'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.

The events of 1939-1945 had such a dramatic impact on the world that it is easy to forget that Allied victory was far from certain, especially in the early part of the war when both the Nazis in Europe and the Japanese in the Pacific were sweeping all before them. History of World War II chronicles the war as it happened, focusing on key battles and events that act as signposts in the slow change of fortunes of either side. Divided into two sections, one on each major theatre, the book describes such famous events as the attack on Pearl Harbor, the battle of Stalingrad, the Normandy landings, the fall of Berlin, and the struggle for Iwo Jima. Linking each famous event is an in-depth chronology detailing other events happening elsewhere, building into a snapshot of the war at that point. In each section are spreads comparing and contrasting the strengths of essential weapons in that battle: fighter aircraft in the Battle of Britain, tanks at Kursk, landing aircraft at D- Day and in the Pacific. Each of these spreads is packed with colourful diagrams, graphs and charts to help you grasp the relative strengths of, for example, different aircraft carriers at the Battle of Midway, US versus Japanese small arms at Okinawa and anti- tank guns in the Normandy campaign, among many other engagements. The final part of the book provides a chronology of the war. Highly illustrated with colour maps and both colour and black-and-white photographs and colour artworks, History of World War II is a both a handy reference volume on the progress of the conflict and the weapons used to fight it.

The publication of this collection of essays on the current crisis concerning Iraq will not be welcomed by the United States government. Although the authors - a group of German and American scholars, who are moral theologicans, policy analysts, political scientists, and a Middle East historian - write from divergent backgrounds and perspectives, all finally concur, sometimes for different reasons, in rejecting the arguments of the Bush administration in favor of unilateral U.S. military action against Iraq. These essays are uniformly free of the intemperate language and careless argumentation that characterizes some of the opposition to American policy inside and outside the United States, and is therefore easy to dismiss. Whether the authors address either the threat Saddam Hussein represents to his reagon and the world or the prospects for alternative strategies, the reasoning is generally wellinformed, sensitive to complexity, and attentive to detail. The book will help to confirm and strengthen the growing 'thoughful opposition' in the United States and abroad to the Bush policies, and as such deserves to be taken very seriously.

This compendium of primary sources examines British architectural history from the accession of King George III in 1760 to the outbreak if the First World War in 1914. The collection of two volumes contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.

Many of us assume Western Civilization derives from a cultural inheritance that stretches back to classical antiquity, a golden thread that binds us from Plato to NATO. But what if all this is wrong? What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? What if The West is just an idea that has been invented, co-opted, and mythologised to serve different purposes through history? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world. Told through the lives of fourteen fascinating historical figures -- from a powerful Roman matriarch to an Islamic scholar, from a crusading Greek soldier to a founding father of the United States, from a slave girl in the new Americas to a British prime minister -- it casts a new light on how the West was invented, embraced, rejected and re-imagined to shape our world today.

Exam board: Pearson Edexcel; OCR Level: AS/A-level Subject: History First teaching: September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level) Put your trust in the textbook series that has given thousands of A-level History students deeper knowledge and better grades for over 30 years. Updated to meet the demands of today's A-level specifications, this new generation of Access to History titles includes accurate exam guidance based on examiners' reports, free online activity worksheets and contextual information that underpins students' understanding of the period. > Develop strong historical knowledge: In-depth analysis of each topic is both authoritative and accessible > Build historical skills and understanding: Downloadable activity worksheets can be used independently by students or edited by teachers for classwork and homework > Learn, remember and connect important events and people: An introduction to the period, summary diagrams, timelines and links to additional online resources support lessons, revision and coursework > Achieve exam success: Practical advice matched to the requirements of your A-level specification incorporates the lessons learnt from previous exams > Engage with sources, interpretations and the latest historical research: Students will evaluate a rich collection of visual and written materials, plus key debates that examine the views of different historians

This four-volume collection explores the idea that, for Victorians and Edwardians, the meanings attached to work and the meanings attached to being without work were always dependent upon each other, knotted together by the imperative for a man to desire employment and be willing to work. Mechanization and the decline of old trades, the creation of single-industry cities and towns, the migration of agricultural labourers from the countryside to these cities and to London, the intensification of the sweated industries, and the displacement of the labour of adult men by the labour of women and adolescent boys all contributed to urgent conversations about the relationships between work and unemployment and are examined through primary sources. Accompanied by extensive editorial commentary, this collection will be of great interest to students of British History.

Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the 2021 National Book Award for Nonfiction The Cold War was not just a contest of power. It was also about ideas, in the broadest sense - economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize-winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and stresses the rich flow of ideas across the Atlantic. How did elitism and an anti-totalitarian scepticism of passion and ideology give way to a new sensibility defined by experimentation and loving the Beatles? How was the ideal of 'freedom' applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club, Menand takes us inside Hannah Arendt's Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir and the post-war vogue for French existentialism, structuralism and post-structuralism. He also shows how Europeans played a vital role in promoting and influencing American art and thought, revealing how America's once neglected culture became respected and adored. With unprecedented verve and range, this book offers a masterly account of the main characters and minor figures who played part in shaping the post-war world of art and thought.

THE NO.1 SUNDAY TIMES BESTSELLER A BBC BETWEEN THE COVERS BOOK CLUB PICK The thrilling story about a Cold War KGB double agent, by one of Britain's greatest historians and the ultimate gift for anyone who loves a real-life spy thriller! 'The best true spy story I have ever read' John le Carre ________________ On a warm July evening in 1985, a middle-aged man stood on the pavement of a busy avenue in the heart of Moscow, holding a plastic carrier bag. In his grey suit and tie, he looked like any other Soviet citizen. The bag alone was mildly conspicuous, printed with the red logo of Safeway, the British supermarket. The man was a spy. A senior KGB officer, for more than a decade he had supplied his British spymasters with a stream of priceless secrets from deep within the Soviet intelligence machine. No spy had done more to damage the KGB. The Safeway bag was a signal: to activate his escape plan to be smuggled out of Soviet Russia. So began one of the boldest and most extraordinary episodes in the history of spying. Ben Macintyre reveals a tale of espionage, betrayal and raw courage that changed the course of the Cold War forever . . . ________________ 'The world's most important spy since the Second World War. Mercilessly gripping' Sunday Times 'Extraordinary. His best book yet' John Preston, Evening Standard 'A remarkable story of one man's courage' The Times, Book of the Week BEN MACINTYRE'S NEXT BOOK COLDITZ: PRISONERS OF THE CASTLE IS AVAILABLE TO BUY NOW!

The urge to censor is as old as the urge to speak. From the first Chinese emperor's wholesale elimination of books to the Vatican's suppression of pornography from its own collection, and on to the attack on Charlie Hebdo and the advent of Internet troll armies, words, images and ideas have always been hunted down by those trying to suppress them. In this compelling account, Eric Berkowitz reveals why and how humanity has, from the beginning, sought to silence itself. Ranging from the absurd - such as Henry VIII's decree of death for anyone who 'imagined' his demise - to claims by American slave owners that abolitionist literature should be supressed because it hurt their feelings, Berkowitz takes the reader on an unruly ride through history, highlighting the use of censorship to reinforce class, race and gender privilege and guard against offence. Elucidating phrases like 'fake news' and 'hate speech', Dangerous Ideas exposes the dangers of erasing history, how censorship has shaped our modern society and what forms it is taking today - and to what disturbing effects.

The Battle of Midway was, on paper, an improbable victory for the smaller, less experienced American navy and air force, so much so that it was quickly described as "a miracle." Yet fortune favored the Americans at Midway, and the conventional wisdom has it that the Americans' lucky streak continued as the war in the Pacific turned against the Japanese. This new history demonstrates that luck, let alone miracles, had little to do with it. In The Silver Waterfall, Brendan Simms and Steven McGregor show how the efforts of America's peacetime navy combined with creative innovations made by designers and industrialists were largely responsible for the victory. The Douglas Dauntless Dive Bomber, a uniquely conceived fighting weapon, delivered a brutally accurate attack the Japanese quickly came to dread. Told through a vivid narrative, Simms and McGregor show how the course of the war in the Pacific was dramatically altered, emphasizing the crucial combination of a culture of innovation, a brilliant contribution from immigrants, and a vital intelligence coup that allowed the navy to orchestrate the devastating attack on the Japanese and dominate the Pacific for good.

