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Malevich and Interwar Modernism - Russian Art and the International of the Square (Hardcover)
Loot Price: R3,199
Discovery Miles 31 990
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Malevich and Interwar Modernism - Russian Art and the International of the Square (Hardcover)
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This book examines the legacy of international interwar modernism
as a case of cultural transfer through the travels of a central
motif: the square. The square was the most emblematic and widely
known form/motif of the international avant-garde in the interwar
years. It originated from the Russian artist Kazimir Malevich who
painted The Black Square on White Ground in 1915 and was then
picked up by another Russian artist El Lissitzky and the Dutch
artist Theo van Doesburg. It came to be understood as a symbol of a
new internationalism and modernity and while Forgács uses it as
part of her overall narrative, she focuses on it and its journey
across borders to follow its significance, how it was used by the
above key artists and how its meaning became modified in Western
Europe. It is unusual to discuss interwar modernism and its postwar
survival, but this book’s chapters work together to argue that
the interwar developments signified a turning point in
twentieth-century art that led to much creativity and innovation.
Forgács supports her theory with newly found and newly interpreted
documents that prove how this exciting legacy was shaped by three
major agents: Malevich, Lissitzsky and van Doesburg. She offers a
wider interpretation of modernism that examines its postwar
significance, reception and history up until the emergence of the
New Left in 1956 and the seismic events of 1968.
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