Femininity, Time and Feminist Art explores feminist art of the
1970s through the lens of contemporary art made by women. In a
series of original readings of artworks by, amongst others, Tracey
Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare
Johnson argues that femininity can be understood as a relationship
to time. Each chapter analyses one or more artworks through
different forms of time, taking the reader on a journey through a
range of issues including maternal loss and desire, narratives of
escape and failed femininity. Femininity, Time and Feminist Art
argues for an inter-generational approach to art history, which is
unafraid to include art considered marginal to feminism.
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