"The book is the product of a protracted, laborious and scrupulous research and draws on a most extensive and varied assembly of documents. But the archival evidence, factual accounts and even personal narratives would have remained remote, dry and cold if not for the author's remarkable gift of empathy. Barbara Engelking gives the witnesses of the Holocaust a voice which readers of this book will understand....Under her pen memories come alive again."--from the Foreword by Zygmunt BaumanOriginally published in Polish to great acclaim and based on interviews with survivors of the Holocaust in Poland, Holocaust and Memory provides a moving description of their life during the war and the sense they made of it. The book begins by looking at the differences between the wartime experiences of Jews and Poles in occupied Poland, both in terms of Nazi legislation and individual experiences. On the Aryan side of the ghetto wall, Jews could either be helped or blackmailed by Poles. The largest section of the book reconstructs everyday life in the ghetto. The psychological consequences of wartime experiences are explored, including interviews with survivors who stayed on in Poland after the war and were victims of anti-Semitism again in 1968. These discussions bring into question some of the accepted survivor stereotypes found in Holocaust literature. A final chapter looks at the legacy of the Holocaust, the problems of transmitting experience and of the place of the Holocaust in Polish history and culture.

Rarely did ancient authors write about the lives of women; even more rarely did they write about the lives of ordinary women: not queens or heroines who influenced war or politics, not sensational examples of virtue or vice, not Christian martyrs or ascetics, but women of moderate status, who experienced everyday joys and sorrows and had everyday merits and failings. Such a woman was Monica-now Saint Monica because of her relationship with her son Augustine, who wrote about her in the Confessions and elsewhere. Despite her rather unremarkable life, Saint Monica has inspired a robust controversy in academia, the Church, and the Augustine-reading public alike: some agree with Ambrose, bishop of Milan, who knew Monica, that Augustine was exceptionally blessed in having such a mother, while others think that Monica is a classic example of the manipulative mother who lives through her son, using religion to repress his sexual life and to control him even when he seems to escape. In Monica: An Ordinary Saint, Gillian Clark reconciles these competing images of Monica's life and legacy, arriving at a woman who was shrewd and enterprising, but also meek and gentle. Weighing Augustine's discussion of his mother against other evidence of women's lives in late antiquity, Clark achieves portraits both of Monica individually, and of the many women like her. Augustine did not claim that his mother was a saint, but he did think that the challenges of everyday life required courage and commitment to Christian principle. Monica's ordinary life, as both he and Clark tell it, showed both. Monica: An Ordinary Saint illuminates Monica, wife and mother, in the context of the societal expectations and burdens that shaped her and all ordinary women.

Colonel Jan Breytenbach writes in the foreword: 'On Ascension Day, 1978, a composite South African parachute battalion jumped onto the tactical HQ of SWAPO's PLAN army, based at Cassinga, 250 kilometers north of the Angolan border to destroy the facility, their logistics, and to wipe out a strong concentration of SWAPO guerrillas. The airborne assault, part of Operation Reindeer, was an unqualified success; the whole base was destroyed. 608 PLAN fighters were killed, with many more wounded which pushed the final SWAPO death toll to well over a thousand. We lost only four paratroopers killed in action plus a dozen or so wounded. According to airborne experts in Britain and Australia, this was the most audacious parachute assault since the Second World War; the mounting airfield was well over 1,000 nautical miles away. I was the commander of that airborne assault, which although successful above all expectations, also highlighted many shortcomings, some of which nearly led to a disastrous outcome.' 44 Parachute Brigade was formed later that year, with the need for a specialist Pathfinder Company patently clear. Into the ranks came professional veterans from the UK, USA, Australasia, Rhodesia and elsewhere, from such Special Forces units as the SAS, Selous Scouts and the RLI. 'This is their book, a collection of stories about the founding and deployment of a unit of 'Foreign Legionnaires', from different parts of the world who became welded together into a remarkable combat unit, unsurpassed by any other South African Defence Force unit in their positive and aggressive approach to battle. For me it was an honor to have faced incoming lead together with them.

