Sound-On-Film contains interviews with 27 prominent men and women who discuss their careers and the art and craft of film sound. These sound creators represent many of the crafts working in film sound, including production sound, sound editing, sound design, automatic dialogue replacement (ADR), Foley, re-recording mixing, and sound engineering. The interviews are presented in an order that attempts to give the reader a historical perspective on the development of film sound from the studio era to contemporary productions.

The interviews explore how sound creates an aural look to the film in the same way that production design and cinematography creates a visual look to a film. The discussions focus on the relationship with renowned Hollywood film directors and how sound was conceived and executed for specific films. Among the highly acclaimed and seminal films discussed are "Star WarS," "Nashville," "The Conversation," "Apocalypse NoW," "Raging Bull," and "Terminator 2." In addition to the interviews, the book contains biographical background and a selected filmography of each sound creator as well as a glossary of terms and a bibliography for further study. It is essential reading for film students, academic scholars and film educators as well as industry professionals and moviegoers who want to understand the aesthetic and technical role of those who work in film sound.

Independent director and screenwriter John Andrew Gallagher, interviews 21 filmmakers on the craft of motion picture directing. Francois Truffaut, the late great French director, as well as Michael Cimino, Ulu Grosbard, Dennis Hopper, Alan Parker, Susan Seidelman, Joan Micklin Silver and many others reveal behind-the-scenes anecdotes about well known films and stars.

The big gamblers who spend millions per film as well as the colorful low-budget kings provide an intriguing look at the mechanics of filmmaking. Choosing and preparing the screenplay, working with actors and crew, dealing with the distributor, and advice to young filmmakers--all are covered in this book's illuminating interviews. Serious students of cinema, filmmakers, movie buffs, and people fascinated by film will find Film Directors on in this book's illuminating interviews.

Many of the historic houses in and around the town of Victoria, Texas, were built between 1875 and 1910 by immigrant owners. From 1973 to 1975, with the support of a grant from the National Endowment for the Arts, Rick Gardner traveled throughout the region, taking photographs of these historic homes. Gardner relied on his own instincts and guidance from knowledgeable locals as to where he should aim his lens. This book is an appreciative glimpse at what these vernacular houses looked like a century after their construction. Gardner has teamed up with Victoria historian and preservationist Gary Dunnam to present these rich images along with brief historical sketches of the houses and, where possible, the persons who occupied them when they were newly constructed. The result is an understated and elegant suggestion of what life may have been like for the merchants, bankers, agriculturalists, and others who built and lived in these homes during the late nineteenth and early twentieth centuries. Designed to appeal to those with a love for old houses and especially for the preservation of historic structures, All the Houses Were Painted White offers its readers a stately appreciation of these homes and their place in the South Texas landscape. It is also a tribute to the architects, owners, and anonymous craftspeople who built the houses-to their vision, skill, ingenuity, imagination, creativity, and endurance.

In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write a new history of photography, one that encompasses the rise of the commercial portrait studio in the 1840s, the popularization of amateur photography around 1900, and the mass circulation of postcards and other photographic ephemera in the twentieth century. She examines the racial politics that shaped some of the most essential elements of the medium, from the negative-positive process to the convention of the photographic smile. The book also places historical discourses in relation to contemporary art that critiques racism through humor, including the work of Genevieve Grieves, Adrian Piper, Lorna Simpson, Kara Walker, and Fred Wilson. By treating racial humor about and within the photographic medium as complex social commentary, rather than a collectible curiosity, Study in Black and White enriches our understanding of photography in popular culture. Transhistorical and interdisciplinary, this book will be of vital interest to scholars of art history and visual studies, critical race studies, U.S. history, and African American studies.

Go here. Do that. Work here. Buy that.

Spend each day bored, staring at a screen, wondering if this is really all there is.

There is another way.

My name is Nightscape. Through years of training, I get to see the city in a way nobody else does. With this book, I want to show you what the world looks like through my eyes and inspire everyone to find their passion.

Don’t let anyone tell you what your limits are.

