This volume combines two classic works on Hamlet, first published
in 1919 and 1922. The first book's original description says that
it contains a theory which attempts to explain an everlasting
problem - it insists that Hamlet is neither a failure not an
accident, but a very great work of art. In a final chapter, the
play is examined as an aesthetic document. It is a profoundly
interesting and not unprovocative work. The second book reviews and
attempts to resolve the most interesting debate of any Shakespeare
play and presents proper method for investigating the genesis of
the plays in this way.
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