The idea that society, or civilization, is predicated on the "state" is a projection of present-day political ideology into the past. Nothing akin to what we call the "state" existed before the 19th century: it is a recent invention and the assumption that it is timeless, necessary for society, is simply part of its legitimating myth. The development, over the past three millennia, of the political structures of western civilization is shown here to have been a succession of individual, unrepeatable stages: what links them is not that every period re-enacts the "state" in a different guise--that is, re-enacts the same basic pattern--but that one period-specific pattern evolves into the next in a path-dependent process.
Treating western civilization as a single political system, the book charts systemic structural change from the origins of western civilization in the pre-Christian Greek world to about 1800, when the onset of industrialization began to create the conditions in which the state as we know it could function. It explains structural change in terms of both the political ideas of each period and in terms of the material constraints and opportunities (e.g. ecological and technological factors) that impacted on those ideas and which constitute a major cause of change. However, although material factors are important, ultimately it is the ideas that count--and indeed the words with which they were communicated when they were current: since political structures only exist in people's heads, to understand past political structures it is imperative to deal with them literally on their own terms, to take those terms seriously. Relabelling or redefining political units (forexample by calling them "states" or equating them with "states") when those who lived (in) them thought of them as something else entirely imposes a false uniformity on the past. The dead will not object because they cannot: this book tries to make their voices heard again, through the texts that they left but whose political terminology, and often whose finer points, are commonly ignored in an unconscious effort to make the past fit our standard state-centric political paradigm.

Belief in the Jesuit Conspiracy is one of the most important and enduring conspiracy theories in modern European history, and France was one of its major focuses. In this scholarly and detailed survey, Geoffrey Cubitt examines the range of polemical literature through which the prevalent conviction of Jesuitical plots was expressed, and explores political attitudes both within and outside the Catholic church. Cubitt uses the available evidence to contrast perceptions and reality, and to trace the development of a widespread and powerful myth. The Jesuit Myth offers valuable insights into the political and religious climate of nineteenth-century France.

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII-in and out of uniform, for theirs is a legacy destined to embolden generations of women to come. The Girls Who Stepped Out of Line are the heroes of the Greatest Generation that you hardly ever hear about. These women who did extraordinary things didn't expect thanks and shied away from medals and recognition. Despite their amazing accomplishments, they've gone mostly unheralded and unrewarded. No longer. These are the women of World War II who served, fought, struggled, and made things happen-in and out of uniform. Young Hilda Eisen was captured twice by the Nazis and twice escaped, going on to fight with the Resistance in Poland. Determined to survive, she and her husband later emigrated to the U.S. where they became entrepreneurs and successful business leaders. Ola Mildred Rexroat was the only Native American woman pilot to serve with the Women's Airforce Service Pilots (WASP) in World War II. She persisted against all odds-to earn her silver wings and fly, helping train other pilots and gunners. Ida and Louise Cook were British sisters and opera buffs who smuggled Jews out of Germany, often wearing their jewelry and furs, to help with their finances. They served as sponsors for refugees, and established temporary housing for immigrant families in London. Alice Marble was a grand-slam winning tennis star who found her own path to serve during the war-she was an editor with Wonder Woman comics, played tennis exhibitions for the troops, and undertook a dangerous undercover mission to expose Nazi theft. After the war she was instrumental in desegregating women's professional tennis. Others also stepped out of line-as cartographers, spies, combat nurses, and troop commanders. Retired U.S. Army Major General Mari K. Eder wrote this book because she knew their stories needed to be told-and the sooner the better. For theirs is a legacy destined to embolden generations of women to come.

