This one-of-a-kind book, more than seven years in the making, is a dramatic photoexploration of the Indian subcontinent from the air. The breathtaking visuals, many of them photographed from over 30,000 feet from the cockpit of MIG fighter planes, and others from AN-12 transporters and MI-8 choppers, are a poetic mosaic of the stunning variety of India's entire landscape -- from ocean to sky. The Andaman Islands and the Indian Ocean in the south, the rain forests of the western coastline, the sparkling harbours of Goa, Rajasthan's golden sands, hamlets and tea plantations of the jungles in the North-east, the mighty peaks, glaciers and rivers of the Himalayas -- all combine in a profusion of kaleidoscopic images to make an awe-inspiring statement of the earth as art.

This book is about the least known, yet very fascinating part of the photographic industry, namely Photofinishing. It converts images, be they digital or film, from the camera to print, greeting cards or other media. Ever since George Eastman introduced inexpensive films and cameras at the end of the nineteenth century, photography has been one of the most popular pastimes. Prior to that time, photography was very complicated not to mention expensive and very few people practiced it. Eastman realised that to popularise photography, a developing and printing service was required and he launched this with the slogan You press the button we do the rest . That was the beginning of the photofinishing industry, which is what the book is about. The book s first two chapters are a short history of photography from Daguerre and Fox Talbot in 1839 to the present day. Then there are 3 chapters about the technology of photofinishing, including minilabs and the digital age. These are followed by accounts of photofinishing in the US, the UK, France, Germany, Italy and Japan plus a short note concerning other countries. These chapters include many anecdotes, often by larger than life characters, which many people will find entertaining. Finally there is a chapter about photo labs and the environment. The book is written in an easy to read style combining interesting historical stories with descriptions of technology which are not widely known. It is aimed to appeal to a wide spectrum of readers, including happy snappers, serious photographers, people who have worked in the photofinishing industry and students. Not everyone will want to read every page of the book, but there is plenty to appeal to most people who have any interest in photography. For this reason alone it should make an attractive present. The authors, Peter Rockwell and Peter Knaack have spent much of their working lives in this very international industry and have inside knowledge of how it operates in many countries.

"Now there is no reason to prevent anybody from making a film. The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire equipment to make a film can go in a couple of cases and be carried as hand luggage on a plane. "--Mike Figgis
In this indispensable guide, Academy Award nominee Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking technology so as to get the very best from it. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process--from working with actors to lighting, framing, and camera movement. He dispenses further wisdom on the editing process and the use of sound and music, all while establishing a sound aesthetic basis for the digital format.
Offering everything that you could wish to know on the subject, this is a handbook that will become an essential backpocket eference for the digital film enthusiast--whether your goal is to make no-budget movies or simply to put your video camera to more use than just holidays and weddings.

Digital photography offers countless new opportunities and challenges for portrait photographers who cater to children and families. With techniques in this book, photographers will be able to make the transition more smoothly and begin reaping the benefits of digital photography more quickly.

A superb hand-on manual containing a wealth of underwater tips, hints and advice - all beautifully illustrated with brand new, full colour images.
Martin Edge, a leading authority on underwater photography, will help you capture stunning effects using his popular 'think and consider' system - offering a heightened awareness and understanding of the subject matter, lighting and environment to take the perfect picture. Practical examples take you step-by-step through the basic techniaques from photographing shipwrecks, divers, marine life and abstract images to taking photographs at night and 'dual lighting'.
In 1999 the late Jim Church, guru of underwater photography, said: 'As a member of the new generation of underwater photography writers, [Martin has] set a standard that will only be surpassed when [he writes] a third edition.' Here it is, we hope you enjoy it.
* Learn 'how that shot was taken' with practical case studies
* Beautifully illustrated throughout with inspirational full colour underwater images
* Covers the highly respected philosophy of the 'Think & Consider' System

VirtualDub is one of the most popular video processing application for Windows. As an Open Source application, it's free, and is constantly updated and expanded by an active community of developers and experts. VirtualDub particularly popular for capturing video from analogue sources such as video tape, cleaning up the image and compressing it ready for distribution over the Internet. This book provides a rapid and easy to use tutorial to the basic features of VirtualDub to get you up and running quickly. It explains how to capture great quality video from various sources, use filters to clean up the captured image and add special effects. The book has shows all to use VirtualDub to cut and paste video to remove or insert sequences, including removing ad breaks or trailers. It goes on to cover the art of effective encoding and compression, so you end up with great quality videos that won't hog your bandwidth forever. VirtualDub is the fastest and most effective way to capture, process and encode video on your PC. This book gets you started fast, and goes on to give you full control of all the features of this legendary tool.

