With his unerring eye, Kaffe has succeeded in finding the perfect location for his exquisite new collection of quilts, featuring both his scintillating new fabric designs and his classics, all in his unique color palette. This time he has chosen the medieval English village of Lavenham in Suffolk, where the 19 quilts in this book are set off against the ancient half-timbered Tudor houses. They are displayed in all their glory in a sumptuous eye-catching quilt gallery. Included in this set of new designs are many very special ones by Kaffe, and several by his long-time friend and co-designer, Liza Prior Lucy. Kaffe's Starry Night, featured on the cover, fussy cuts some of his brilliant floral fabrics in deep rich colors to great effect, setting them off by surrounding stars in his Shot Cottons. Shards translates the traditional Broken Dishes design into deliciously soft and subtle blends of pastel fabrics, shown off to perfection against the pale plaster and weathered timbers of the Lavenham houses. In a quite different vein, the boldly contrasting background stripes in black and white fabric in Blooming Columns make a dramatic contrast to the huge fussy-cut flowers appliqued onto it. This book--the 23rd in the series--includes a range of quilts for all skill levels, from beginners to advanced. Shaded Squares is one such lovely quilt for first timers, with its cleverly shaded squares each made up from two large triangles, one plain and one striped in Kaffe's Shot Cotton and Wide Stripe fabrics. Flat shots, a practical know-how section and glossary, back up the fully illustrated, step-by-step instructions for each quilt.

The brainchild of bestselling author Alexander McCall Smith, historian Alistair Moffat and artist Andrew Crummy, the Great Tapestry of Scotland is an outstanding celebration of thousands of years of Scottish history and achievement, from the end of the last Ice Age to Dolly the Sheep and Andy Murray's Wimbledon victory in 2013. This book tells the story of this unique undertaking from its original conception and creation by teams of dedicated stitchers to its grand unveiling at the Scottish Parliament in 2013, its subsequent touring and the creation of its permanent home in the Scottish Borders.

After goldsmiths work, tapestries and embroideries were among the costliest art forms of the Middle Ages, due to their precious materials and the countless hours required to produce them. Whether hung on the wall or worn about the person, textiles provided a potent display of their owners' wealth and status. Their vivid decoration also provided the perfect backdrop for courtly pageants, royal ceremonies, and liturgical festivals. Even the quickest glance at late medieval paintings shows just how forcefully textiles shaped the visual texture of the occasions they depict. Though always the works of specialist craftsmen, in the later Middle Ages textiles were often made following designs supplied by the leading painters and designers of their age. Yet only a tiny fraction of what was made has survived. The fragility of the fabrics, light damage and insects, together with alterations of use, have made this material extremely rare. This catalogue includes thirty-six late medieval and Renaissance textiles, many published for the first time, that together span a period of almost two hundred years. They are organised by country, starting with otherwise unrecorded examples of 'opus anglicanum' made in English workshops between around 1400 and the eve of the Reformation. They are followed by textiles from France, the Netherlands, Germany, Italy and Spain. Different materials and classes of textile are grouped together within each of these regional divisions. For instance, liturgical vestments and altar hangings sit side by side with sumptuous velvets and delicately embroidered tablecloths. Together, they encapsulate the incredible breadth of Europe's flourishing textile industries during this period. Rosamund Garrett and Matthew Reeves have carefully recorded the physical structure, processes of manufacture, and condition of these remarkable and sometimes complex works, and have situated them within the wider contexts of their production and the cultural climate in which they were made.

Acknowledged as one of the most important sets of early English tapestries, the Four Seasons set at Hatfield House raise many scholarly questions surrounding the design, production and uses of woven tapestry in 16th and early 17th-century England.

This powerful and insightful work offers a bold celebration of the innovative, brilliant artists reclaiming the idea of 'women's work'. In the history of western art, decorative and applied arts - including textiles and ceramics - have been separated from the 'high arts' of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. Women's Work tells the story of this radical change, highlighting some of the modern and contemporary artists who dared to defy this hierarchy and who, through, experimentation and invention, transformed their medium. The work of these women has helped underscore the ongoing value of these art forms within the history of art, championing 'women's work' as powerful mediums worthy of celebration. With biographical entries on each artist featured, as well as beautiful images of their artworks, Women's Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.

