THE ADVANCED DIGITAL PHOTOGRAPHER'S WORKBOOK is packed full of real-world yet incredibly practical and effective solutions to move digital photographers to a new level of performance. Contributors include twelve world-class professional digital photographers who share their tips and tricks. The authors provide details to move you beyond the basics of capture, processing and output to more sophisticated workflow functions and techniques that will help you create world-class images. They cover rigorous yet easy-to-understand approaches to: capture a great image in black-and-white and color, correct color, calibrate and set up systems properly, creatively manipulate and enhance the image, and produce an excellent print or output of the image. Contributors: Steve Anchell, Stephen Burns, Yvonne Butler, Eric Cheng, Joe Farace, Lou Jones, Rick Sammon, George Schaub, Jeremy Sutton, Tony Sweet, Taz Tally, Eddie Tapp

The best photographs start with proper attention behind the camera before you take them. Jon Tarrant shows you how to achieve this by fully explaining how digital cameras work so you too can achieve professional-looking results without having to resort to image manipulation on a computer.

Jon explains all the basics of digital cameras: their anatomy; an outline of broad classes, indicated by price bands and features offered; a comparison with existing families of film cameras as a useful guide to newcomers. He also provides an invaluable buyer's guide pointing out features to look for on a digital camera before you make your purchase.
Coverage includes detail on lenses, exposure basics, 'correct' exposure, using flash, the chip and the implications of this 'restriction', image quality and retaining this quality, as well as discussion of the difficulties of digital cameras and sections on specific types of photography with digital cameras. Complete coverage is ensured with information on printing, storage and filing, the Internet as a medium of images, picture software and digital enhancement, always keeping the emphasis on the fact that the most important consideration is how you take the photographs and the vision you had then and knowing when to stop tinkering with your image!
This inspirational, full colour guide is what all digital camera owners have been waiting for. Jon Tarrant shows all keen digital photographers how to improve their photography and make the most of the latest technology.
-Learn from a professional how to make the most of your digital camera
-Improve the creativity of your pictures without having to use a computer
-See how you can overcomepotential difficulties with this medium

High end digital cinematography can truly challenge the film camera in many of the technical, artistic and emotional aspects of what we think of as 'cinematography'. This book is a guide for practising and aspiring cinematographers and DOPs to digital cinematography essentials - from how to use the cameras to the rapidly emerging world of High Definition cinematography and 24p technology.

This book covers the on-the-set' knowledge you need to know - its emphasis lies in practical application, rather than descriptions of technologies, so that in this book you will find usable tools' and information to help you get the job done. From getting the look' to lighting styles and ratios, what is needed for different types of shoots and the technical preparation required, this is a complete reference to the knowledge and skills required to shoot high end digital films. The book also features a guide to the Sony DVW in-camera menus - showing how to set them up and how they work - a
device to save you time and frustration on set.
Paul Wheeler is a renowned cinematographer/director of photography and trainer, he runs courses on Digital Cinematography at the National Film & Television School and has lectured on the Royal College of Art's MA course and at The London International Film School. He has been twice nominated by BAFTA for a Best Cinematography award and also twice been the winner of the INDIE award for Best Digital Cinematography.
THE first step-by-step guide to high end digital camerawork
Keep up to date with the very latest technology
A practical on-the-set' guide that helps you get your job done

An essential guide to all aspects of video technology for sound technicians wishing to broaden their knowledge. It explains in a highly readable and engaging way, the key technologies and issues, as well as the terms, acronyms and definitions. Although intended for the sound professional, this book will also appeal to anyone involved in working with video.
Everything is covered: from how television and video cameras work to digital video recording, electronic news gathering, nonlinear editing, video effects as well as telecine, widescreen technology and the home cinema. The book also takes a look at the impact of digital technology on production methods and examines the technology and rationale behind digital television, High Definition Television, and DVD. It concludes with the use of video in multimedia and the internet.
Based on a series of popular articles in Audio Media magazine, this a vital introductory work for students and professionals wishing to broaden their knowledge of video.
*Covers all aspects of video; from television production technologies to digital television, HDTV, widescreen, and DVD recording.
*Easy to read and a fast way to broaden your knowledge

Nonlinear is a buzzword for every broadcaster and facility house worldwide. Systems range from the humble to the exotic, and despite the growing acceptance of the technology, many users, both new and experienced, find the complexity of the operation and the time spent loading the material and rendering effects difficult to manage at first. Non-linear editing also comes with its own specialist language, requiring each editor to be conversant with a new range of skills from day one. As desktop systems improve the role of the traditional editor is constantly evolving and expanding.

