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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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Piranesi's Candelabra and the Presence of the Past - Excessive Objects and the Emergence of a Style in the Age of Neoclassicism (Hardcover) Loot Price: R2,715
Discovery Miles 27 150
Piranesi's Candelabra and the Presence of the Past - Excessive Objects and the Emergence of a Style in the Age of...

Piranesi's Candelabra and the Presence of the Past - Excessive Objects and the Emergence of a Style in the Age of Neoclassicism (Hardcover)

Caroline Van Eck

Series: Classical Presences

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Loot Price R2,715 Discovery Miles 27 150 | Repayment Terms: R254 pm x 12*

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Near the end of his life, Giovanni Battista Piranesi (1720-78) created three colossal candelabra mainly from fragments of sculpture excavated near the Villa Hadriana in Tivoli, two of which are now in the Ashmolean Museum, and one in the Louvre. Although they were among the most sought-after and prestigious of his works, and fetched enormous prices during Piranesi's life, they suffered a steep decline in appreciation from the 1820s onwards, and even today they are among the least studied of his works. Piranesi's Candelabra and the Presence of the Past uncovers the intense investment, by artists, patrons, collectors, and the public around the start of the nineteenth century in objects that made Graeco-Roman Antiquity present again. Caroline van Eck's study examines how objects make their makers or viewers feel that they are again in the presence of Antiquity, that not only Antiquity has revived, but that classical statues become alive under their gaze. what it takes to make such objects, and what it costs to own them; and about the ramifications of such intense if not excessive attachments to artefacts. This book considers the three candelabra in depth, providing the biography of these objects, from the excavation of the Roman fragments to their entry into private and public collection. Van Eck considers the context that Piranesi gave them by including them in his Vasi, Candelabri e Cippi (1778), to rethink the processes that led to the development of neoclassicism from the perspective of the objects and objectscapes that came into being in Rome at the end of the eighteenth century.

General

Imprint: Oxford UniversityPress
Country of origin: United Kingdom
Series: Classical Presences
Release date: February 2023
Authors: Caroline Van Eck
Dimensions: 253 x 197 x 18mm (L x W x T)
Format: Hardcover
Pages: 224
ISBN-13: 978-0-19-284566-5
Categories: Books > Humanities > History > General
Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > History > General
LSN: 0-19-284566-7
Barcode: 9780192845665

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