"Jay B. Sauceda is creating a new kind of literature for the state, a visual literature that is as significant and powerful as John Graves's Goodbye to a River, Robert Caro's The Path to Power, Edna Ferber's Giant, or T. R. Fehrenbach's Lone Star. His compositions accomplish what all great work does-offering a new way of seeing things so familiar that we have stopped seeing them." -Rick Bass in Texas Monthly On the ground, Texas is a vast patchwork of natural and human landscapes-wide open spaces contrasting with sprawling cities; the watery worlds of rivers, lakes, and coastlines giving way to the arid vistas of plains and deserts. From the air, though, Texas takes on a wholeness that unites the landscapes that people manufacture with the land that nature still sculpts. This is the Texas that Jay B. Sauceda portrays in A Mile above Texas, a book of stunning aerial photographs that document the entire perimeter of the state. Sauceda flew 3,822 miles, over five days in 2015, in a single-engine Cessna. He shot more than 44,000 photos from the plane, via handheld cameras and GoPros attached to the wings. This book presents the very best of those photographs in sections that cover each leg of the trip: Victoria to Marshall, Marshall to Dalhart, Dalhart to El Paso, El Paso to Marfa, and Marfa to Mustang Beach. With fresh views of Texas's beaches and rivers, woodlands and deserts, cities and farms, A Mile above Texas offers an encompassing view of the state that perhaps only flyers and migratory birds have enjoyed before now.

Discover the world's greatest record-breaking feats, stunts and tricks in this interactive celebration. YouTube is the world's most-visited video sharing site, where more than 1 billion hours of content are viewed every day. It's packed with seemingly endless amazing clips, many documenting incredible feats of human endeavour and endurance. YouTube World Records 2022 is the original and best interactive celebration of these heroic and often jaw-dropping efforts. Super-powered with on-the-page QR code links to more than 250 amazing videos, YouTube World Records 2022 showcases the greatest feats ever recorded on the internet. From the tallest and smallest to the greatest and maddest, this sensational collection covers music, sport, technology and everything in between - including pancake tossing. fiery-hot pepper eating, mega-quick drumming and unbelievable basketball slam-dunks. Vibrantly illustrated and incredibly entertaining, this is the ultimate celebration of the world's greatest records.

As its centenary year gets underway, ARRI looks back at its rich history, assesses the values and principles that have helped it reach this milestone anniversary, and sets its sights firmly on the future. 2017 marks 100 years since August Arnold and Robert Richter rented a small former shoemaker's store in Munich and set up shop as a film technology firm. The two young friends started with just one product: a copying machine they built on a lathe Richter ha d received as a Christmas present from his parents. Taking the first two letters of their surnames, they christened their new enterprise ARRI. Arnold and Richter were camera operators, film producers and an equipment rental outfit before they ever manu factured an ARRI camera. From the very beginning they worked directly with filmmakers and the insight they gained helped them to develop equipment that met real on - set needs. First and foremost they were film enthusiasts, driven by a love for visual storyt elling and technology. In today's industry, with technology driven at breakneck speed by marketing hype, this philosophy of listening to what filmmakers want - rather than telling them - is more The Academy of Motion Picture Arts and Sciences has recogniz ed ARRI's engineers and their contributions to the industry with 19 Scientific and Technical Awards. On the occasion of the anniversary year ARRI has spoken to about 200 filmmakers - film directors, cameramen, gaffer, historians, producers, technicians, in novators and inventors - from around the globe and asked them about their view on the film industry, t echnology , and art as well as their stories about this world - k nown manufacturer. We tell the story of ARRI, but not as one long essay: We offer a collection of short films; experiences and short ane c dotes : a kaleidoscope about the history of the company, the technical achievements, the involved people, about clients, using the equipment and services. They talk about how ARRI and how the inventions helped them telling their stories.

Photographer O. N. Pruitt (1891-1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow White citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and most grimly, a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the vexing interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 150 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion and racial violence, small-town work-life and entertainment, and the idea of visual legacy as linked to historical memory.

Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he's chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he's compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you're making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full color collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging. Featured topics include: *Tech, including the fundamentals of how digital images are formed and how they evolved to match the look of a film, as well as image compression and control *Optics, providing a thorough examination of lenses and lens interchangeability, depth of field, filters, flare, quality, MTF, and more *Cameras, instructing you in using exposure tools, ISO, white balance, infrared, and stabilizers *Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting problems Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for you, and much more. For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, the current technical editor and columnist for Digital Video, and the lighting columnist for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

Though photographers Dorothea Lange and Ansel Adams were contemporaries and longtime friends, most of their work portrays contrasting subject matter. Lange's artistic photodocumentation set a new aesthetic standard for social commentary; Adams lit up nature's wonders with an unfailing eye and preeminent technical skill. That they joined together to photograph Mormons in Utah in the early 1950s for Life magazine may come as a surprise. In a Rugged Land examines the history and content of the two photographers' forgotten collaboration Three Mormon Towns. Looking at Adams's and Lange's photographs, extant letters, and personal memories, the book provides a window into an important moment in their careers and seeks to understand why a project that once held such promise ended in disillusionment and is now little more than a footnote in their illustrative biographies. Swensen's in-depth research and interpretation helps make sense of what they did and places their efforts alongside others who were also exploring the particular qualities of the Mormon village at that time.

This daybook presents 365 entirely new, utterly dazzling images from master aerial photographer Yann Arthus-Bertrand. The pictures cover every corner of ever continent, from icy arctic floes to tropical forests, from the deserts of north Africa to the vertiginous peaks of Nepal. Arthus-Bertrand's breathtaking, full-colour photographs are accompanied by informative captions that illuminate what we see, and describe the environmental concerns related to each location. At once inspiring and transcendentally beautiful, The Earth from the Air 365 New Days is a volume to treasure for years on end.

This book covers the last 20 years of artistic research by one of the leading contemporary Italian photographers: Walter Niedermayr. Through the recurring themes of his work such as Alpine landscapes, architecture and the relationship between public and private spaces, the artist's interest in investigating places not only from a geographical but also from a social point of view is highlighted. Although in continuity with the legacy of the Italian photographic tradition, which views the landscape as the key to interpreting society, Niedermayr's visual research is significant in terms of its ability to reinterpret this subject and renew it from both a conceptual and a formal point of view. For the South Tyrolean photographer, physical space today cannot be approached with an exclusively documentary intention, but as the pivot of a transformative relationship between ecology, architecture and society. In some of the works in the Alpine Landschaften (Alpine Landscapes) series, for example, the presence of man in the depiction of the landscape is interpreted as a parameter for measuring the proportions of Alpine panoramas, and at the same time as a political yardstick for his intervention in the metamorphosis of the natural equilibrium. This topic is also underlined in works such as Portraits, where the snow cannons filmed during the summer season - and thus inactive - become ambiguous presences residing in the landscape. Text in English and Italian.

The first photo book by the Nasa astronaut Scott Kelly, who spent a record-breaking Year in Space. This is an awe-inspiring collection of the photos Scott took himself while on board the International Space Station, many of which have never been seen before. Scott Kelly has seen the world in ways most of us never will. During his record-breaking 340 consecutive days on board the ISS, Scott Kelly circled the earth 5,440 times, witnessing 10,944 sunrises and sunsets - that's 16 a day. In all this time, he posted just 713 photos on Instagram. But it's not all sunrises, sunsets and #nofilter. Through the photos Kelly took during his time in space, we can learn to see the world in a new way and we are afforded a glimpse into a life that most of us will never encounter but of which many of us dream. This book will show you what it's really like to be a Nasa astronaut.

The works included in this volume are not shots taken directly from reality but, instead, they offer landscapes that were recreated through a complex photographic staging, in which Maselli highlights, through different techniques such as fragmentation, repetition, proliferation and superposition, the magnificence of the mountain ranges previously photographed from nature. These recreations, which pursue the bewilderment of the sublime, also embrace the vehicular concern of contemporary photographic discourse: the elucidation of the boundaries between reality and its representation.

Combine a technological marvel, the natural beauty of Cape Cod, and a renegade drone pilot who finds art everywhere he looks, and the result is a photographic collection that's dramatic and sometimes dizzying. The culmination of three years of drone pilot Chris Gibbs's aerial journeys across one of the most striking land masses in North America, more than 150 select images capture the essence of what draws travelers from all over the world to Cape Cod: wildlife and weather, boats and beaches, famous landmarks and hidden gems. With their ability to hover at low altitudes and capture previously unseen subjects, drones explode conventional photographic limitations on perspective and composition. The mesmerizing colors and abstracted landscape and tidal patterns offer us an intimate view of this cherished national treasure.