This is an operational manual for professional trainees and students in the post-production industry. It will also serve as a useful reference tool for producers and directors. Written in a concise and clear manner, the book serves as a practical guide to the efficient management and operation of non-linear editing systems. It describes the technology involved, the essential techniques to be mastered including on-line and off-line editing, project management, rendering effects, working with graphics and audio, and adding third party applications. Designed for quick and easy reference, this is a practical user guide to non-linear editing that comes complete with an extensive jargon buster that will get you fully conversant with the technology in a short space of time.
Patrick Morris is a Trainer in Post-Production for the Television Corporation of Singapore and the Singapore Broadcasting Authority as well as Chairman of the South East Asia User Group. He is an AVID Certified Trainer with a working knowledge of Lightworks, Media 100, Quantel, D Vision and other systems. Formerly a consultant and SeniorEditor for BBC, ITV and SKY TV, he also spent many years a Training Manager for BBC Wood Norton and as Senior Video-Tape Editor for Television South West.
A quick reference guide containing all essential information
Provides useful on-the-job' information
Basic concepts are explained in a clear manner for ease of understanding

Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .

Anyone observing the awe-inspiring sight of an eclipse will want to capture it on film for posterity. Eclipse '99: Capture It on Film provides the practical advice to capture a solar eclipse on film, covering topics from eye safety to suitable films. Whether the observer is using a "fun" camera or sophisticated equipment, this accessible book illustrates what can be achieved. By carefully following the advice of the experienced astrophotographer author, it is possible to observe and take photographs safely, leaving you with a pictorial record that will last a lifetime.

'An ever-dependable showcase for the best images of Britain.' - The Telegraph 'No serious fan of landscape photography books should do without this.' - Digital Camera World 'A plethora of stunning black & white images that capture the UK's diverse topography in all its monochromatic glory.' - Black & White Photography 'Together [the images] attest to photography as a wonderfully effective medium to place the viewer at the same spots as the photographers stood and feel something of the wonder they felt.' - Artmag Charlie Waite is one of today's most respected landscape photographers and the Landscape Photographer of the Year competition is his brainchild. Beautifully presented, this book is a stunning collection of images of the natural world from incredible image-makers, both amateur and professional. Each image is captioned with the photographer's account of the inspiration behind the picture, coupled with the technical information on equipment and technique that shaped the photograph. A hugely prestigious competition, coupled with a high-profile author and an exhibition in central London, Landscape Photographer of the Year has enjoyed huge success in its thirteen years of publication.

One of the only books recommended on strobist.com (with over 230,000 active members), this book is renowned for being the book to own to understand lighting This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light--Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. This new edition -- if you can believe it -- is ever better It has more information specific for digital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people.

Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs.
Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.
* An accessible introduction to the principles of cinematography written by an award winning cinematographer
* Illustrated with 150+ images
* Includes a new section on DV

Aardman Animations are, unquestionably, one of the biggest success stories in animated films: their masterpieces include Wallace and Gromit, Chicken Run and Shaun the Sheep, as well as much-loved characters such as Morph. Cracking Animation is entertaining, inspiring and essential reading for all Aardman enthusiasts, students of animation or anyone who wants to try making an animated film. This revised edition includes two new chapters. Chapter 7 looks in depth at the development and teamwork involved in a major animated film or television production, using The Pirates! In an Adventure with Scientists! as an exemplar, and Chapter 8 presents exclusive behind-the-scenes insights into the making of Aardman's most recent feature film, Shaun the Sheep the Movie. Packed with practical, fully illustrated and step-by-step descriptions of all the elements involved, this is quite simply the best publication on stop-motion animation.

From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen-all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.

This is the first book to concentrate on the visual culture of Indian cinema, specifically Bombay-based cinema since 1913. Cinema is one of India's most vibrant cultural products, as well as a major industry, producing the largest number of films in the world. Drawing on a wide range of sources, Dwyer and Patel examine Bombay cinema's unique styles, genres and themes, tracing its roots in early photography, theatre and chromolithography and its development as a visual regime that dominates Indian popular culture. The authors consider mise-en-scene, looking at sets, locations and costumes crucial to understanding Indian fashion, lifestyle and consumption. They examine the use of hairstyles and make-up in the context of representations of the body in order to explore changing ideas of beauty and sexuality. Other crucial elements that are discussed include ethnicity and Westernization, thus highlighting issues of class, caste, regional variation and religion. Finally the authors look at publicity materials and examine the development of the imagery employed in film-advertising.

The Filmmaker's Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker's perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.

A richly illustrated account of the development of Singapore’s modern built environment.   Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social, cultural, and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of typical utilitarian buildings like the multistory parking garage. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The most intensive period of such change, the author shows, happened in the 1960s and 1970s under the rise of a developmental state that sought to safeguard its new-found independence. The book also looks both earlier and later, however, ranging from the 1930s to the 1980s to cover a wider range of histories, building types, and architectural styles, expanding from the International Style and Brutalism into Art Deco and even a touch of Postmodernism. The book’s essays are richly illustrated with hundreds of archival images and illustrations, as well as contemporary photos by architectural photographer Darren Soh. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore.  

