Motion pictures were first seen in 1894, when Thomas Edison introduced the Kinetoscope, a device for individually looking at film through a viewer. Over the next three years, Edison manufactured almost 1,000 Kinetoscopes and produced some 250 films to show in them. A million people worldwide first saw motion pictures through these devices.

This book describes in detail how Kinetoscopes worked and how they were sold, and describes the parlors to which the public flocked, fascinated by the novelty of moving images. It examines how the machines were copied by others and later eclipsed by the advent of projection. It also indicates where surviving machines can be found in the United States and Europe. The book concludes with an index to Edison's films between 1892 and 1896, and presents titles, filming dates, subject descriptions, and information on the location of surviving copies. Copiously illustrated, the book is a vital research tool for all students of motion picture history.

Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books. Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected film and video editor. Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.

This book chronicles the metamorphosis of videotape from its beginnings nearly 35 years ago as a media technology controlled by a handful of television executives, to a popular communications agent which is profoundly altering the way America consumes information and entertainment. The authors analyze videotape technology and its impact on the broadcasting and advertising communities, the home video market, and the private sector. Well documented and accessible to the general reader, Shifting Time and Space tells the fascinating story of how videotape revolutionized the content and style of the $12 billion broadcast and satellite-delivered television industries and brought about the $17 billion home video market.

Since its commercial introduction in 1956 the videotape recorder has evolved from a mechanism initially limited to the broadcast television field to a popular technology that gives consumers control over television viewing patterns. This book discusses the major role the VCR has played in the shift of consumer electronics research and development and manufacture from the West to the Far East. It covers the initially slow adoption of the technology by the motion picture industry as a primary source of revenue through the distribution of prerecorded feature films on videotape cassette. The authors examine the increasingly important role the VCR will play in the U.S. media environment as new generations of technologically proficient consumers become more comfortable with the technology. Professionals working in the advertising, broadcast, satellite television, and home video industries, as well as communications scholars will find "Shifting Time and Space" provocative and insightful reading.

Time-lapse photography has grabbed the attention of photographers, but few understand how to maximize its potential. This practical book introduces its rich scope and explains how it can be used as a powerful communication tool. By drawing on the ideas behind stills photography and video, it gives a full and inspirational account of this exciting technique, and shares tips and tricks from both genres.

Images of people about to die surface repeatedly in the news, particularly around the difficult and unsettled events of war, political revolution, terrorism, natural disaster, and other crises. Their appearance raises questions: What equips an image to deliver the news; how much does the public need to know to make sense of what they see; and what do these images contribute to historical memory? About To Die addresses these questions by using images of imminent death as a litmus test for considering news imagery and visual meaning more broadly. The depictions, freezing action at the elemental moment when a person's contribution to history is registered, elicit contemplation and emotion. Used in ways that counter traditional understandings of both journalistic practice and the public's response to news, such images drive the public encounter with important events through impulses of implication, conditionality, hypothesis and contingency, rather than through evidentiary force. These images call on us to rethink both journalism and its public response, and in so doing they suggest both an alternative voice in the news-a subjunctive voice of the visual that pushes the 'as if' of news over its 'as is' dimensions-and an alternative mode of public engagement with journalism-an engagement fueled not by reason and understanding but by imagination and emotion. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, Holocaust, Vietnam War, famine, Intifada, 2004 tsunami, and 9/11 and the 'war on terror,' this book suggests that a different kind of news relay, producing a different kind of public response, has settled into our information environment. It is in a development that has profound and under-explored implications for society's collective memory, the full breadth of which are tackled here.

From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen-all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.

