A disproportionate number of male writers, including such
figures as Amiri Baraka, Larry Neal, Maulana Karenga, and Haki
Madhubuti, continue to be credited for constructing the iconic and
ideological foundations for what would be perpetuated as the Black
Art Movement. Though there has arisen an increasing amount of
scholarship that recognizes leading women artists, activists, and
leaders of this period, these new perspectives have yet to
recognize adequately the ways women aspired to far more than a mere
dismantling of male-oriented ideals.
In "Visionary Women Writers of Chicago's Black Arts Movement,"
Carmen L. Phelps examines the work of several women artists working
in Chicago, a key focal point for the energy and production of the
movement. Angela Jackson, Johari Amiri, and Carolyn Rodgers reflect
in their writing specific cultural, local, and regional insights,
and demonstrate the capaciousness of Black Art rather than its
constraints. Expanding from these three writers, Phelps analyzes
the breadth of women's writing in BAM. In doing so, Phelps argues
that these and other women attained advantageous and unique
positions to represent the potential of the BAM aesthetic, even if
their experiences and artistic perspectives were informed by both
social conventions and constraints. In this book, Phelps's
examination brings forward a powerful and crucial contribution to
the aesthetics and history of a movement that still inspires.
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