This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail--information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Capture amazing pictures of your furry and feathered visitors. Richard Peters won the European Wildlife Photographer of the Year award for a photograph taken in his very ordinary suburban back garden. In this book, he shares the methods he used to get stunning professional nature photos without having to head out on safari. Starting with the basics, this book will show a complete beginner how to capture pro-level pictures from their garden. It covers where to place your camera, how optics can completely change your shot, reveals the gadgets that can enhance your photos, and even how to overcome the elements. This is the perfect book for bird-watchers and animal lovers who want to capture what they see and share their passion with the world. Social media definitely loves a good animal photo!

An unlikely but firm friendship between a professional wildlife photographer and a retired vicar with a passion for aviation has resulted in this extra-ordinary collaboration which celebrates the diversity of Shropshire, as seen from the air. Over a period of two years, Mark Sisson (below left) and the Reverend Henry Morris (below right) have met up at short notice, weather permitting, to fly over different parts of Shropshire. Angling the small Socata aircraft at 45 degrees, Vicar Henry has put Mark in the right position to photograph the network of canals, waterways, ridges, hills and valleys, patchworks of crops, quarries, monuments, towns and villages. Mark has tried to capture the surprises and the beauty of Shropshire from the air.

The Mississippi Delta is known for many things. It is a land of stark contrast, in which rich soil produces an agricultural bounty as well as fearsome economic want. The Delta has compelled generations of writers, musicians, and artists to chronicle and engage its harsh and mysterious beauty. Seen through the penetrating lens of noted photographer Maude Schuyler Clay, the nearly deserted buildings and landscapes of the Delta are brought to life by the dogs that roam the wide fields and swamp-soaked shadows.

For the past fifteen years, Clay has been driving the back roads photographing her native Delta. In the darkroom of her hundred-year-old family homestead in Sumner, Mississippi, she has developed hundreds of images of eroding architecture, misty bayous, small stands of woods, endless rows of crops. And dogs. Clay has spotted and captured the elemental spirit of dogs eking out existences from this majestic landscape. In her iconic book "Delta Land," Clay introduced the "Dog in the Fog," the muscular lab standing watch in the mist and trees of Cassidy Bayou. This photo became widely recognized, and Clay wanted to further explore the relationship between the land and the numerous dogs populating its fields, bayous, and abandoned spaces.

This new book, "Delta Dogs," celebrates the canines who roam this most storied corner of Mississippi. Some of Clay's photographs feature lone dogs dwarfed by kudzu-choked trees and hidden among the brambles adjacent to plowed fields. In others, dogs travel in amiable packs, trotting toward a shared but mysterious adventure. Her Delta dogs are by turns soulful, eager, wary, resigned, menacing, and contented.

Writers Brad Watson and Beth Ann Fennelly ponder Clay's dogs and their connections to the Delta, speculating about their role in the drama of everyday life and about their relationships to the humans who share this landscape with them. In a photographer's afterword, Clay writes about discovering the beauty of her native land from within. She finds that the ubiquitous presence of the Delta dog gives scale, life, and sometimes even whimsy and intent to her Mississippi landscape.

In this book, the interaction between high-end molecular gastronomy and architecture is explained in an illuminating and entertaining way.

If you've ever wanted to take dynamic and vibrant digital photos of your favorite band in concert, but aren't sure how to tackle such obstacles as approaching the stage, tricky lighting situations, or even what equipment to use, then look no further! Concert and Live Music Photography is a comprehensive guide to shooting live music performances, providing you with the right information on equipment, camera settings, composition, and post-processing to get the best out of each performance shot. J. Dennis Thomas, whose work has appeared in such magazines as Rolling Stone, SPIN, and Country Weekly, shares tips on lighting, common problems, etiquette, and recommended camera settings for shooting in a variety of different venues, including clubs, bars, outdoor concerts, theatres, stadiums, and arenas. He also explains how to get the right credentials to get you closer to each performance. Jam packed with over 160 photos from today's top concerts, this book will not only give you the information you need to start taking rockin' photos of your favorite musicians, but will spark your creativity when you're anticipating the next shot. For the on-the-go photographer, a cool companion website features additional tips, venue troubleshooting, and an equipment checklist when you need to think on your feet while running to another gig.