Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy—The Devil and Satan—trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era.The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth. Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought.Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s. This major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.

This book will guide you if you wish to read more about hedge witchcraft as a pathway, or are already following such a path and wish to progress. It only has a little about hedge riding as this book has too small a scope to include it. Please read the accompanying book in the Pagan Portal series, Hedge Riding.

The truth can be dangerous in the wrong hands... 1661, North Berwick, Scotland One stormy night, healer Honor Seton and her daughter Alice are summoned to save the town lord's wife - but they're too late. A vengeful crusade against the Seton women leads to whispers of witchcraft all over town. Honor hopes her connections can protect them from unproven rumours and dangerous accusations - but is the truth finally catching up with them? Present day, North Berwick, Scotland After an explosive scandal lands her husband in prison, Tess Blyth flees Edinburgh to start afresh in Thistle Cottage. As she hides from the media's unforgiving glare, Tess is intrigued by the shadowy stories of witchcraft surrounding the women who lived in the cottage centuries ago. But she quickly discovers modern-day witch hunts can be just as vicious: someone in town knows her secret - and they won't let Tess forget it... A hauntingly compelling timeslip novel from the author of The Girl in the Picture, perfect for fans of The Forgotten Village and The Witchfinder's Sister. Readers LOVE The Secrets of Thistle Cottage! 'A beautifully written book and a gripping tale, frightening at times, funny at times, but a most enjoyable read.' - NetGalley Reviewer, 5 Stars 'I loved this book! Historical fiction and a thriller to boot!' - NetGalley Reviewer, 5 Stars 'Great stories of witchcraft... unexpected turns along the way... This has everything.' - NetGalley Reviewer, 5 Stars 'The Secrets of Thistle Cottage offers the reader a trip to a lovely coastal location and then pulls you in to a time warp... a great book... but be prepared to read it in one go.' - NetGalley Reviewer 'I enjoyed the different timelines. This has some witchcraft added in the mix and was so dang good!' - NetGalley Reviewer 'An enjoyable read... The author sets the scene with eerie and atmospheric detail.' - NetGalley Reviewer

Among the most important sources for understanding the cultures, religions, and systems of thought of ancient Mesopotamia is the large corpus of magical and medical texts directed against witchcraft. The most important of these texts is the Akkadian series Maqlu ("Burning"). This volume offers a collection of studies on Mesopotamian witchcraft and Maqlu written subsequent to the appearance of the author's 2002 collection of studies on witchcraft (Brill, 2002). Many of the studies reprinted here take a diachronic approach to individual incantations and rituals and attempt to solve textual difficulties using literary-critical and/or text-critical approaches.

Lizzie Baty, the Brampton Witch (1729-1817), lived close to the village of Brampton in Cumbria and was said to be a 'canny auld body'. A wise woman, she achieved great notoriety in her day. Numerous tales and anecdotes have been handed down over the years relating to Lizzie's 'second-sight', witchcraft and the strange powers that she appeared to possess. They tell of spells, curses and prophecies with Lizzie turning into a hare, her knack of finding lost objects, forecasting marriages as well as strange happenings at her funeral. This book serves to collect together these varying accounts and attempts to establish which are fact and which might be fiction. Whatever conclusion the reader may reach, the Brampton Witch stories, whether real or imagined, are part of Brampton's heritage and deserve to be preserved.

Focusing on colonial Kenya, this book shows how conflicts between state authorities and Africans over witchcraft-related crimes provided an important space in which the meanings of justice, law and order in the empire were debated. Katherine Luongo discusses the emergence of imperial networks of knowledge about witchcraft. She then demonstrates how colonial concerns about witchcraft produced an elaborate body of jurisprudence about capital crimes. The book analyzes the legal wrangling that produced the Witchcraft Ordinances in the 1910s, the birth of an anthro-administrative complex surrounding witchcraft in the 1920s, the hotly contested Wakamba Witch Trials of the 1930s, the explosive growth of legal opinion on witch-murder in the 1940s, and the unprecedented state-sponsored cleansings of witches and Mau Mau adherents during the 1950s. A work of anthropological history, this book develops an ethnography of Kamba witchcraft or uoi.