Claudian is often called the last poet of the classical tradition. This is the first ever English edition of his last extant work, with a full introduction, newly edited text, facing English translation, and commentary. It shows Claudian at the height of his considerable powers. A superb example of the literature of late antiquity, it records in exquisite and glittering verse the splendour of the western imperial court; but it is also a unique historical witness to the events and attitudes of the last years of the Roman empire. The poem celebrates the defeat of Alaric the Visigoth's first invasion of Italy (AD 402), and, ironically, predicts that he will never trouble the Romans again. Only a few years later (in 410), Alaric went on to capture Rome itself - the first capture of the city by a foreign army in eight centuries - shaking the ancient world's perception of Rome's imperial destiny to the foundations. This book provides a detailed analysis not only of the historical background but above all of Claudian's language, style, imagery, and impressive use of a wide range of other Greek and Latin sources.

In the dramatic few years when colonial Americans were galvanized to resist British rule, perhaps nothing did more to foment anti-British sentiment than the armed occupation of Boston. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town.
Bringing colonial Boston to life, Archer deftly moves between the governor's mansion and cobblestoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson, and James Otis Jr. as they responded to London's new policies, and he evokes the outrage many Bostonians felt towards Parliament and its local representatives.
Archer captures the popular mobilization under the leadership of John Hancock and Samuel Adams that met the oppressive imperial measures--most notably the Sugar Act and the Stamp Act--with demonstrations, Liberty Trees, violence, and non-importation agreements. When the British government decided to garrison Boston with troops, it posed a shocking challenge to the people of Massachusetts. The city was flooded with troops; almost immediately, tempers flared and violent conflicts broke out. Archer's vivid tale culminates in the swirling tragedy of the Boston Massacre and its aftermath, including the trial and exoneration of the British troops involved.
A thrilling and original work of history, As If an Enemy's Country tells the riveting story of what made the Boston townspeople, and with them other colonists, turn toward revolution.

This is the first comprehensive and fully illustrated study of silver vessels from ancient Macedonia from the 4th to the 2nd centuries BC. These precious vessels formed part of dining sets owned by the royal family and the elite and have been discovered in the tombs of their owners. Eleni Zimi presents 171 artifacts in a full-length study of form, decoration, inscriptions and manufacturing techniques, set against contemporary comparanda in other media (clay, bronze, glass). She adopts an art historical and sociological approach to the archaeological evidence and demonstrates that the use of silver vessels as an expression of wealth and a status symbol is not only connected with the wealth spread in the empire after Alexander's the Great expedition to the East, but constitutes a practice reflecting the opulence and appreciation for luxury at least in the Macedonian court from the reign of Philip II onwards.

States of Division analyses the division of Germany and the development of the Iron Curtain during the four and a half decades of the Cold War. The centerpiece of this global fault-line was the thousand-mile-long border dividing Germany into West and East. This long border traversed primarily rural peripheries and the development of division along it entailed protracted processes of social and cultural demarcation. Unlike the Berlin Wall, which sprang up overnight in the urban enclave under watchful eyes of Soviet and Western armies, the inter-German border evolved slowly through interactions between frontier residents and various state agencies. The division of Germany and of the world emerged through conflicts between everyday practices, economic necessities, policies of German and foreign governments, and their ability to push these policies through. The division of Germany was a multi-faceted process, which progressed slowly and unevenly. States of Division demonstrates that along with the crucial context of the Cold War, multiple historical and social frameworks are required to decipher division and explain how and where it took place. Dividing a modern integrated society along a thousand-mile border was not planned or intended by the allies and at no stage was agreed upon by East and West German authorities. It gave rise to contradictions and conflicts with practice and tradition, undermining economy and culture in the borderlands, and required protracted negotiations and considerable resources. It was not a fait accompli of Yalta or Potsdam, nor was it completed with the construction of the Berlin Wall in 1961. German division only stabilized as a sociopolitical fact through the inter-German compromise of the 1970s, which also planted the seeds of its undoing. Integrating local, regional and national perspectives, this volume tells a complex story, showing how diplomacy and policy affected daily practices and were affected by them.