An energetic new translation of an ancient Roman masterpiece about a failed coup led by a corrupt and charismatic politician In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate, a stormy debate that led to their execution, and the defeat of Catiline and his legions in battle. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust's The War with Catiline-a brief, powerful book that has influenced how generations of readers, including America's founders, have thought about coups and political conspiracies. In a taut, jaw-dropping narrative, Sallust pleasurably combines juicy details about Catiline and his louche associates with highly quotable moral judgments and a wrenching description of the widespread social misery they exploited. Along the way, we get unforgettable portraits of the bitter and haunted Catiline, who was sympathetic to the plight of Romans yet willing to destroy Rome; his archenemy Cicero, who thwarts the conspiracy; and Julius Caesar, who defends the conspirators and is accused of being one of them. Complete with an introduction that discusses how The War with Catiline has shaped and continues to shape our understanding of how republics live and die, and featuring the original Latin on facing pages, this volume makes Sallust's gripping history more accessible than ever before.

In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources--diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film--Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification. These tales reveal writers, visual artists, and filmmakers as well as common people struggling to express the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making "After Dachau" a new epoch in Western history. The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people--sorrow and anger, guilt and pride, despondency and resilience--as well as the ambiguities and paradoxes of Allied victory and occupation.

A thrilling journey through 100,000 years of art, from the first artworks ever made to art's central role in culture today "This lively volume is ideal for the precocious high-schooler, the lazy collegian . . . and any adult who wishes for greater mastery of the subject. . . . Mullins leav[es] readers with an expansive, no-regrets appreciation of art and the human story."-Meghan Cox Gurdon, Wall Street Journal "A fresh take on art history as we know it."-Katy Hessel, The Great Women Artists Podcast Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity and contributes to our overall wellbeing and positive mental health. Why did our ancestors make art? What did art mean to them and what does their art mean for us today? Why is art even important at all? Mullins introduces readers to the Terracotta Army and Nok sculptures, Renaissance artists such as Giotto and Michelangelo, trailblazers including Kathe Kollwitz, Pablo Picasso, Frida Kahlo, and contemporary artists who create art as resistance, such as Ai Weiwei and Shirin Neshat. She also restores forgotten artists such as Sofonisba Anguissola, Guan Daosheng and Jacob Lawrence, and travels to the Niger valley, Peru, Java, Rapa Nui and Australia, to broaden our understanding of what art is and should be. This extraordinary journey through 100,000 years celebrates art's crucial place in understanding our collective culture and history.

The Chinese Communist government has twice invoked large-scale military might to crush popular uprisings in capital cities. The second incident-the notorious massacre in Tiananmen Square in 1989-is well known. The first, thirty years earlier in Tibet, remains little understood today. Yet in wages of destruction, bloodshed, and trampling of human rights, the tragic toll of March 1959 surpassed Tiananmen. Tibet in Agony provides the first clear historical account of the Chinese crackdown in Lhasa. Sifting facts from the distortions of propaganda and partisan politics, Jianglin Li reconstructs a chronology of events that lays to rest lingering questions about what happened in those fate-filled days and why. Her story begins with throngs of Tibetan demonstrators who-fearful that Chinese authorities were planning to abduct the Dalai Lama, their beloved leader-formed a protective ring around his palace. On the night of March 17, he fled in disguise, only to reemerge in India weeks later to set up a government in exile. But no peaceful resolution awaited Tibet. The Chinese army soon began shelling Lhasa, inflicting thousands of casualties and ravaging heritage sites in the bombardment and the infantry onslaught that followed. Unable to resist this show of force, the Tibetans capitulated, putting Mao Zedong in a position to fulfill his long-cherished dream of bringing Tibet under the Communist yoke. Li's extensive investigation, including eyewitness interviews and examination of classified government records, tells a gripping story of a crisis whose aftershocks continue to rattle the region today.

There is little doubt that the '45 rebellion was the greatest challenge to the eighteenth-century British state. The battle of Culloden in which it culminated was certainly one of the most dramatic of the century. This study, based on extensive archival research, examines the political and military context of the uprising and highlights the seriousness of the challenge posed by the Jacobites. The result is an illuminating account of an episode often obscured by the perspectives of Stuart romance.

The true story of a woman's incredible journey into the heart of the Third Reich to find the man she loves. When the Gestapo seize 20-year-old Olga Czepf's fiance she is determined to find him and sets off on an extraordinary 2,000-mile search across Nazi-occupied Europe risking betrayal, arrest and death. As the Second World War heads towards its bloody climax, she refuses to give up - even when her mission leads her to the gates of Dachau and Buchenwald concentration camps...Now 88 and living in London, Olga tells with remarkable clarity of the courage and determination that drove her across war-torn Europe, to find the man she loved. The greatest untold true love story of World War Two.