With their dramatic descriptions of black masses and cannibalistic feasts, the records generated by the Basque witch-craze of 160914 provide us with arguably the most demonologically-stereotypical accounts of the witches sabbath or akelarre to have emerged from early modern Europe. While the trials have attracted scholarly attention, the most substantial monograph on the subject was written nearly forty years ago and most works have focused on the ways in which interrogators shaped the pattern of prosecutions and the testimonies of defendants. Invoking the Akelarre diverts from this norm by employing more recent historiographical paradigms to analyze the contributions of the accused. Through interdisciplinary analyses of both French- and Spanish-Basque records, it argues that suspects were not passive recipients of elite demonological stereotypes but animated these received templates with their own belief and experience, from the dark exoticism of magical conjuration, liturgical cursing and theatrical misrule to the sharp pragmatism of domestic medical practice and everyday religious observance. In highlighting the range of raw materials available to the suspects, the book helps us to understand how the fiction of the witches sabbath emerged to such prominence in contemporary mentalities, whilst also restoring some agency to the defendants and nuancing the historical thesis that stereotypical content points to interrogatorial opinion and folkloric content to the voices of the accused. In its local context, this study provides an intimate portrait of peasant communities as they flourished in the Basque region in this period and leaves us with the irony that Europes most sensationally-demonological accounts of the witches sabbath may have evolved out of a particularly ardent commitment, on the part of ordinary Basques, to the social and devotional structures of popular Catholicism.

After the execution of the Samuels family - known as the Witches of Warboys - on charges of witchcraft in 1593, Sir Henry Cromwell (grandfather of Oliver Cromwell) used their confiscated property to fund an annual sermon against witchcraft to be given in Huntingdon (Cambridgeshire) by a divinity scholar from Queens' College, Cambridge. Although beliefs about witchery had changed by the eighteenth century, the tradition persisted. Martin J. Naylor (c.1762-1843), a Fellow of Queens' College and the holder of incumbencies in Yorkshire, gave four of the sermons, on 25 March each year from 1792 to 1795. Although he called the subject 'antiquated', he hoped his 'feeble effort, levelled against the gloomy gothic mansion of superstition, may not be entirely without a beneficial effect'. This collection of the four sermons was published in 1795, and appended with an account of the original events in Warboys.

This is the first ethnography of the Uganda Martyrs Guild [UMG], a lay movement of the Catholic Church, and its organized witch-hunts in the kingdom of Tooro, Western Uganda. This book explores cannibalism, food, eating and being eaten in its many variations. It deals with people who feel threatened by cannibals, churches who combat cannibals and anthropologists who find themselves suspected of being cannibals. It describes how different African and European images of the cannibal intersected and influenced each other in Tooro, Western Uganda, where the figure of the resurrecting cannibal draws on both pre-Christian ideas andchurch dogma of the bodily resurrection and the ritual of Holy Communion. In Tooro cannibals are witches: they bewitch people so that they die only to be resurrected and eaten. This is how they were perceived in the 1990s when a lay movement of the Catholic Church, the Uganda Martyrs Guild [UMG] organized witch-hunts to cleanse the country. The UMG was responding to an extended crisis: growing poverty, the retreat and corruption of the local government, a guerrilla war, a high death rate through AIDS, accompanied by an upsurge of occult forces in the form of cannibal witches. By trying to deal, explain and "heal" the situation of "internal terror", the UMG reinforced the perception of the reality of witches and cannibals while at the same time containing violence and regaining power for the Catholic Church in competition for "lost souls" with other Pentecostal churches and movements. This volumeincludes the DVD of a video film by Armin Linke and Heike Behrend showing a "crusade" to identify and cleanse witches and cannibals organized by the UMG in the rural area of Kyamiaga in 2002. With a heightened awareness and reflective use of the medium, UMG members created a domesticated version of their crusade for Western (and local) consumption as part of a "shared ethnography". Heike Behrend is Professor of Anthropology and African Studies at the University of Cologne, Germany, the author of Alice Lakwena and the Holy Spirits [James Currey, 1999], and co-editor of Spirit Possession, Modernity and Power in Africa[James Currey, 1999]