The twentieth century has been popularly seen as "the American Century," as publisher Henry Luce dubbed it, a long period in which the United States had amassed the economic resources, the political and military strength, and the moral prestige to assume global leadership. By century's end, the trajectory of American politics, the sense of ever waxing federal power, and the nation's place in the world seemed less assured. Americans of many stripes came to contest the standard narratives of nation building and international hegemony that generations of historians dutifully charted. In this volume, a group of distinguished junior and senior historians-including John McGreevy, James Campbell, Elizabeth Borgwardt, Eric Rauchway, Elizabeth Cobbs Hoffman, and James Kloppenberg- revisit and revise many of the chestnuts of American political history. First and foremost, the contributors challenge the teleological view of the inexorable transformation of the United States into a modern nation. To be sure, chain stores replaced mom-and-pop businesses, interstate highways knit together once isolated regions, national media shaped debate from coast-to coast, and the IRS, the EPA, the Federal Reserve, the Social Security Administration and other instruments of national power became daily presences in the lives of ordinary Americans. But the local and the parochial did not inexorably give way to the national and eventually to global integration. Instead, the contributors to this volume illustrate the ongoing dialectic between centrifugal and centripetal forces in the development of the twentieth century United States. The essays analyze a host of ways in which local places are drawn into a wider polity and culture. At the same time, they reveal how national and international structures and ideas repeatedly create new kinds of local movements and local energies. The authors also challenge the tendency to view American politics as a series of conflicts between liberalism and conservatism, which Arthur Schlesinger, Sr. and Jr. codified as the idea that American national politics routinely experienced roughly fifteen year periods of liberal reform followed by similar intervals of conservative reaction. For generations, American political history remained the story of reform, the rise and fall, triumphs and setbacks of successive waves of reformers-Jacksonian Democrats and abolitionists, Populists and Progressives, New Dealers and Great Society poverty warriors-and, recently, equally rich scholarship has explored the origins and development of American conservatism. The contributors do not treat the left and right as separate phenomena, as the dominant forces of different eras. Instead they assert the liberal and the conservative are always and essentially intertwined, mutually constituted and mutually constituting. Modern American liberalism operates amid tenacious, recurring forces that shape and delimit the landscape of social reform and political action just as conservatives layered their efforts over the cumulative achievements of twentieth century liberalism, necessarily accommodating themselves to shifts in the instruments of government, social mores and popular culture. These essays also unravel a third traditional polarity in twentieth century U.S. history, the apparent divide between foreign policy and domestic politics. Notwithstanding its proud anti-colonial heritage and its enduring skepticism about foreign entanglements, the United States has been and remains a robustly international (if not imperial) nation. The authors in this volume-with many formative figures in the ongoing internationalization of American history represented among them-demonstrate that international connections (not only in the realm of diplomacy but also in matters of migration, commerce, and culture) have transformed domestic life in myriad ways and, in turn, that the American presence in the world has been shaped by its distinctive domestic political culture. Blurring the boundaries between political, cultural, and economic history, this collective volume aims to raise penetrating questions and challenge readers' understanding of the broader narrative of twentieth-century U.S. history.

Proclus (412-485 A.D.) was one of the last official 'successors' of Plato at the head of the Academy in Athens at the end of Antiquity, before the school was finally closed down in 529. As a prolific author of systematic works on a wide range of topics and one of the most influential commentators on Plato of all times, the legacy of Proclus in the cultural history of the west can hardly be overestimated. This book introduces the reader to Proclus' life and works, his place in the Platonic tradition of Antiquity and the influence his work exerted in later ages. Various chapters are devoted to Proclus' metaphysical system, including his doctrines about the first principle of all reality, the One, and about the Forms and the soul. The broad range of Proclus' thought is further illustrated by highlighting his contribution to philosophy of nature, scientific theory, theory of knowledge and philosophy of language. Finally, also his most original doctrines on evil and providence, his Neoplatonic virtue ethics, his complex views on theology and religious practice, and his metaphysical aesthetics receive separate treatments. This book is the first to bring together the leading scholars in the field and to present a state of the art of Proclean studies today. In doing so, it provides the most comprehensive introduction to Proclus' thought currently available.

