"Pale Fire" is regarded by many as Vladimir Nabokov's
masterpiece. The novel has been hailed as one of the most striking
early examples of postmodernism and has become a famous test case
for theories about reading because of the apparent impossibility of
deciding between several radically different interpretations. Does
the book have two narrators, as it first appears, or one? How much
is fantasy and how much is reality? Whose fantasy and whose reality
are they? Brian Boyd, Nabokov's biographer and hitherto the
foremost proponent of the idea that "Pale Fire" has one narrator,
John Shade, now rejects this position and presents a new and
startlingly different solution that will permanently shift the
nature of critical debate on the novel. Boyd argues that the book
does indeed have two narrators, Shade and Charles Kinbote, but
reveals that Kinbote had some strange and highly surprising help in
writing his sections. In light of this interpretation," Pale Fire"
now looks distinctly less postmodern--and more interesting than
ever.
In presenting his arguments, Boyd shows how Nabokov designed
"Pale Fire" for readers to make surprising discoveries on a first
reading and even more surprising discoveries on subsequent readings
by following carefully prepared clues within the novel. Boyd leads
the reader step-by-step through the book, gradually revealing the
profound relationship between Nabokov's ethics, aesthetics,
epistemology, and metaphysics. If Nabokov has generously planned
the novel to be accessible on a first reading and yet to
incorporate successive vistas of surprise, Boyd argues, it is
because he thinks a deep generosity lies behind the
inexhaustibility, complexity, and mystery of the world. Boyd also
shows how Nabokov's interest in discovery springs in part from his
work as a scientist and scholar, and draws comparisons between the
processes of readerly and scientific discovery.
This is a profound, provocative, and compelling reinterpretation
of one of the greatest novels of the twentieth century.
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