H. D and the Victorian Fin de Siecle argues foremost that H. D.
eluded the male modernist flight from Romantic 'effeminacy' and
'personality' by embracing the very cults of personality in the
Decadent Romanticism of Oscar Wilde, A. C. Swinburne, Walter Pater
and D. G. Rossetti that her male contemporaries most deplored: the
cult of the demonic femme fatale and of the 'effeminate' Aesthete
androgyne. H. D., Laity maintains, used these sexually aggressive
masks to shape a female modernism that freely engaged female and
male androgyny, homoeroticism, narcissism and maternal eroticism.
Focusing on the early Sea Garden, the plays and poetry of the 1920s
and her late epic Trilogy, H. D. and the Victorian Fin de Siecle
demonstrates H. D.'s shift from the homoerotic 'white', vanishing
tropology of the male androgyne fashioned by Pater and Wilde to the
'abject' monstrously sexual body of the Pre-Raphaelite and Decadent
femme fatale.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!