Humans occupy a material environment that is constantly changing. Yet in the twentieth century archaeologists studying British prehistory have overlooked this fact in their search for past systems of order and pattern. Artefacts and monuments were treated as inert materials which were the outcomes of social ideas and processes. As a result materials were variously characterized as stable entities such as artefact categories, styles or symbols in an attempt to comprehend them. In this book Jones argues that, on the contrary, materials are vital, mutable, and creative, and archaeologists need to attend to the changing character of materials if they are to understand how past people and materials intersected to produce prehistoric societies. Rather than considering materials and societies as given, he argues that we need to understand how these entities are performed. Jones analyses the various aspects of materials, including their scale, colour, fragmentation, and assembly, in a wide-ranging discussion that covers the pottery, metalwork, rock art, passage tombs, barrows, causewayed enclosures, and settlements of Neolithic and Early Bronze Age Britain and Ireland.

Walter of Chatillon was one of the leading Medieval Latin poets, who flourished at the high point of Medieval Latin literature - the later twelfth century. This volume presents the Latin text and facing English translation of Walter's shorter poems, including love poems, satires, and (largely Christmas) hymns. His satirical poems, often written in Goliardic hexameters, of which he was an accomplished master, are fine examples of the form. The allusiveness of his hymns makes them often notoriously difficult, but they provide a fascinating insight into the mindset of the clergy of the time and the prevalence of allegorical interpretation of the Bible. This volume provides an outline of the author's life, and adds a further fifteen poems to the previously accepted canon of fifty-two poems which appear in earlier editions of Walter of Chatillon's poetry. The introduction discusses the attribution of the additional poems, Walter's use of rhythmical and metrical verse in these poems, the relevant manuscripts, the recurring themes of the Feast of Fools, and avarice and largesse, and the arrangement of the poems. This volume makes available in English for the first time the shorter poems of an important medieval poet together with an improved Latin text. Scholars of the twelfth century will find a great deal of primary evidence on a wide variety of social and religious issues now accessible to them.

Today there is much talk of a 'crisis of trust'; a crisis which is almost certainly genuine, but usually misunderstood. Trust: A History offers a new perspective on the ways in which trust and distrust have functioned in past societies, providing an empirical and historical basis against which the present crisis can be examined, and suggesting ways in which the concept of trust can be used as a tool to understand our own and other societies. Geoffrey Hosking argues that social trust is mediated through symbolic systems, such as religion and money, and the institutions associated with them, such as churches and banks. Historically these institutions have nourished trust, but the resulting trust networks have tended to create quite tough boundaries around themselves, across which distrust is projected against outsiders. Hosking also shows how nation-states have been particularly good at absorbing symbolic systems and generating trust among large numbers of people, while also erecting distinct boundaries around themselves, despite an increasingly global economy. He asserts that in the modern world it has become common to entrust major resources to institutions we know little about, and suggests that we need to learn from historical experience and temper this with more traditional forms of trust, or become an ever more distrustful society, with potentially very destabilising consequences.

Includes an All-New Afterword. An unflinching account of America's most horrific racial massacre, The Burning is essential reading as America finally comes to terms with its racial past. When first published in 2001, society apparently wasn't ready for such an unstinting narrative. After it was published, The Burning, like its subject matter, remained unknown to most in America. That has changed dramatically. "I began to suspect that a crucial piece remained missing from America's long attempts at racial reconciliation," Madigan wrote in 2001 in the author's note to The Burning. "Too many in this country remained as ignorant as I was. Too many were just as oblivious to some of the darkest moments in our history, a legacy of which Tulsa is both a tragic example and a shameful metaphor. How can we heal when we don't know what we're healing from?" Now, 100 years after the massacre, Madigan brings new resonance to these questions in the reissue of this definitive work of American history. Featuring a brand new afterword, The Burning skillfully places the Tulsa Massacre in a broader historical context. Rather than an exception, the massacre was completely consistent with that time in the United States, an era of Jim Crow, widespread lynching, and racism endorsed and promulgated at the highest levels of society. Such were the foundations of the systemic racism at the root of our problems today. On the morning of June 1, 1921, a white mob numbering in the thousands marched across the railroad tracks dividing Black from white in Tulsa, Oklahoma, and obliterated a Black community then celebrated as one of America's most prosperous. 34 square blocks of Tulsa's Greenwood community, known then as the Negro Wall Street of America, were reduced to smoldering rubble. And now, 100 years later, the death toll of what is known as the Tulsa Race Massacre is more difficult to pinpoint. Conservative estimates put the number of dead at about 100 (75% of the victims are believed to have been Black), but the actual number of casualties could be triple that. The Tulsa Race Riot Commission, formed to determine exactly what happened, has recommended that restitution to the historic Greenwood Community would be good public policy and do much to repair the emotional as well as physical scars of this most terrible incident in our shared past. With chilling details, humanity, and the narrative thrust of compelling fiction, The Burning recreates the town of Greenwood at the height of its prosperity, explores the currents of hatred, racism, and mistrust between its Black residents and neighboring Tulsa's white population, narrates events leading up to and including Greenwood's annihilation, and documents the subsequent silence that surrounded the tragedy.