Modern Macram Style is the ultimate guide into the world of macram for beginners. Macram expert Amaia Martin, from La Terra Macram , has created 20 unique projects to introduce you to this millenary art and make you fall in love with it! You will be working with sustainable materials such as recycled cotton, jute and raffia, to create a selection of plant hangers, wall hangings and lifestyle items, that will help you develop your macram skills, as well as adding warmth and a bohemian touch to your home interior. Throughout the book, you will find tips and design variations that will allow you to adapt the projects to your style by using different fibres, colours or techniques. Learn over 10 macram knots and patterns that will allow you to master this craft and start making your own designs in the future. The world of Modern Macram will be at your feet! You will be able to create anything from simple plant hangers to intricate lampshades, rugs or even a macram chair. You will also be introduced to another of Amaia's passions, plants. She has selected her top 10 indoor plants to complement each of the plant hangers in this book, and added care tips to keep them looking their best. Get ready for a crafty journey to a beautiful and sustainable home!

When the Apollo astronauts went to the moon, the whole world watched. When the Fly Me to the Moon art quilt challenge went out, it went global. This book showcases the curated results of that call for entries: 179 art quilts by over 130 artists from 8 countries, expressing their interpretation of the space program and all things lunar. Walk down memory lane or discover the story of the missions for the first time, but most importantly, enjoy a trip to the moon and beyond without the time and rigors of space training. As you travel into space, meet the astronauts, hum the tunes, and listen to the artists tell you about their pieces. Find endless inspiration and discover what the moon is really made of: cotton, thread, crystals, paint, ink, tulle, and crocheted lace.

Kaffe Fassett uses the colorful Venetian island of Burano to form the backdrop of another stunning collection of new quilt designs from the Kaffe Fassett Studio. In this 22nd installment of Kaffe Fassett's ever-popular series of patchwork and quilting books, the quilts have been photographed on location in Burano, a tiny island in Italy's Venetian archipelago, famous for its lace making but also for its brilliantly painted houses in a myriad jewel colors. The colorful house walls, sometimes distressed and occasionally decorated with murals, form the backdrop, along with the canals, bridges, and boats of this special Venetian island, to another wonderful selection of Kaffe's new quilt designs. The collection of 19 quilts features both new fabric designs from the Kaffe Collective and some of his Classics. Bali Brocade makes a fantastic background to Kaffe's sumptuous Shimmer Star quilt with its ripples of pattern in contrasting prints. His two versions of a very simple quilt, comes in two very different colorways. Hot Steps is a riot of color, whereas by contrast its sister quilt, Cool Steps, in dusty blues, greens, and greys has an dreamy quality. Liza Prior Lucy's rich and dark Turkish Coffee quilt, with its hint of Eastern promise, fussy cuts Kaffe's new Turkish Delight fabric to brilliant effect. Kaffe Fassett's Quilts in Burano provides all the instructional text, diagrams, and templates to make the quilts, plus a section on basic patchwork techniques for less experienced quilters.

Extensively illustrated, this is the first accessible publication on the history of tapestry in over two decades. Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales - the largest collection in the UK. This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe. Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.

Never before has there been a book for modern quilters celebrating the rich patterns and colours of the American Southwest. These 15 quilt patterns and three smaller projects are a graphic interpretation of all that this rich landscape provides. The simple piecing featuring a balanced use of negative space is designed to appeal to beginners and experienced quilters alike. Author Kristi Schroeder celebrates five separate regions, one in each chapter. Each quilt is photographed on location with an accompanying colour story to support the design. Included is a list of the author's favourite places to shop, eat and play in each location. 

Wallpaper's spread across trades, class and gender is charted in this first full-length study of the material's use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper's evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper's growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mache and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features a Patchwork Quilt.