England has a long and involved relationship with the sea. It has provided a final line of defence against invasion, the route over which the country's global trade has travelled, the source of a bountiful harvest of fish and seafood that has sustained the population, the essential links in the empire that saw Britain emerge as the world's first 'Great Power', and, more recently, it has fostered the leisure industry. For many, the sea was to provide their final view of their homeland as emigration took them to far-flung corners of the world, while for others, perhaps fleeing religious or political persecution, the sea offered them a route to safety. For almost a century the photographers from the Aerofilms company recorded Britain from the air. Alongside the photographs taken of the great castles and abbeys of the country, the views also recorded industrial and commercial activity - including the docks and ports that were an essential part in maintaining Britain's place in the world. In this book, Peter Waller has delved through the collection of Aerofilms photographs held by Historic England to explore the country's maritime heritage. Selecting 150 images, the author looks at how the docks and ports have evolved since the years immediately after World War I, how traditional patterns of trade have changed, how the Royal Navy has shrunk and how the leisure industry has come to dominate.

Film Into Video, Second Edition offers comprehensive, practical information on the complex process of converting motion picture film into video. All of the tools of the trade are explained in clear, simple language, as are the operational, business, and creative sides of film to video transfer. This easy-to use guide provides the reader with the necessary foundation to approach any technological advances in this fast-paced field.
Additions to the second edition include: information on the Philips Spirit Data Cine and the new Sony FVS-1000; a new section on the latest in flying spot telecines, including Cintel's C-Reality and Ursa Electrum; an examination of recent changes in color correction computers with da Vinci's 2K and Pandora's Mega-Def systems, and in respect to Philips Spirit DataCine and Cintel's C-Reality, a discussion relating to the area of data transfer and how this has changed the telecine industry.
New information on the Philips Spirit Data Cine and the new Sony FVS-1000
A new section on the latest in flying spot telecines, including Cintel's C-Reality and Ursa Electrum
Covers recent changes in color correction computers with da Vinci's 2K and Pandora's Mega-Def systems

This companion to the bestselling The Wes Anderson Collection is the only book to take readers behind the scenes of The Grand Budapest Hotel. Through a series of in-depth interviews between writer/director Wes Anderson and cultural critic Matt Zoller Seitz, Anderson shares the story behind the film's conception, personal anecdotes about the making of the film, and the wide variety of sources that inspired him-from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished behind-the-scenes photos, ephemera and artwork lavishly illustrate these interviews and essays. The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films,The Wes Anderson Collectionwith an artful design and playful illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete, definitive overview of Anderson's filmography to date. Praise for the film, The Grand Budapest Hotel: Nine Academy Award (R) nominations, including Best Picture, Directing, and Writing - Original Screenplay; Best Film - Musical or Comedy, Winner of the Golden Globe for Best Motion Picture, 5 BAFTA awards, including Best Original Screen Play; Best Production Design, Best Costume Design; Best Make Up & Hair and Best Original Music.

Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.

Producing Videos has been called the 'bible' of video making. It offers a comprehensive and user-friendly guide to all aspects of video production - from using a camera to the chapter on distribution. All the elements of video production are covered: camera operation; scriptwriting; composition; budgeting; preproduction planning; lighting and sound recording; interview techniques; field production and studio shoots; digital editing; digital post-production techniques; video streaming and other forms of online distribution. This edition has been fully revised to cover developments in technology, promotion and distribution. It includes tips from over 120 experienced video teachers from around the world.

Body and Soul presents a unique and emotionally intelligent approach to building a sustainable boudoir photography business. The higher-level strategies within these pages will enable photographers to move beyond the task of simply making pretty pictures to greater goals, such as understanding the emotional journey of the boudoir process, building meaningful, long-term relationships with clients, and creating a referral engine to sustain your business. Susan Eckert combines her professional experience as an internationally published photographer with her advanced degree in Psychology to deconstruct the boudoir experience. Each chapter is complemented by interviews with her clients, and illustrates how photographers can partner with their clients throughout the boudoir process in the development of meaningful work. Highlights of this book include: Self-assessment questionnaires to help you develop your brand and identify your market Best practices for developing positive client relationships before, during, and after the photoshoot Helpful advice for how to work with the sensitive aspects of boudoir photography, such as body image Succinct and thorough guidance for behind-the-camera techniques that will bring your client's emotional story to life Personal interviews with clients who openly discuss their photoshoot goals, comfort levels, and boudoir photography journeys An interview with a clinical psychologist on the role and value of the emotionally-intelligent boudoir photographer

One of the only books recommended on strobist.com (with over 230,000 active members), this book is renowned for being the book to own to understand lighting This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light--Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. This new edition -- if you can believe it -- is ever better It has more information specific for digital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people.

