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New Music and the Claims of Modernity (Paperback)
Loot Price: R1,496
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New Music and the Claims of Modernity (Paperback)
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Since 1945 the emphasis in new music has lain in a desire for
progress, a concept challenged by postmodernist aesthetics. In this
study, Alastair Williams identifies and explores the recurring
issues and problems presented by post-war music. Part one examines
the German philosopher, Theodor Adorno's portrayal of modernity and
his understanding of modernism in music. This is followed by a
survey of the developments in music from late Beethoven to
Schoenberg, the two composers whose works provided the main anchor
points for Adorno's philosophy of music. Parts two and three
indicate the ways in which Adorno's aesthetics are pertinent to an
understanding of new music. Part two comprises a close examination
of the music of Pierre Boulez and John Cage, composers who
represent extreme, though related, aspects of contemporary music
thought: the primacy of structure versus dissolution. Williams'
views the music of Ligeti as an exploration of the interface
between these two extremes, personifying Adorno's advocation of an
aesthetic which attempts to embrace all its dissimilar parts. In
part three the consequences of modernism and the aesthetic
approaches of Derrida and de Mann are considered, together with the
music of Wolfgang Rihm. Williams concludes with a survey of
contemporary music and the postmodernist desire to include a range
of compositional references.
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