A long-overdue tribute to a selection of women who have shaped history through herstory, this rich collection of 108 mixed-media fiber art pieces celebrates extraordinary women who cracked glass ceilings, made important discoveries, or shook the world by breaking into fields dominated by men. The subjects of these exquisite quilts, by 85 artists from 7 countries, include politicians and scientists, environmentalists and entertainers, activists and artists, athletes and authors-and even a fictional heroine. The quilting medium mirrors the advances these women have made, as the art quilt movement has inspired women to express their creativity in a whole new way.

Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror's invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry's main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry's place in medieval art, the embroidery's depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.

View 170 quilts that were in homes and collections in Cumberland County, Pennsylvania, and learn about the county's role as a crossroads in our nation's history. Documented by members of the Letort Quilters, specimens from the 1700s through 1970 are showcased in beautiful detail, inviting the reader to learn more about these treasures. Their information is housed at the Cumberland County Historical Society. The curated collection highlights some of the features that make quilts of such lasting interest, and basic information about them provides an overview of quilting over the past several hundred years. It also serves as a reminder of the value of preserving this part of our heritage through simple practices such as labeling a quilt and storing it properly. It will inspire readers to take a new interest in quilts and leave them with basic skills for finding, appreciating, and caring for vintage quilts.

Tapestries from 40 top international artists representing three generations show the best examples of contemporary approaches to the handwoven art. Featured are more than 50 examples, including full views of each artwork, as well as details. Tapestries are accompanied by biographical information on each artist, hand-picked for this collection because they are at the forefront of their field. The book also includes insightful essays, statements, and information about the field of tapestry, including artist and gallery contact information. This one-of-a-kind collection of works was curated by the author, Carol Russell, for an exhibition at Hunterdon Art Museum in Clinton, New Jersey, in 2015. Included are essays by the curator, as well as by Archie Brennan, Christine Laffer, and Dr. Lycia Trouton.

Quilts have become a cherished symbol of Amish craftsmanship and the beauty of the simple life. Country stores in Lancaster County, Pennsylvania, and other tourist regions display row after row of handcrafted quilts. In luxury homes, office buildings, and museums, the quilts have been preserved and displayed as priceless artifacts. They are even pictured on collectible stamps. Amish Quilts explores how these objects evolved from practical bed linens into contemporary art. In this in-depth study, illustrated with more than 100 stunning color photographs, Janneken Smucker discusses what makes an Amish quilt Amish. She examines the value of quilts to those who have made, bought, sold, exhibited, and preserved them and how that value changes as a quilt travels from Amish hands to marketplace to consumers. A fifth-generation Mennonite quiltmaker herself, Smucker traces the history of Amish quilts from their use in the late nineteenth century to their sale in the lucrative business practices of today. Through her own observations as well as oral histories, newspaper accounts, ephemera, and other archival sources, she seeks to understand how the term "Amish" became a style and what it means to both quiltmakers and consumers. She also looks at how quilts influence fashion and raises issues of authenticity of quilts in the marketplace. Whether considered as art, craft, or commodity, Amish quilts reflect the intersections of consumerism and connoisseurship, religion and commerce, nostalgia and aesthetics. By thoroughly examining all of these aspects, Amish Quilts is an essential resource for anyone interested in the history of these beautiful works.

This collection of fifteen papers ranges from the author's initial interest in the Tapestry as a source of information on early medieval dress, through to her startling recognition of the embroidery's sophisticated narrative structure. Developing the work of previous authors who had identified graphic models for some of the images, she argues that not just the images themselves but the contexts from which they were drawn should be taken in to account in 'reading' the messages of the Tapestry. In further investigating the minds and hands behind this, the largest non-architectural artefact surviving from the Middle Ages, she ranges over the seams, the embroidery stitches, the language and artistry of the inscription, the potential significance of borders and the gestures of the figures in the main register, always scrutinising detail informatively. She identifies an over-riding conception and house style in the Tapestry, but also sees different hands at work in both needlecraft and graphics. Most intriguingly, she recognises an sub-contractor with a Roman source and a clownish wit. The author is Professor of Anglo-Saxon Culture at The University of Manchester, UK, a specialist in Old English poetry, Anglo-Saxon material culture and medieval dress and textiles.

