The ability of pictures to undermine aesthetic standards and call
artistic conventions into question is central to the research
projects of the art historian Jurgen Muller, to whom this volume
commemorating his sixtieth birthday is dedicated. Numerous essays
by longtime colleagues provide new interpretations of well- and
lesser-known masterpieces, in which the initial impression is
frequently turned into its opposite. Jurgen Muller has held the
professorship of medieval and modern art history at the TU Dresden
since 2003. He has written authoritative monographs and studies on
Pieter Bruegel the Elder, Rembrandt, and Caravaggio, and edited a
wide range of scholarly anthologies and exhibition catalogues. He
has become known far beyond academic circles through his editing of
volumes published by Taschen Verlag about the films of various
decades.
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