In a letter, Katherine Mansfield writes: 'I hate the sort of
licence that English people give themselves - to spread over and
flop and roll about. I feel as fastidious as though I write with
acid'. This book explores Mansfield's idiosyncratic aesthetic by
focusing on her position as an outsider in Britain: a
New-Zealander, a woman writer, a Fuavist, and eventually a
consumptive. Her sharp-edged fiction is discussed in relation to
her involvement with Post-Impressionist painting and painters.
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