Entertain yourself, your family, and your friends while you create beautiful, funny, and interesting compositions with your digital and printed photography. This thorough guide is loaded with answers, suggestions, examples, and techniques to help you with scanning, image editing, printing, and more.

Music video is a popular form worldwide. It is a teachable and accessible topic because the videos are familiar to students, easy to obtain, and short. And because it is always changing, it makes an exciting and vibrant media form to study and analyze, raising interesting questions about representations, media language, institutions, and audiences--the four key concepts of media studies. Music video has also had considerable influence formally and stylistically upon a range of other media and cultural artifacts globally. This teaching guide gives you everything you need to approach the topic with your students, including guidelines to practical work.

If you're looking for an easy and stimulating way to master Adobe Encore DVD and fine-tune your moviemaking skills at the same time, look no further than Adobe Encore DVD: In the Studio. This full-color tutorial will help you push the limits of Adobe Encore DVD by helping you to create highly imaginative designs and projects. Designed primarily for Adobe Creative Suite developers, particularly those using Adobe Premiere and AfterEffects, as well as filmmakers who wish to transfer their projects to DVDs, the book combines practical learning materials and project-based lessons. But Adobe Encore DVD: In the Studio is not your average tutorial. The book draws on the experience of author Doug Dixon--an expert on Adobe Encore DVD, the author of other books on DVD development, and a core member of the product's alpha and beta programs. Well-versed in both the use and design of Adobe Encore DVD, Dixon imbues this O'Reilly Media digital book with the unique perspective of an insider who really knows his pixels. Adobe Encore DVD: In the Studio discusses the protocols involved with DVD files and file systems; pixel aspect ratio issues; common gotchas using both still and motion media; and a plethora of tips and tricks to using dynamic buttons. You'll get up to speed on importing from Photoshop and AfterEffects, making motion video menus available, and looping video and audio. You'll also learn about adding multilingual menus and subtitles, encoding rules, scripting, and even placing Easter eggs in a DVD! By studying this comprehensive, hands-on tutorial, you will be able to quickly and efficiently develop professional-looking DVDs studded with special effects worthy of a Hollywood studio.

Spectacular views of Oregon's rocky coastline and the scenic driving routes that pass through it make it a favorite destination for amateur and professional photographers alike. This book tells you exactly where to go and how to go about shooting these "picture-perfect" places, so that you don't need to actually be a professional to take great photos.

Lively descriptions of each place are accompanied by directions and detailed maps for how to get there, plus information on seasonal timing, places to eat and stay, and other photo opportunities to explore along Oregon's coast. Also included is an appendices featuring the authors' favorite places to photograph and tips on digital photography. Packed with helpful tips for amateur and professionals alike, this book should be in the camera bag of every photographer who seeks to capture Oregon's stunning coastal beauty.

Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider's analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art.

Another winner in the extremely popular How to Do Everything series, this friendly, solutions-oriented book is filled with step-by-step examples on shooting, editing, and producing professional-quality home or business videos complete with sound, animation, and other finishing touches. The book covers all the hardware and software involved as well as techniques for creating streaming video for Internet use.

FROM THE EDITOR OF THE STANDARD HANDBOOK OF VIDEO AND TELEVISION ENGINEERING THE ALL-MEDIA GUIDE TO PROFESSIONAL VIDEO PRODUCTION

You dont need an engineering degree to succeed in video production. In this book, video expert Jerry Whitaker shows you production from the inside out, from studio lighting to creating post-production special effects.

The Art of Video Production

Perfect for anyone who wants to build skills in the fast-growing field of digital video production, and produce video for TV, HDTV, movies, the Internet, or any other application, Master Handbook of Video Production shows you how to--

* Select, install, and work with digital equipment

* Understand MPEG video compression

* Design video production centers

* Master standard-definition and high-definition production

* Assess bandwidth, scanning, and resolution issues

* Optimize use of video computer graphics, time code, and archiving

* Master video switching, timing, and distribution

* Achieve the highest production values in video and high-definition video

Now you can make exciting digital movies using this easy-to-use and information-packed resource. Covering all editing basics, as well as serious film-making techniques, you will be able to successfully apply visual effects and control sound with pinpoint accuracy-- and deliver digital stories you never thought possible.

Through a series of engaging and interlinked case studies on the news magazine, Hollywood film, brand advertising, and movie colorization, this volume examines the resurgence of the black and white image in the 1990s. At a time when American culture was undergoing both diversification and demystification, the black and white image became the expression of nostalgia as a cultural style and was strategically used in the media to visualize a sense of American memory, heritage, and identity. Challenging the current definition of nostalgia as a mood connected to longing and loss, the author presents it as a cultural mode that commodifies and aestheticizes memory. By examining the politics of stylized nostalgia, this volume provides new insight into the construction, representation, and preservation of American national memory at the turn of the 20th century.

