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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Paper > Watercolour Paper Loose Sheets and Rolls
Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.
Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.
Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.
Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Saunders Waterford is a popular high-quality paper that is endorsed by the Royal Watercolour Society.Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing.This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, these sheets have a slightly textured surface, and are not suitable for extremely detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed versions of these sheets. For more information on the production and properties of watercolour papers, click here.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.Please note, these sheets have a Rough surface, and are less suitable for detailed work. Artists wishing to produce detailed work are advised to try the versions of this sheet designated Hot-pressed or Not.For more information on the production and properties of watercolour papers, click here.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.At 425gsm, these are thick, high-quality sheets. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting.For more information on the production and properties of watercolour papers, click here.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. At 425gsm, these are thick, high-quality sheets. They have a slightly textured surface, and are not suitable for extremely detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed versions of these sheets. For more information on the production and properties of watercolour papers, click here.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. At 425gsm, these are thick, high-quality sheets. They have a rough, textured surface, and are not suitable for detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed or Not versions of these sheets. For more information on the production and properties of watercolour papers, click here.
Because watercolour paint is transparent the colour of the paper is a very important part of the painting. The colour of the ground will affect everything on top of it, both the painted and unpainted areas, even different shades of white. The artist can substantially alter the mood and atmosphere of the painting by using a coloured paper. These Bockingford tinted papers are worth experimentation.This tinted paper is also a great drawing paper and is useful for a wide range of techniques.Specifications: Blue Full Imperial sheets which are 30 x 22 inches (76cm x 56cm), 140lb (300gsm) Acid free (archival neutral PH) Lightfast colours Rotary trimmed on all four edges Not surface (cold pressed) Mould-made Woodfree Internally sized
Because watercolour paint is transparent the colour of the paper is a very important part of the painting. The colour of the ground will affect everything on top of it, both the painted and unpainted areas, even different shades of white. The artist can substantially alter the mood and atmosphere of the painting by using a coloured paper. These Bockingford tinted papers are worth experimentation.This tinted paper is also a great drawing paper and is useful for a wide range of techniques. Specifications: Eggshell Full Imperial sheets which are 30 x 22 inches (76cm x 56cm) 140lb (300gsm) Acid free (archival neutral PH) Lightfast colours Rotary trimmed on all four edges Not surface (cold pressed) Mould-made Woodfree Internally sized
Because watercolour paint is transparent the colour of the paper is a very important part of the painting. The colour of the ground will affect everything on top of it, both the painted and unpainted areas, even different shades of white. The artist can substantially alter the mood and atmosphere of the painting by using a coloured paper. These Bockingford tinted papers are worth experimentation.This tinted paper is also a great drawing paper and is useful for a wide range of techniques. Specifications: Oatmeal Full Imperial sheets which are 30 x 22 inches (76cm x 56cm) 140lb (300gsm) Acid free (archival neutral PH) Lightfast colours Rotary trimmed on all four edges Not surface (cold pressed) Mould-made Woodfree Internally sized
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Fabriano Artistico watercolour paper is mould made, produced with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Brilliant white, without optical bleaching.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
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