What are Shakespeare's uses of the conceptual space of conflict?
And what has been the role played by principles, patterns and
situations of conflict in the construction of the Shakespeare myth,
and in its European and then global spread? This collection looks,
from a truly pan-European vantage point, at the variety of
conflictive and conflicting dimensions embedded in Shakespeare's
texts (Part I); at the way Shakespeare's universe of discourse has
been enlisted to address and dramatize conflicts of a
socio-political, cultural or aesthetic nature (Part II); and at how
Shakespearean meanings have been renegotiated through reception and
reproduction in actual historical contexts of strife or outright
belligerence (Part III). The fascinatingly complex picture that
emerges from the original studies gathered here provides new
insight into Shakespeare's unique position in world literature and
culture.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!