Sound Design for Moving Image offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions. Contemporary soundtracks are often made up of hundreds of separate tracks, and thousands of individual sounds, including elements of dialogue, music and sound effects. As a result, many budding filmmakers find them a daunting prospect, and are tempted to leave sound to the last stages of post-production. This book, from award-winning Sound Designer Kahra Scott-James, encourages you to incorporate sound into your pre-production planning, to make the most of this powerful narrative tool. Adopting a specific framework in order to help demystify sound design for moving image, the book isn't designed as a sound engineering handbook, but as a guide for moving image content creators wanting to explore sound and collaborate with sound designers. Regardless of medium, the same, or similar concepts can be adopted, adapted, and applied to any project employing sound. Includes detailed and insightful interviews with leading sound designers, including Randy Thom, Director of Sound Design at Skywalker Sound, and Glenn Kiser, Director of the Dolby Institute, as well as practical projects to help you hone your skills using video and sound files available from the companion website - https://bloomsbury.com/cw/sound-design-for-moving-image - making this is a complete sound course to take you from novice skills to confident practitioner.

In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film.

Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are.

Rothman and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. Read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film.

Reading Cavell's The World Viewed will prove invaluable to scholars and students offilm and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.

By using photography as a storytelling medium, the cinematographer plays a key role in translating a screenplay into images and capturing the director's vision of a film. This volume presents in-depth interviews with 13 prominent cinematographers, who discuss their careers and the art and craft of feature film cinematography. The interviewees--who represent the spectrum of big-budget Hollywood and low-budget independent filmmaking from the sixties through the nineties--talk about their responsibilities, including lighting, camera movement, equipment, cinematic grammar, lenses, film stocks, interpreting the script, the budget and schedule, and the psychological effect of images. Each interview is preceded by a short biography and a selected filmography, which provide the background for a detailed analysis of the photographic style and technique of many highly acclaimed and seminal films.

Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than 150 documentary films and videos, traces the two main approaches to documentary—recording behavior and re-creating past events—and shows students how to do both effectively. Covering all the steps, from conceptualization to completion, the book includes chapters on visual evidence; documentary ethics; why reality is not enough; budgeting; and casting, crew, and equipment selection.

What do porn films tell us about our own erotic impulses? What can we learn about our culture's sexual attitudes, fears, and fantasies from the ways that porn films are designed and produced? In this book, Dr. Robert J. Stoller, one of the world's leading experts on human sexual behavior, joins with I. S. Levine, a professional writer with long experience in X-rated video making, to examine the ideas and psychological makeup of the participants in an adult heterosexual X-rated video, Stairway to Paradise. Their interviews with performers, writers, directors, producers, and technicians provide extraordinary insights into the technical aspects of this type of video, the motivations and backgrounds of the people involved, and the porn industry's view of the video's intended audience. Stoller, Levine, and the porn filmmakers have wide ranging discussions about the aesthetics, ethics, and etiquette of the porn industry; the hostility that Dr. Stoller claimed underlies all erotic excitement; the liberating - and educational - function of porn in a puritanical culture; the misconceptions of antiporn crusaders; the impact of AIDS on the participants; and the future of the porn film industry. The authors hope that if we understand how and why a pornographic work is created, we will be better able to understand the implications of the legal and moral issues it raises.

The Holography Handbook has received recommended reviews from Scientific American, Booklist (American Library Association), Library Journal, New Scientist and Home Electronics & Entertainment. Although out of print for a while, this book is now back in print and available. This book is the defining source on how a hobbyist can make excellent quality holograms on a limited budget. The book also contains sections on advanced techniques and holography as a art form.

Sound-On-Film contains interviews with 27 prominent men and women who discuss their careers and the art and craft of film sound. These sound creators represent many of the crafts working in film sound, including production sound, sound editing, sound design, automatic dialogue replacement (ADR), Foley, re-recording mixing, and sound engineering. The interviews are presented in an order that attempts to give the reader a historical perspective on the development of film sound from the studio era to contemporary productions.

The interviews explore how sound creates an aural look to the film in the same way that production design and cinematography creates a visual look to a film. The discussions focus on the relationship with renowned Hollywood film directors and how sound was conceived and executed for specific films. Among the highly acclaimed and seminal films discussed are "Star WarS," "Nashville," "The Conversation," "Apocalypse NoW," "Raging Bull," and "Terminator 2." In addition to the interviews, the book contains biographical background and a selected filmography of each sound creator as well as a glossary of terms and a bibliography for further study. It is essential reading for film students, academic scholars and film educators as well as industry professionals and moviegoers who want to understand the aesthetic and technical role of those who work in film sound.