Markus Dressler tells the story of how a number of marginalized socioreligious communities, traditionally and derogatorily referred to as Kizilbas (''Redhead''), captured the attention of the late Ottoman and early Republican Turkish nationalists and were gradually integrated into the newly formulated identity of secular Turkish nationalists. In the late 1980s, the Alevis (roughly 15-20% of the population), at that time thought to be mostly assimilated into the secular Turkish mainstream, began to assert their difference as they never had before. As Dressler demonstrates, they began a revitalization and reformation of Alevi institutions and networks, demanded an end to social and institutional discrimination, and claimed recognition as a community distinct from the Sunni majority population. Both in Turkey and in countries with a significant Turkish migrant population, such as Germany, the ''Alevi question,'' which comprises matters of representation and relation to the state, as well as questions of cultural and religious location, has in the last two decades become a matter of public interest. Alevism is often assumed to be part of the Islamic tradition, although located on its margins - margins marked with indigenous terms such as Sufi and Shia, or with outside qualifiers such as 'heterodox' and 'syncretistic.' It is further assumed that Alevism is an intrinsic part of Anatolian and Turkish culture, carrying ancient Turkish heritage back beyond Anatolia and into the depths of the Central Asian Turkish past. Dressler argues that this knowledge about the Alevis, their demarcation as ''heterodox'' but Muslim, and their status as an intrinsic part of Turkish culture, is in fact much more recent. That knowledge can be traced back to the last years of the Ottoman Empire and the first years of the Turkish Republic, which was the decisive period of the formation of the Turkish nation state. Dressler contends that the Turkish nationalist reading of Alevism emerged as an anti-thesis to earlier Western interpretations. Both the initial Western/Orientalist discovery of the Alevis and their re-signification by Turkish nationalists are the cornerstones of the modern genealogy of the Alevism of Turkey. It is time, according to Dressler, for the origins of the Alevis to be demythologized.

This book tells the story of how White Rhodesians, three-quarters of whom were ill-prepared for revolutionary change, reacted to the "terrorist" war and the onset of black rule in the 1970s. It shows how internal divisions--both old and new--undermined the supposed unity of White Rhodesia, how most Rhodesians begrudgingly accepted the inevitability of black majority rule without adjusting to its implications, and how the self-appointed defenders of Western civilization sometimes adopted uncivilized methods of protecting the "Rhodesian way of life." This is a lively and accessible account, based on careful archival research and numerous personal interviews. It sets out to tell the story from the inside and to incorporate the diverse dimensions of the Rhodesian experience. The authors suggest that the Rhodesians were more differentiated than has often been assumed and that perhaps their greatest fault was an almost infinite capacity for self-delusion.

