In "The Silence of Heaven," the world renowned Israeli novelist
Amos Oz introduces us to an extraordinary masterpiece of Hebrew
literature that is just now appearing in English, S. Y. Agnon's
"Only Yesterday." For Oz, Agnon is a treasure trove of a world no
longer available to today's writers, yet deeply meaningful for his
wonderment about God, the submerged eroticism of his writing, and
his juggling of multiple texts from the historical Hebrew religious
library. This collection of Oz's reflections on Agnon, which
includes an essay on the essence of his ideology and poetics, is a
rich interpretive work that shows how one great writer views
another.
Oz admires Agnon especially for his ability to invoke and
visualize the religious world of the simple folk in Eastern
European Jewry, looking back from the territorial context of the
Zionist revival in Palestine. The tragedy of Agnon's visions, Oz
maintains, lies in his perspicacity. Long before the Holocaust,
Agnon saw the degeneration, ruin, and end of Jewish culture in
Eastern Europe. He knew, too, that the Zionist project was far from
being a secure conquest and its champions far from being happy
idealists. Oz explores these viewpoints in a series of thick
readings that consider the tensions between faith and the shock of
doubt, yearnings and revulsion, love and hate, and intimacy and
disgust.
Although Oz himself is interested in particular ideological
questions, he has the subtle sensibility of a master of fiction and
can detect every technical device in Agnon's arsenal. With the
verve of an excited reader, Oz dissects Agnon's texts and subtexts
in a passionate argument about the major themes of Hebrew
literature. This book also tells much about Oz. It represents the
other side of Oz's book of reportage, In the Land of Israel, this
time exploring the ideologies of Jewish identity not on the land
but in texts of the modern classical heritage. "The Silence of
Heaven" hence takes us on a remarkable journey into the minds of
two major literary figures.
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