The photobook visually and materially contextualizes arrangements
of photographs and brings them into a sensually tangible form. The
book format, the materiality of the paper, and the type of binding
have just as much effect on the viewer as the selection of images,
their positioning in the layout, typography, and texts. The artist
and theorist Bettina Lockemann provides an approach to the medium
from a research perspective: considering the photobook as an
independent subject of art studies, phenomenological discussions
complement methodological lines of thought. An important
contribution to the photobook as an independent field of research,
Lockemann elaborates precise terms for analyzing this medium of
renditions. Through a practice-based examination of contemporary
photobooks, this reader gets to the root of the field of photo
books.
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