August Wilson has already given the American theater such
spell-binding plays about the black experience in 20th-century
America as Ma Rainey's Black Bottom," "Joe Turner's Come and Gone,"
" and the Pulitzer Prize-winning, Fences. In his second Pulitzer
Prize-winner, The Piano Lesson," " Wilson has fashioned his most
haunting and dramatic work yet.
At the heart of the play stands the ornately carved upright
piano which, as the Charles family's prized, hard-won possession,
has been gathering dust in the parlor of Berniece Charles's
Pittsburgh home. When Boy Willie, Berniece's exuberant brother,
bursts into her life with his dream of buying the same Mississippi
land that his family had worked as slaves, he plans to sell their
antique piano for the hard cash he needs to stake his future. But
Berniece refuses to sell, clinging to the piano as a reminder of
the history that is their family legacy. This dilemma is the real
"piano lesson," reminding us that blacks are often deprived both of
the symbols of their past and of opportunity in the present.
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