to harness the full power of multi-track editing, transitions and effects. Subjects covered include working with photos, keyframing, creating titles and menus, Importing and Exporting and the all-important subject of keeping your complex movies in sync as you edit. Developed with feedback from three previous books in the series, the text and illustrations have been fully revised for Studio 17 Plus and Ultimate users.

In Imprisoned in a Luminous Glare , Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Raiford analyzes why activists chose photography over other media, explores the doubts some individuals had about the strategies, and shows how photography became an increasingly effective, if complex, tool in representing black political interests. Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life. By putting photography at the center of the long African American freedom struggle, Raiford also explores how the recirculation of these indelible images in political campaigns and art exhibits both adds to and complicates our memory of the events. |Over the past one hundred years, Raiford argues, activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life.

Doctoral Thesis / Dissertation from the year 2008 in the subject Art - Photography and Film, grade: cum laude, University of Edinburgh, language: English, abstract: Photomontage has more to do with film than with any other art form - they have in common the technique of montage. (Sergei Tretyakov) By considering that photomontage and film use the technique of cutting and gluing as dominant artistic device, and that montage, a technique unifying art and technology for the first time, emerged as a dominant artistic feature of the avant-garde, this thesis will explore the ideological and perceptual implications of its advent in avant-garde art and film. The technological advances of the beginning of the twentieth century, and particularly the advent of photography, allowed avant-garde artists to break free from traditional concepts of artistic production - they dispensed with the old criteria of uniqueness, originality, handicraft and personal style. At a time when many avant-garde artists abruptly ceased to paint, photomontage emerged as the privileged locus for a caesura with traditional art forms. Photomontage envisioned film aesthetics insofar as it combines and juxtaposes images of various perspectival planes and angles (Raoul Hausmann described his early photomontages as "motionless moving pictures"). A corresponding observation can be made on the use of montage in cinema, a technique which crucially underpins the illusion of movement created through the succession of photographic stills. The present thesis will investigate photomontage and film in order to examine the effect technological reproduction played in revolutionising artistic production, perception and ideology - where the technique and philosophy of montage was key.

In The Guerrilla Guide to Moviemaking, C.R. Bell's twenty years experience as a cinematographer merge with his delightful cartooning style and clear prose, providing a valuable guide to educators and the self-taught alike, offering unique bite-sized lessons to help beginning filmmakers develop the skill, the vocabulary and an affordable toolkit for better filmmaking. With an emphasis on inexpensive alternatives to traditional high-priced lighting and grip equipment, Bell's delightfully hilarious sketches make the filmmaking process simple to understand and easy to apply, including some of the trickiest technical aspects of planning, setting up camera angles, shooting, lighting, editing and sound. His cleverly conceived illustrations make these lessons memorable, and include practical tips that anyone can apply to elevate the quality of their films.

Essay from the year 2010 in the subject Art - Photography and Film, grade: -, University of Westminster, language: English, abstract: Photography has played various roles in the African American Post-War Civil Rights Movement. Besides its extraordinary coverage of the contemporary Jazz scene and the historical documentation of the segregated South (Kasher, 1996), it had in particular a remarkable political function. Photography and television have given the Civil Rights fighters a voice which could not be ignored in Post-War America; by showing the struggle in all its unjust cruelty they confronted the national and international community with the shocking reality. People got motivated to express their sympathy for the demonstrators and the number of Movement supporters grew rapidly. Thereby, the most significant stream of followers arose only after the news media had shown images of unexpected outrage, making the relationship obvious (Streitmatter, 2008). In general, media do not only have a significant impact on public opinion but also contribute greatly to the success of humanitarian organisations. Often their influence even exceeds the possibilities available to politicians. This arises from the news media being the only source of information consumers get about developments further afield, making the success of civil rights movements highly dependent on their image given by press and television (International Council on Human Rights Policy, 2002). As one of these movements, the struggle for desegregation in America is the most thoroughly documented social conflict to date (Kasher, 1996). The tabloid Life, which can be seen as the national newspaper at the time (Shepherd, 1997), was reaching even more people than the new medium of television. For this reason, the magazine's understanding of the events, which was expressed by its presentation of images of the iconography of war - uniformed troopers, weaponed assaults, the wounded, state funerals - was spread w

WALERIAN BOROWCZYK: THE BEAST

Walerian Borowczyk (known as 'Boro') is one of cinema's one-offs. Quite simply, there is no filmmaker quite like Borowczyk. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's movies create their own space, with imagery, sounds and music of a really exceptional power.

The appendices include a note on fairy tales, and on other versions of Beauty and the Beast (including the Jean Cocteau movie, and the 1991 Walt Disney musical movie).

