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Landscape and the Moving Image (Hardcover, New edition)
Loot Price: R2,845
Discovery Miles 28 450
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Landscape and the Moving Image (Hardcover, New edition)
Expected to ship within 12 - 19 working days
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Elwes takes a journey through the twin histories of landscape art
and experimental moving image and discovers how they coalesce in
the work of artists from the 1970s to the present day. Drawing on a
wide geographical sampling, Elwes considers issues that have
preoccupied film and video artists over the years, ranging from
ecology, gender, race, performativity, conflict, colonialism and
our relationship to the nonhuman creatures with whom we share our
world. The book is informed by the belief that artists can provide
an embodied, emotional response to landscape, which is an essential
driver in the urgent task of combating the environmental crisis we
now face. The book comprises a series of essays that explore how
the moving image mediates our relationship to and understanding of
landscapes. The focus is on artists' film and video and draws on
work from the 1970s to the present day. Early chapters map the
theoretical terrain for both landscape and artists' moving image
creating a foundation for the chapters that follow devoted to
practice. These address themes of identity politics, performativity
and animals and examine examples of British 'weather-blown films'
and work from around the world including Indigenous Australian film
landscapes. The book offers an informed, personal view of the
subject and threaded through the narrative is a concern with the
environment and the vexed question of whether an appreciation of
nature's aesthetics undermines a commitment to ecology. The book is
written in a clear, engaging style and is enlivened by Elwes's own
experiences as a video artist, writer and curator, and the primary
material she draws on derived from conversations with fellow
practitioners across the years. As a practitioner, Elwes was a key
figure in the early phases of video art in the UK as well as a
curator and critic. She was professor of moving image art at the
University of the Arts London; and is founding editor of the Moving
Image Review & Art Journal (MIRAJ) This book will appeal to
students, undergraduate and post-graduate, Ph.D. candidates,
researchers, practitioners, teachers and lecturers and a general
readership of interested gallery-going public.
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