Since the late 1990s, when broadcasters began adapting such
television shows as" Big Brother, Survivor, " and "Who Wants to Be
a Millionaire? "for markets around the world, the global television
industry has been struggling to come to grips with the prevalence
of program franchising across international borders. In "TV Format
Mogul," Albert Moran traces the history of this phenomenon through
the lens of Australian producer Reg Grundy's transnational
career.
Program copycatting, Moran shows, began long before its most
recent rise to prominence. Indeed, he reveals that the practice of
cultural and commercial cloning from one place to another, and one
time to another, has occurred since the early days of broadcasting.
Beginning in the late 1950s, Grundy brought non-Australian shows to
Australian audiences, becoming the first person to take local
productions to an overseas market. By following Grundy's career,
Moran shows how adaptation and remaking became the billion-dollar
business they are today. An exciting new contribution from
Australia's foremost scholar of television, "TV Format Mogul" will
be a definitive history of program franchising.
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