This book aims to make sense of the Bayeux Tapestry by bringing
together answers to a number of questions which this famous hanging
presents to the viewer. How did the embroiderers organise the
stitching of the Bayeux Tapestry? Are its limited colours used with
greater sophistication than viewers have recognised? What do we
know of the Tapestry's supporting cast: naked figures in the
margins and clerics present at events in the main register? Can we
learn anything about the original purpose of the Tapestry from
detailed examination of Bayeux Cathedral's 1476 Inventory, the
first known reference to the Tapestry's existence? This book
combines up-to-the-minute research with an introduction that draws
on the contributors' personal observations in order to interrogate
the Tapestry's enduring value. Bringing together contributions from
leading specialists and newer voices in the field, it will be
essential reading for students and scholars of the Bayeux Tapestry,
medieval art and culture. -- .
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