Fully illustrated, with stills from The Beast, and Walerian Borowczyk's movies, plus influences, a bibliography, filmography, appendices, quotes from Borowczyk and notes. 168pp.

www.crmoon.com

La Bete (a.k.a. The Beast, The Beast in Heat and Death's Ecstasy, 1975) was Walerian Borowczyk's most controversial lm, a mixture of French farce, surrealism, and a lot of sex (including bestiality). The story of La Bete involves an American heiress Lucy Broadhurst (Lisbeth Hummel) being brought to a French chateau with her aunt Virginia (Elisabeth Kaza) by the scheming owners (in particular the marquis, Pierre de l'Esperance played by Guy Trejan]), who need to marry her to the earthy, degenerate (and somewhat backward) son of the family Mathurin (Pierre Benedetti) in order to circumvent a will which'll keep the family home intact.

That's the framing story, about grasping aristocrats, decadent morality, degenerate priests and sexually repressed young women. This part of the lm's set in the 20th century, though it's not the conventional modern, urban world of most movies. La Bete takes place exclusively at the French chateau and its grounds (the lm is in French, but there is English dialogue - Virginia, Lucy and their chauffeur speak English).

AUTHOR'S NOTE: This book is expanded from my book on Walerian Borowczyk. The book includes an introduction relating Borowczyk to many other filmmakers and movies, from the European art movie tradition, but also the horror genre, and animation; an assessment the critical reception of Borowczyk, and the current perception of Borowczyk as a director. There are many illustrations (some of which are rare). And it contains a useful bibliography and list of sources.

The aim is to offer an introduction the extraordinary 1975 movie The Beast, in a clearly written in an entertaining style, which I hope will encourage the reader to seek out some of Borowczyk's strange, lyrical, hallucinatory and erotic movies. I hope my book will offer some fresh insights into Borowcyk and The Beast.

WALERIAN BOROWCZYK by JEREMY MARK ROBINSON

Walerian Borowczyk (known as 'Boro') is one of cinema's one-offs. Quite simply, there is no filmmaker quite like Borowczyk. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's films create their own space, with imagery, sounds and music of a really exceptional power.

Jeremy Robinson discusses each Borowczyk film in detail, sometimes going through scenes shot by shot.

Fully illustrated, with stills from Borowczyk's movies, and from the history of erotica, a bibliography, filmography and notes. 252pp.

The text has been updated for this new (2nd) edition. www.crmoon.com EXTRACT FROM THE INTRODUCTION

Goto: Island of Love was the first Walerian Borowczyk film that made a big impression on audiences and critics, winning a number of prizes. I first saw Goto: Island of Love in 1982, at Bournemouth Film School, when we watched 16mm prints as part of our film history programme. You could see there was an astonishing vision at work here. I remember above all the creation of a visceral, idiosyncratic and original world.

If I had to single out some films, I'd cite Blanche, Immoral Tales, Behind Convent Walls, The Beast and Goto: Island of Love, for their painterly sense, the use of props and costumes, and the incredible attention to detail. Very stylish, mysterious, poetic. Not forgetting the acute awareness of the history of religion and literature. Borowczyk produced some of the most memorable images in European cinema, the equal of Ingmar Bergman, Sergei Paradjanov or Andrei Tarkovsky.

AUTHOR'S NOTE: I spent a long time researching and compiling this book. It contains a huge amount of information on the amazing filmmaker Walerian Borowczyk, much of which is very, very hard to find. You have to really dig around to discover valuable information on Boro. The book relates Borowczyk to many other filmmakers and movies, from the European art movie tradition, but also the horror genre, and animation; it analyzes each of Borowcyk's movie in depth (from the sublime - Goto and Immoral Tales - to the downright terrible - Emmanuelle 5); it assesses the critical reception of Borowczyk, and the current perception of Borowcyk as a director; it contains many illustrations (some of which are rare); it considers Borowczyk's love of erotica (with illustrations); and it contains a useful bibliography and list of sources.

Lastly, my book on Walerian Borowczyk is clearly written in an entertaining style, which I hope will encourage the reader to seek out some of Borowczyk's strange, lyrical, hallucinatory and erotic movies. And if you've already seen them, I hope my book will offer some fresh insights into Borowcyk.

In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.

In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.

