These essays explore music and its relationship to language,
aesthetics, and culture in the life and work of the preeminent
Modernist writer Virginia Woolf (Mrs. Dalloway, To the Lighthouse,
Orlando, A Room of One's Own, and other works). Approaching Woolf
from musicology, literary criticism, and gender studies, the
collection examines Woolf's musical background; music in Woolf's
fiction and critical writings; and the importance of music in the
Bloomsbury milieu and its role within the larger framework of
Modernism. Making use of Woolf's diaries, letters, fiction, and the
testimony of her contemporaries, these essays illuminate the rich
and deeply musical nature of Woolf's works.
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