A lively, engaging guide to music around the world, from prehistory to the present Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today's mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism. From Hildegard von Bingen and Clara Schumann to Bob Dylan and Aretha Franklin, great performers and composers have profoundly shaped music as we know it. Covering a remarkable range of genres, including medieval chant, classical opera, jazz, and hip hop, this Little History shines a light on the wonder of music-and why it is treasured across the world.

'Impressive ... Fascinating' Sunday Times 'An authoritative history' Financial Times 'Gripping and richly researched' Rana Mitter A superb new history of the rise of China and the fall of Hong Kong to authoritarian rule. The rise of China and the fall of Hong Kong to authoritarian rule are told with unique insight in this new history by Michael Sheridan, drawing on eyewitness reporting over three decades, interviews with key figures and documents from archives in China and the West. The story sweeps the reader from the earliest days of trade through the Opium Wars of the 19th century to the age of globalisation and the handover of Hong Kong from Britain to China. It ends with the battle for democracy on the city's streets and the ultimate victory of the Chinese Communist Party. How did it come to this? We learn from private papers that Margaret Thatcher anguished over the fate of Hong Kong, sought secret American briefings on how to handle China and put her trust in an adviser who was torn between duty and pride. The deal they made with Beijing did not last. The Chinese side of this history, so often unheard, emerges from memoirs and documents, many new to the foreign reader, revealing how the party's iron will and negotiating tactics crushed its opponents. Yet the voices of Hong Kong people - eloquent, smart and bold - speak out here for ideals that refuse to die. Sheridan's book tells how Hong Kong opened the way for the People's Republic as it reformed its economy and changed the world, emerging to challenge the West with a new order that raises fundamental questions about progress, identity and freedom. It is critical reading for all who study, trade or deal with China.

At midnight on 30 June 1997, Hong Kong reverted to Chinese sovereignty after 150 years of British rule. The moment when the British flag came down was dramatic enough but the ten years leading up to it were full of surprising incident and change. These 'Letters from Hong Kong', written by an Englishwoman who was involved in those events from 1987, are both an unusual historical record and a heartwarming account of women's domestic, intellectual and political activity. This epilogue brings Hong Kong up to date ten years after the Handover.

From the end of the 15th century until the 18th, Spanish Jews carried on Jewish practices in the shadow of the Inquisition. Those caught were forced to recant or be burnt at the stake. Drawing on their confessions and trial documents, this book tells their story.

Voltaire's turbulent relationship with the courts of law of ancien regime France reveals much about his social and political thought, but its representation in many studies of the philosophe is often simplistic and distorted. In the first in-depth study of Voltaire and the parlements James Hanrahan looks afresh at this relationship to offer a new and challenging analysis of Voltaire's political thought and activity. Through examination of Voltaire's evolving representation of the parlements in his writings from La Henriade to the Histoire du parlement, Hanrahan calls into question the dominant historiography of extremes that pits Voltaire 'defender of the oppressed' against 'self-interested' magistrates. He presents a much more nuanced view of the relationship, from which the philosophe emerges as a highly pragmatic figure whose political philosophy was inseparable from his business or humanitarian interests. In Voltaire and the 'parlements' of France Hanrahan opens up analysis of Voltaire's politics, and provides a new context for future study of the writer as both historiographer and campaigner for justice.

In the socio-political milieu of the forties in India, the most contentious decade of the last century, ravaged with war, the Quit India movement, famine, partition and the civil war, the author draws our attention to Mohandas Karamchand Gandhi, the father of the Indian Independence Movement, who, as he puts it, 'symbolised the conflicts and paradoxes of that time of transition'. As one critically examines Gandhi's views during the period of India's passage to political independence on issues such as war, decolonisation, nationalist challenge, state sovereignty, problems of governance and so on, a pertinent question surfaces: was Gandhi as confident in his political agenda and methods as history has asserted to the present day? Gandhi, again a satyagrahi, an ardent propagator of non-violent resistance to injustice throughout his life, appears in the eyes of the Englishmen, as an extremist and saboteur of the Allied democratic cause in the World War II. Using his scholarly acumen, the author unveils a new dimension to Gandhi's towering personality with the suggestion that time was closing down on him. It was a situation of classic aporia, when exit from the problem that Gandhi struggled to escape from became impossible in its own terms.

This set gathers together a collection of previously out-of-print titles that examine China's great heritage in literature, poetry, theatre and performance, painting and crafts. This reference resource spans Chinese traditions and artforms to provide in-depth analysis of some of China's great cultural treasures from many different periods in the country's long history.