MANOS FANS: You can now own the COLLECTORS EDITION BOOK of "MANOS the Hands of Fate: Original Location Pictures " From the Master's Outdoor Bedroom, to the opening scene Overlook, to The Master & Torgo's house Full color. Never before seen pics about your favorite film

Capture amazing pictures of your furry and feathered visitors. Richard Peters won the European Wildlife Photographer of the Year award for a photograph taken in his very ordinary suburban back garden. In this book, he shares the methods he used to get stunning professional nature photos without having to head out on safari. Starting with the basics, this book will show a complete beginner how to capture pro-level pictures from their garden. It covers where to place your camera, how optics can completely change your shot, reveals the gadgets that can enhance your photos, and even how to overcome the elements. This is the perfect book for bird-watchers and animal lovers who want to capture what they see and share their passion with the world. Social media definitely loves a good animal photo!

Shooting with any kind of flash whether a simple light on your camera, a remotely triggered unit, or a complete studio setup completely changes the photographic experience. No longer do you simply need to be aware of light; now you need to know how to shape it to your own ends. "The Flash Photography Field Guide", small enough to be taken on the most arduous shoot, will show you exactly how to do this, whether you're shooting models in a studio, live sports events, or something as special as your friend's wedding. This book covers the details of setting up and using modern TTL flash systems, and the creative and technical choices you'll come across, from syncing the flash with the camera to modifying the quality of the light. This is a portable, ready reference that will teach you everything you need to know about using flash in your photography. It features expert guidance about lights, supports, adapters, triggering and placement. It provides comprehensive info on essential equipment and what to do with your photos once you've taken them.

Published to accompany a landmark exhibition on view at the J. Paul Getty Museum from March 15 through June 18, 2008, California Video presents the first comprehensive survey of the history of video art in California. Since the late 1960s, California artists have been at the forefront of an international movement that has expanded video into the realm of fine art. Whether designing complex video installations, devising lush projections, experimenting with electronic psychedelia, creating conceptual and performance art, generating guerilla video, or producing works that promote feminism and other social issues, these artists have utilized video technology to express revolutionary ideas. This illustrated volume focuses on fifty-eight artists, from early video pioneers such as John Baldessari, Bruce Nauman, and William Wegman, to Martha Rosler, Diana Thater, Bill Viola, and other established and emerging talents. Thirty-five recent interviews shed new light on these artists--their influences, creative processes, and impact. Together with commissioned essays, rare reprints, and unpublished video transcripts, California Video chronicles a distinctly West Coast aesthetic located within the broader history of video art.

In his survey of cinematographic practice from 1918 to 1936, Cavendish draws attention to the creative input of the cameraman and describes methods of collaboration between directors and camera operators who were often of differing cultural outlooks. He relates his study of film to parallel trends in still-photography and painting, and traces the continuing impact of pre-revolutionary cinematic norms on the production process.

This is a beginner's guide -a hand-holding fun ride with step-by-step instructions and illustrative screenshots. If you want to write a professional script or screenplay using the open source tool Celtx, this book is for you. You need not have any previous knowledge of Celtx or any other writing software.

Two photographers were in the right place at the right time. While Denali National Park is often smothered with clouds and drenched with rain in August, a climatological anomaly placed a narrow ridge of dry warm air across the state of Alaska, bringing clear, mist-free air to the mountains. On a flight-seeing tour of a lifetime, Mary Linda Miller and Carmelo Monti captured in an hour sunlit views that might otherwise require numerous trips to see. From the Talkeetna River to Mount McKinley, with two cameras facing in opposite directions, their images reveal vast expanses of boreal forest, marshes, streams and lakes; glaciers of every size and shape, from origins to terminus; and worn-smooth foothills rising to the crescendo of the tallest snowcapped peaks in North America. "An Hour Over Denali" contains a collection of 75 time-stamped aerial photographs taken on August 11, 2011 during a flight-seeing tour over Denali National Park and Denali State Park; an introduction that describes the process in greater detail; a map that defines the flight-seeing route; and descriptions of the photos that tie them to their locations.

Seminar paper from the year 2009 in the subject Art - Photography and Film, grade: 6 (Schweiz), University of Zurich (Kunsthistorisches Institut), course: Global Issues in Contemporary Photography: The Politics of the Big Picture, language: English, abstract: The paper investigates the construction of Chinese youth identities in the photography work of Chinese artist Cao Fei. For this purpose, the author first offers an overview of the current debates on cultural globalization, to go on discussing local and global aspects of Cao Feis work.