This study explores Roman luxury villa architecture and the Roman luxury villa lifestyle to shed light on the villas' design as a dynamic process related to cultural, social, and environmental factors. Roman villas expressed a novel architectural language which was developed by designers appropriating the existing stylistic and thematic vocabularies of Hellenistic and Roman architecture. Zarmakoupi seeks to describe and explain the ways in which this architecture accommodated the lifestyle of educated leisure and an appreciation of the Roman landscape, and how, in doing so, it became a cultural phenomenon and a crucial element in the construction of Roman cultural identity. In their effort to accommodate the Greek style, Romans created something completely unprecedented in the history of architecture. Through an analysis of five villas from around the bay of Naples (c. 100 BCE - 79 CE), the volume shows that in designing for luxury, Romans developed a sophisticated interplay between architecture and landscape, an interplay which is still seen in architectural design today.

In the nineteenth century, German Liberalism grew into a powerful political movement vociferous in its demands for the freedom of the individual, for changes to allow the participation of all men in the political system and for a fundamental reform of the German states. As elsewhere in Europe, Liberalism was linked not only with a strong social commitment, but also with the formation of a national state. In this concise and authoritative study of liberalism in German, Dieter Langewiesche analyses the foundation and development of German liberalism from the nineteenth to the twentieth century. He takes into account the most recent research and scholarship in this field, examining the role of individual German states, the local roots of liberalism, the links between liberalism and its social bases of support, especially from bourgeois groups, and the forms of political organisation adopted by the liberals. The author addresses issues fundamental to an understanding of liberalism in Germany and the formation of the modern German state.

Charles Hodge (1797-1878) was one of nineteenth-century America's leading theologians, owing in part to a lengthy teaching career, voluminous writings, and a faculty post at one of the nation's most influential schools, Princeton Theological Seminary. Surprisingly, the only biography of this towering figure was written by his son, just two years after his death. Paul Gutjahr's book, therefore, is the first modern critical biography of a man some have called the Pope of Presbyterianism...Hodge's legacy is especially important to American Presbyterians. His brand of theological conservatism became vital in the 1920s, as Princeton Seminary saw itself, and its denomination, split. The conservative wing held unswervingly to the Old School tradition championed by Hodge, and ultimately founded the breakaway Orthodox Presbyterian Church. The views that Hodge developed, refined, and propagated helped shape many of the central traditions of twentieth- and twenty-first-century American evangelicalism. Hodge helped establish a profound reliance on the Bible among evangelicals, and he became one of the nation's most vocal proponents of biblical inerrancy. Gutjahr's study reveals the exceptional depth, breadth, and longevity of Hodge's theological influence and illuminates the varied and complex nature of conservative American Protestantism.

The topic of certitude is much debated today. On one side, commentators such as Charles Krauthammer urge us to achieve "moral clarity." On the other, those like George Will contend that the greatest present threat to civilization is an excess of certitude. To address this uncomfortable debate, Susan Schreiner turns to the intellectuals of early modern Europe, a period when thought was still fluid and had not yet been reified into the form of rationality demanded by the eighteenth and nineteenth centuries.
Schreiner argues that Europe in the sixteenth century was preoccupied with concerns similar to ours; both the desire for certainty -- especially religious certainty -- and warnings against certainty permeated the earlier era. Digging beneath overt theological and philosophical problems, she tackles the underlying fears of the period as she addresses questions of salvation, authority, the rise of skepticism, the outbreak of religious violence, the discernment of spirits, and the ambiguous relationship between appearance and reality.
In her examination of the history of theological polemics and debates (as well as other genres), Schreiner sheds light on the repeated evaluation of certainty and the recurring fear of deception. Among the texts she draws on are Montaigne's Essays, the mystical writings of Teresa of Avila, the works of Reformation fathers William of Occam, Luther, Thomas Muntzer, and Thomas More; and the dramas of Shakespeare. The result is not a book about theology, but rather about the way in which the concern with certitude determined the theology, polemics and literature of an age.

The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. London, New York, Paris, and Vienna feature prominently as cities in which the challenge to the classical tradition was strongest, and in which original and influential forms of popular music arose, from Viennese waltz and polka to vaudeville and cabaret.
Scott explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious.
A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds ofthe Metropolis will appeal to students of music, cultural sociology, and history.