Video production requires a high degree of organization to be a success. Good organization will require a proper diary to be kept of your production. It is the understanding of the paperwork and its organization that will make your production either a success or a failure. Explained in accessible terms and assuming little prior knowledge of the subject, this book will help you to: plan successful procedures for all stages of a video production; produce paperwork logically to get professional results; understand the basic principles of setting up and running your own business; avoid common (and costly) pitfalls. If you are a student who wishes to learn about all aspects of planning and documenting a video production, from conceptualization right through to final screening, this book is for you. It is particularly suitable for the City and Guilds Media Techniques Certificate: Television and Video Production Competences. This book complements the other three titles in the series, which allow you to understand the overall process of video production, and then look in more detail at sound and lighting.

This is Ronnie Maasz's account of his more than fifty years in the film business as a cameraman. With candid humor, Maasz offers a light-hearted collage of the international locales, quirky people, exciting events, and special effects gone wrong that the author encountered during his noteworthy film career. He includes his impressions of working with talented performers including Janet Leigh, Sir Michael Caine, Christopher Lee, and Sir Laurence Olivier, as well as renowned directors Joseph L. Mankiewicz, Tony Richardson, and John Huston. In this charming memoir of life behind the camera, Maasz clearly illustrates that the art of filmmaking bridges the gap between people of many different backgrounds and sensibilities.

A richly illustrated account of the development of Singapore’s modern built environment.   Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social, cultural, and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of typical utilitarian buildings like the multistory parking garage. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The most intensive period of such change, the author shows, happened in the 1960s and 1970s under the rise of a developmental state that sought to safeguard its new-found independence. The book also looks both earlier and later, however, ranging from the 1930s to the 1980s to cover a wider range of histories, building types, and architectural styles, expanding from the International Style and Brutalism into Art Deco and even a touch of Postmodernism. The book’s essays are richly illustrated with hundreds of archival images and illustrations, as well as contemporary photos by architectural photographer Darren Soh. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore.  

Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTV The book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV. The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate. -- .

On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.

This intriguing and comprehensive exploration of the skeleton and the dead body includes more than 400 rare photographs. Stanley B. Burns, MD, has studied, collected and written on medical photography for over four decades focusing on unexplored areas. His books have placed him in the forefront of medical photographic history scholarship. This work reveals the nineteenth-century fascination with the dead body and body parts. The classic visual iconography of postmortem, dissection, and bone photography is presented and expanded to include early autopsy images and X-ray studies. No prior visual work has presented the once very popular hobby of collecting skulls and also shown their use in racial and psychological profiling research. This sumptuously illustrated book with previously unpublished photographs is an extraordinary work of medical, historical and cultural research. It is a timeless visual essay that will surely become a standard resource for collectors, curators, artists, and scholars.

This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972-when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression.

Voice Over for Animation takes animation and voice-over students and professionals alike through the animated voice-over world. The book provides information, exercises, and advice from professional voice-over artists. Now you can develop your own unique characters, and learn techniques to exercise your own voice gain the versatility you need to compete. You can also learn how to make a professional sounding demo CD, and find work in the field. The accompanying downloadable resources are professionally recorded, and feature: scripts, Animation Talent Agent interviews, Casting Director interviews and Interviews with Animation Voice-Over Artists like Nancy Cartwright (Bart, The Simpsons) and Cathy Cavadini (Blossom, Power Puff Girls) and Bill Farmer (Goofy). This is an invaluable resource for animators and voice-over artists.