Designed for the novice or for a course in film editing, the book is the perfect introductory text. Editing is the art of using the building blocks supplied by the writer and director to create a structurally sound and brilliant piece of cinematic dazzle. As the word is to the sentence, so the shot is to the scene, and the editor must write coherently. This book teaches the aspiring editor how to speak the inspiring language of images. For projects, it covers the latest version of Final Cut Express, contains structured exercises, and uses video clips on the companion DVD, to allow the reader to apply the lessons of the book in clear and entertaining ways. Solutions to exercises and PowerPoint slides are available to instructors.Brief Table of Contents: 1 - History of Film Editing. 2 - Different Editing Aesthetics. 3 - How Genre Affects Editing. 4 - Narrative (Fiction) vs. Documentary. 5 - Features vs. Shorts. Part II. Final Cut Express. 6 - A Brief History of NLE Systems; MAC vs. PC; FCP vs. FCE. 7 - Basic Interface of Final Cut Express. 8 - Understanding the Different Tools. 9 - Effects and Advanced Techniques; LiveType. 10 - Understanding Format; Outputting/Exporting. 11 - Why is Kuleshov's Legacy Important? 12 - Sound Design. 13 - Genre 1 - Comedy. 14 - Genre 2 - Drama. 15 Genre 3- Thriller/Horror Film. "

Photography and the outdoors could have been made for each other. This book is about making the most of that connection. Outdoor enthusiasts who want their photographs to do full justice to the quality of their outdoor experiences need look no further. Building on the foundations of the original Cicerone guide to outdoor photography, this second edition has been rewritten from the ground up, and expanded to cover a wide range of outdoor activities on land, in and on the water, in the air and in extreme environments. Professional outdoor photographers Jon Sparks and Chiz Dakin introduce and explain essential technical concepts in the clearest possible language. The emphasis is on practical, realistic advice for people who want to take better photographs of what they like doing best, while still enjoying it to the max.

Project Report from the year 2010 in the subject Art - Photography and Film, grade: -, -, language: English, abstract: 100 Great Tips for the Amateur DSLR Photographer The Cape Town Best Seller e-Book Series International Edition 100 Great Tips for the Amateur DSLR Amateur Photographer addresses the basic 'must know' and 'need to know' tips to get you going with your DSLR (digital single-lens reflex) camera. It is written in a language that is easy to understand and cuts to the chase. No complicated technical jargon, or sequential training methodology. My method is one of emersion - YOU are thrown in at the deep end YOU, the learner and aspirant photographer, yes YOU, decide the pace, the topic or tip, the duration of practice, etc. And it is all demonstrated in clear photographs that illustrates the underlying tip. Just page to the topic of interest and 'Voila ', it is explained in one or five (?) printable and descriptive photographs Take this with you and go and practice it. There are 100 easy to understand tips - all beautifully illustrated by yours truly in about 190 or so photographs covering all the issues you need to get you going and truly enjoy this fine art form. Topics include studio work, panning, spot metering, nudity, z-cards, low light photography and host of other topics. You'll love it Michael Paulse (AUTHOR)

Rob Higgins shows how taking the aerial route gives unique insights into the history and workings of Britain’s railways. The marvels of Victorian engineering in their construction, their relationships to the canals they replaced as the main arteries of transport, and the communities and industry they spawned along their length can all be seen in detail. This book flies from the Scottish Highlands to Cornwall; from marshalling yards in the centre of the UK to lines hugging cliffs and beaches. All the viaducts on the ‘top’ section of the Settle & Carlisle line are featured, together with many other viaducts and bridges, including the swing bridges in the Norfolk Broads. Lineside industries are seen, from a huge malting complex in East Anglia to our fast-disappearing coal-powered power stations.

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Veronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz.

This is an up-to-date guide to all the basics of HD video, one of the hottest new features on D-SLR cameras. It looks at, among other things, recording audio, shooting techniques and outputting final video files. HD video is one of the hottest new features on digital SLR cameras and photographers are eager to understand how it works and optimise their results. Digital experts Rob Sheppard and Michael Guncheon have created an up-to-date guide to all the basics. They address gear, recording audio, shooting techniques, formats and standards for HD video, editing video and audio files and outputting final video files, everything a photographer new to the technology needs to know!

Photographers who want to improve their picture taking need a book that cuts right to the chase--one that provides the information instantly, without forcing them to wade through loads of extraneous detail. That's just what acclaimed photographer and teacher George Schaub does in this superb introduction to scenic photography: heoutlines only the crucial concepts and principles--from spot metering and fill flash to backlighting and sharpening--and applies them to real-world shooting scenarios out in the field. "This guide will help photographers: " - Use camera tools such as the highlight warning to check images in the field and make sure skies and waterfalls are not overexposed - Reduce noise in deep-forest shadows and in sunset and sunrise photos - Make flowers stand out with photos that exhibit painterly bokeh - Use white balance to creatively accentuate autumn colors - Control shutter to convey movement in streams and rivers