for SATB unaccompanied Setting a beautiful text by Rabindranath Tagore, Wake, love, wake explores evocative imagery and metaphors through sonorous harmonies and freedom in tempo. The resulting piece is romantic, stirring, and atmospheric-perfect for concert performance. Also published in Breath of Song.

for Upper voices, SATB, and piano or 2 pianos and percussion (4 players) A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. Based on poetry from the Chinook, Comanche, Dakota, Eskimo, Iroquois, Kwakiutl, Navajo, Ojibwa, Pueblo, Seminole, Sioux, and Yaqui traditions, the thirteen movements, in seven parts, mark the different stages of life, from birth and childhood to adulthood, middle age and death. With energetic percussion accompaniment, climactic moments for tutti choir, tender unaccompanied passages and solo song, Circlesong is a work of impressive drama, variety, and depth. This is the upper voices part for Circlesong. The vocal scores are available for sale separately and instrumental parts for the two pianos/percussion version are available on hire.

for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.

for SABar and piano Higgins's arrangement of the popular German carol is given a modern twist with fresh harmonies, but still captures the gentleness and tranquility found in more traditional settings. Supported by sustained 'oo's and 'ah's throughout, the well-known melody is underpinned by a delicate piano accompaniment, with an optional unaccompanied middle section.

for SABar and piano, with opt. bass and drum kit With words by the composer, Sing Love is a groovy, feel-good gospel number that encourages love for all mankind. The infectious melodies are well supported by a funky piano part and optional bass part (included at the back of the leaflet), and are sure to get everyone clapping along to the music. Originally published in Popular Voiceworks 2.

for SABar and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SATB and piano.

for SATB and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SABar and piano.

for SA and piano. Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. Originally published in As you sing, this piece is also available in versions for SABar and piano, and SATB and piano.

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple but expressive piece, suitable for Lent and Passiontide.

for SATB unaccompanied This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousing conclusion, this anthem will bring a fresh sound to Easter services and concerts.

for SATB and piano four-hands or chamber orchestra This effervescent setting of two texts by David Warner - one for Christmas, one for general worship - was included on the Tabernacle Choir and Orchestra at Temple Square's release, 'Tree of Life'. Over a shimmering, festive accompaniment for piano four-hands or chamber orchestra, the melody is passed between voice parts, and the dynamic contrasts and detailed articulation enable singers to present an engaging characterization.

for TTBB and piano This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunciation guide and English translation are included, along with a fascinating contextual note.

for upper voices, SATB, and piano, or 2 pianos and percussion (4 players) A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. Based on poetry from the Chinook, Comanche, Dakota, Eskimo, Iroquois, Kwakiutl, Navajo, Ojibwa, Pueblo, Seminole, Sioux, and Yaqui traditions, the thirteen movements, in seven parts, mark the different stages of life, from birth and childhood to adulthood, middle age and death. With energetic percussion accompaniment, climactic moments for tutti choir, tender unaccompanied passages and solo song, Circlesong is a work of impressive drama, variety, and depth. The current vocal score provides the single piano version, for performance but also for rehearsal generally. A separate part for upper voices is available on sale, and the instrumental parts for the two pianos/percussion version are available on hire.

for SATB and organ A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text written by the English priest and poet John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings of voices to great effect, and the soloistic organ writing allows plenty of opportunity for organists to explore the full range of their instrument.

for SSAA, solo violin, and piano Everyday Wonders: The Girl from Aleppo, here re-scored for upper voices, tells the extraordinary story of Nujeen Mustafa, a Kurdish teenager with cerebral palsy forced by war to flee her home and embark on an arduous journey to Europe with her sister. In this five-movement cantata Nujeen's story - recounted in her biography 'The Girl from Aleppo' (co-authored by Christina Lamb) - is retold by Kevin Crossley-Holland and richly scored by Cecilia McDowall. A wealth of musical effects are employed to capture the narrative, including chorales, rhythmic spoken sections, body percussion, and a solo violin part infused with Middle Eastern flavours. The prevailing mood of Nujeen's story is embodied by the final line of a chorale that bookends this unique concert work: 'singing the song of life itself.'

for SATB (with divisions) and piano This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boogie along to the music. Powerful voices and enthusiasm required. An optional bass and drum kit part is available as a free PDF download from the OUP website. Also available in a version for SSA and piano.

for SATB (with divisions) unaccompanied This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Solomon). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an immediately accessible sound-world. Perfect for concert performance.

This beautiful setting of a text by Ralph Waldo Emerson celebrates the universal presence of song, which can be found in places of beauty but also darkness. With memorable melodies and a flowing supportive accompaniment, this piece will leave a warm feeling in both the singers and listeners alike. Originally published in The Oxford Book of Flexible Choral Songs for flexible voices and also available separately in a version for two part and piano.

This beautiful setting of a text by Ralph Waldo Emerson celebrates the universal presence of song, which can be found in places of beauty but also darkness. With memorable melodies and a flowing supportive accompaniment, this piece will leave a warm feeling in both the singers and listeners alike. Originally published in The Oxford Book of Flexible Choral Songs for flexible voices and also available separately in a version for SATB and piano.

for SATB (with divisions) and piano Higgins's arrangements of three North-American traditional songs are sophisticated and beautiful, supported by well-crafted piano accompaniments. The first, 'Bright morning stars', is illuminated by a shimmering piano part with opportunities for a soloist or small group. Energy and bounce is abundant throughout the second, 'Little wheel a-turnin'', where the melody is passed around the voices and coloured with interesting harmonies. The last piece, 'He's gone away', is a parting song between two lovers with flowing melodies and accompaniment, and ends on a note of anticipation.

for SATB and organ or piano This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds from verse to verse and with varying harmonizations, culminating in a dramatic cadence.

for SSATB unaccompanied Written to commemorate the centenary of the foundation of the International Federation of the Red Cross and Red Crescent Societies, Brightest Star sets a powerful text by Sean Street. The poem describes the call for assistance made by the occupied Channel Islands in 1944 and the response of the Red Cross ship, the Vega, which came to their aid, drawing parallels between this story and the light and hope of the seasons of Christmas and Epiphany. The bleak wartime conditions are portrayed by dissonant harmony and downward sliding phrases, and extracts from the Bailiff of Jersey's letter of appeal, sung by the lower voices, draw attention to the gravity of the situation. In contrast, the upper voices bring an ethereal quality to the texture, with closing phrases that are suggestive of the traditional French carol Les anges dans nos campagnes ('Angels, from the realms of glory').

for SATB and organ, with optional congregation This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The organ plays a supportive role throughout, while the choral parts are of melodic and harmonic interest, but always keeping the discernibility of the text at the fore. The congregational part, which may be photocopied, is available at the back of the vocal score.

for SATB and organ This Easter anthem sets an evocative text by J. M. C. Crum. Stately, expressive vocal lines are underpinned by a lively organ part, with crisp staccato melismas that pop out of the texture.

for SATB and organ or orchestra This radiant anthem is an arrangement of William F. Smith's hymn tune 'Lattimer', frequently paired with the popular gospel song 'This little light of mine'. Wilberg gives each section of the choir a presentation of the melody, beginning with the sopranos, before building towards a climactic finish with new harmony and texture as light spreads 'across the land'.