Poison Prescriptions is a stunningly illustrated grimoire of some of the most notorious plants: henbane, datura, belladonna, among others. It is also a practical guide to plant magic, medicine and ritual, offering advice to professional and home herbalists, to those interested in forgotten lore and the old ways, and to all those who wish to reclaim control of their own wellbeing. This book urges the resurrection of the ancient tradition of using these witching herbs in ritual and medicine. Now is the time to relink magic and medicine in the context of modern herbalism and contemporary witchcraft. Discover: Safe ways of interacting with the witching herbs to usher in wellbeing and healing. Practical activities ranging from meditations and folklore writing to wreath making and beer brewing. Step-by-step instructions to creating the powerful witches' Flying Ointment and using it in ritual, sex magic and lucid dreaming.

Sir Walter Scott (1771 1832) is best known for his poetry and for historical novels such as Ivanhoe and Rob Roy, but he also had a lifelong fascination with witchcraft and the occult. Following a spell of ill-health, Scott was encouraged by his son-in-law, publisher J. G. Lockhart, to put together a volume examining the causes of paranormal phenomena. This collection of letters, first published in 1830, is notable for both its scope (examining social, cultural, medical and psychological factors in peoples' paranormal experiences) and its clear, rational standpoint. Scott explores the influence of Christianity on evolving views of what is classified as 'witchcraft' or 'evil', and he explains the many (often innocuous) meanings of the word 'witch'. Written with palpable enthusiasm and from a strikingly modern perspective, this volume explores a range of topics including fairies, elves and fortune-telling as well as inquisitions and witch trials.

This excellent little book is a wonderful introduction to the story of the trial of the witches of Pendle in 1612. In a very lively and readable style, Christine Goodier provides a who's who of the events, as well as an interesting angle on the trials themselves. She emphasises that the accused were merely flesh and blood, not demons, arguing that they were poor, uneducated people who were at worst misguided. Her inevitable conclusion is that a terrible injustice was done 400 years ago when they were famously convicted of witchcraft and hanged.

Lucifer: Princeps is a seminal study on the origins of the Lucifer mythos by Peter Grey. It is the first in a two volume work; the companion volume, Praxis, being an exposition of ritual actions, will be published in 2021. The fall of Lucifer, and that of the rebel angels who descended upon the daughters of men, comprise the foundation myth of the Western occult tradition. Lucifer: Princeps is a study of origins, a portrait of the first ancestor of witchcraft and magic. In tracing the genealogy of our patron and prince, the principles that underlie the ritual forms that have come down to us, through the grimoires and folk practices, are elucidated. The study draws on the extensive literature of history, religion and archaeology, engaging with the vital discoveries and advances of recent scholarship, which render previous works on Lucifer, however well intentioned, out of date. A concomitant exegesis of the core texts conjures the terrain and koine of the Ancient Near East, the cradle cultures and language of his nascence. Of critical importance are the effaced cultures and cults that lie behind the Old Testament polemics, viz. those of Assyria, Ugarit and Canaan, as well as Sumeria, Egypt and Greece; they provide the context that give meaning to what would otherwise be an isolated brooding figure, one who makes no sense without being encountered in the landscape. Intended to be the definitive text on Lucifer for the witch, magician and student of the grimoires, Princeps spans wingtip to wingtip from the original flood myth and legends of divine teachers to the Church Fathers, notably Augustine, Origen and Tertullian. The tales of the Garden of Eden, the Nephilim, of the fall of Helel ben Sahar and the Prince of Tyre, the nature of Azazel, and the creation of the Satan are drawn beneath the shadow of these wings into a narrative that binds Genesis and Revelation via the Enochian tradition. The story of the Serpent in the Garden and that of Lucifer are revealed to be a singular myth whose true significance had been lost and can now be restored. It illuminates the path to apotheosis, and the role of the goddess as the transforming initiatrix who bestows the crown.

Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Levi-strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companiens, as people strive to name what has hitherto been unnameable.