New approaches to what is arguably the most famous artefact from the Middle Ages. In the past two decades, scholarly assessment of the Bayeux Tapestry has moved beyond studies of its sources and analogues, dating, origin and purpose, and site of display. This volume demonstrates the value of more recent interpretive approaches to this famous and iconic artefact, by examining the textile's materiality, visuality, reception and historiography, and its constructions of gender, territory and cultural memory. The essays it contains frame discussions vital to the future of Tapestry scholarship and are complemented by a bibliography covering three centuries of critical writings. Martin K. Foys is Professor of English at University of Wisconsin-Madison; KarenEileen Overbey is Associate Professor of Art History at Tufts University; Dan Terkla is Professor of English at Illinois Wesleyan University. Contributors: Valerie Allen, Richard Brilliant, Shirley Ann Brown, Elizabeth Carson Pastan, Madeline H. Cavines, Martin K. Foys, Michael John Lewis, Karen Eileen Overbey, Gale R. Owen-Crocker, Dan Terkla, Stephen D. White.

Wallpaper's spread across trades, class and gender is charted in this first full-length study of the material's use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper's evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper's growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mache and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

Timor has been a divided island at least since the seventeenth century when Dutch and Portuguese colonial empires competed for its control. Despite this fragmentation, the weaving of cloth has remained intimately linked to the cultural history of the Timorese peoples as a whole. Handwoven cotton garments serve as markers of identity and nurture social relationships when they are exchanged. Women in Timor weave an impressive variety of cloth, routinely combining more weaving techniques than any other region of Southeast Asia. This technical prowess and diversity of design make weaving the most important form of artistic expression in Timor and allow groups as small as individual families to proclaim their unique heritage. Independence for Timor-Leste (East Timor) in 2002 - following invasion by Indonesia and years of violent warfare (1975-1999) - brought with it more stable conditions and improved access for researchers. Textiles of Timor, Island in the Woven Sea brings together for the first time woven works from all parts of the island, demonstrating that the textile arts form a common foundation uniting Timor's diverse peoples despite the painful history of the country's division.

World-renowned artist and textile designer Kaffe Fassett provides a window into his creative process, offering readers new patterns, new ideas, and new inspiration With successes like Bold Blooms and Dreaming in Color, the latest book from Kaffe Fassett brings together all the best elements of his work and life. Kaffe Fassett in the Studio will offer an in-depth look at his work and where he finds inspiration, paying particular attention to his color work. He'll also showcase some of his greatest designs in the areas of needlework, patchwork, and knitting, as well as provide three to four new patterns in each of these areas. Lastly, Fassett will speak to his fabric design and painting processes. He remains an icon in the fashion and craft worlds. He partners with brands such as Coach and is regularly featured in the pages of Vogue. Fassett's brilliant use of color set his work apart from other artists, and any collection of his work is a must have among fans and beyond.

Brimming with over 300 botanical motifs, this wonderful resource will provide inspiration and instructions for embroidery artists and flower ladies everywhere. This collection features designs including flowers, ferns, succulents, leaves, bees and garden scenes. The books includes basic embroidery instruction for stitches and transferring designs onto fabric. Original designs and clear instructions make this book a must have for any embroidery enthusiast's library.

Follow Jenni Smith as she's granted rare access to the Liberty design studio and historic archives, and celebrate the iconic designs that have made Liberty London one of the world's most iconic fabric manufacturers. Liberty London opened in 1875 and has been producing exquisite fabrics and designs for over 140 years. In this book there are 15 projects with a complete fabric design history of Liberty as well as a full colour reference index for every fabric used. Featuring beautiful details of the classic fabric designs produced over the years, each quilt will inspire readers to finally cut into those precious bits of fabric and begin enjoying them in pieced projects of their very own.  The hardback book comes in a gorgeous hardcover textured linen slipcase in beautiful Liberty fabric. It's an ideal gift for anyone who is a fan of Liberty or British design. This is the first quilting book to be an official partnership with Liberty.