A breathtaking collection of photographs and expert commentary that shed light on the most mysterious creatures of the deep seaJellyfish come in a dazzling array of colors, shapes, and sizes, drifting through every ocean, from the surface to the deepest of the deep seas, and are even found in freshwater locations. These ancient creatures, also called sea jellies (they are not, technically, fish), are so otherworldly and luminous that it is no wonder they are often compared to mythical shapeshifters. Some are so delicate that they shatter with the smallest disturbance to the water, while the tenacity of others means they can withstand almost any temperature, any salinity, starvation, and even being dismembered. And some are truly biologically immortal. This visually breathtaking book showcases 100 species of jellyfish within its pages—from the ubiquitous Aurelia to the enigmatic Velella—along with astounding facts about these fascinating marine life-forms. Some are splendid, some strange, some poisonous, some deadly. Some carry surprising secrets and some are barely known, but every one of them is remarkable and has a tale to tell. An introduction by noted expert Lisa-ann Gershwin, with her commentary throughout, invites you into the wondrous world of jellyfish.

Drones offer the photographer new creative horizons, but how do you get started? This practical book shows you the way. The first section deals with drone flying, while the second guides you through the complexities of aerial photography. Together with practical insights, case studies and professional shots, it illustrates how to take stunning photos from incredible - and hitherto unreachable - angles and heights. Topics covered include: getting airborne and how to choose a drone and fly it safely and legally and developing your skills to capture stunning aerial shots - focusing on composition and lighting. A step-by-step case study of capturing the iconic Spinnaker Tower in Portsmouth harbour is featured.

Sound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science. This new edition has been completely updated to reflect the latest advances in HD technology, new hardware and software systems, new distribution methods, wireless sound capture, and more. Also, analog-related content has been reduced and transferred to the chapters covering historical techniques. Sections on troubleshooting and FAQs have been added to help you avoid common pitfalls in sound production.

Written by one of Hollywood's leading sound experts, Sound for Film and Television provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.

The accompanying audio downloadable resources contain more than 50 tracks that demonstrate practical, real-world examples of key concepts presented in the book.

A companion Web site provides further resources and information:

www.focalpress.com/cw/holman-9780240813301/

Please use the access code located in the beginning of the book to register for access to the Web site.

Table of Contents

Preface to the Third Edition

Introduction

Chapter 1 Objective Sound

Chapter 2 Psychoacoustics

Chapter 3 Audio Fundamentals

Chapter 4 Capturing Sound

Chapter 5 Microphone Technicalities

Chapter 6 Handling the Output of Microphones

Chapter 7 Production Sound Mixing

Chapter 8 Sync, Sank, Sunk

Chapter 9 Transfers

Chapter 10 Sound Design

Chapter 11 Editing

Chapter 12 Mixing

Chapter 13 From Print Masters to Exploitation

Appendix I Working with Decibels

Appendix II Filmography

Appendix III The Eleven Commandments of Film Sound

Appendix IV Bibliography

Glossary

Index

About the Author

The Companion Website

Instructions for the Accompanying DVD

Strong images only come about through a combination of technical excellence and thorough composition. While there is plenty of technical advice, photographers often turn to fine-art sources for the so-called 'rules of composition'. This book, however, acknowledges photography's quite different dynamic and offers a contemporary approach to composition more suited to the medium. The second edition of Basics Photography 01: Composition offers a contemporary approach to composition. Its six core chapters cover historical background and personal motivation, formal elements, space and time within the photographic frame and composition in real-world situations. The Basics Photography series, originally published by AVA Publishing, comprises a collection of titles including: Lighting, Composition, Capturing Colour, Post-Production Black & White, Post-Production Colour, Working in Black & White and Exposure. Easily accessible and highly readable, the books clearly explain and explore fundamental photographic concepts; they are fully indexed and illustrated with clear diagrams and inspiring imagery, building to provide an essential introduction to the subject.

Understanding light is fundamental to good photography. How any image is lit will change how the viewer sees and interprets the content. The second edition of Lighting teaches the theory and background of how light works, the different types of light and the rules it obeys. The book gives guidance on how to measure, control and use light for the best photographic exposure. With new images and case studies, this edition encourages a bolder and more innovative approach to the use of light in photography.

Visual effects cinematography is the art of creating special effects during a film or video shoot using camerawork, optical illusions, and miniatures to create realistic-looking effects. Filming the Fantastic reveals the secrets of achieving these effects to filmmakers on a modest budget. Many effects are now created in postproduction (after the shoot) and require incredibly expensive workstations and 3D animation software that are beyond the reach of independent filmmakers. With this book, filmmakers are empowered to create professional effects during the shoot for little money. Sawicki teaches filmmakers to invent solutions and use their ingenuity to get it right the first time so they don't have to "fix it in post," a notoriously expensive and time-consuming process that derails many movies. The book has been updated from start to finish, including new technology, even more inside secrets, HD, even more step-by-step illustrations, and more user-friendly advice from inside the trenches. A website features step-by-step features with raw footage and backgrounds, a compilation, and several lectures given by the author. Readers learn how to effectively photograph and create miniatures, matte paintings, green screen setups, crowd replication, digital rear projection, replicate props, models, fire, smoke, floods, and explosions, and so much more -- all to create elements that will composite together flawlessly.