This new AFI Film Reader is the first comprehensive collection
of original essays on the use of color in film. Contributors from
diverse film studies backgrounds consider the importance of color
throughout the history of the medium, assessing not only the
theoretical implications of color on the screen, but also the ways
in which developments in cinematographic technologies transformed
the aesthetics of color and the nature of film archiving and
restoration. Color and the Moving Image includes new writing on key
directors whose work is already associated with color such as
Hitchcock, Jarman and Sirk as well as others whose use of color has
not yet been explored in such detail including Eric Rohmer and the
Coen Brothers. This volume is an excellent resource for a variety
of film studies courses and the global film archiving community at
large.
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