Urban Eurasia. Cities in Transformation is a journey to urban spaces, places, and people in the global and highly dynamic, but often forgotten region between Europe and Asia. Intriguing photo-graphs and evidence-based reports give a nuanced account to experiences of urban change in cities of the post-Soviet countries. Focusing on the topics of cit-ies and networks, urban housing, econ-omies as well as urban diversity and conflicts, the book tracks common and differentiated patterns, processes, and effects of urban developments in space and society. The multiplicity and assem-blage of Soviet, pre-revolutionary and post-Soviet legacies is carved out as a key feature of Eurasian cities. Thanks to fascinating documents, the editors hope to stimulate critical discussions besides and beyond the rare media reports about urban transformation in Eurasian cities.

The book wants to analyse and integrate landscape, urbanism and architecture going from large to small scales, from macro to micro areas and from micro to macro, making a complete analysis. The topics keywords are: land-form, sensitive limits, urban geographies, land- marks, reuse and living machine; always highlighting both the natural landscape and anthropogenic. The reuse theme is pivotal, not only for the current feedback which includes preservation and recovery both of buildings and landscapes; but also because it is an opportunity to overlay, ideally, more stories, reading and traces of time, past and present. The reuse, with its targeted and specific interventions, faces memory themes and the new building or landscape life, energy, configuration and sometimes new features.

Aims and Scope Growing social and economic needs exert major pressures on landscapes, challenging preserved landscape values and the regional significance of places. As a result, the scope oflandscape management has broadened and diversifiedin response to international calls for greater landscape protection, and to existing and new challenges, such as thoserelating to climate change adaptation and ecosystem services. Within this context, landscape impact assessment and more in general landscape planning have been regarded as effective mechanisms for promoting and, at the same time, as the basis of sustainable landscape development. Set within the European context, thisbookaims to provide acontemporary review of landscape impact assessment theory and practice, looking at both the project and planning level. It coversthe overall process, content and scope of landscape impact assessment, including the main principles for good practice. Thisbook also provides guidance on a rangeof methods and techniques for different aspects of landscape impact assessment and public participation needs; and explains the advantages of close co-ordination between landscape impact assessment and landscape planning, especially in land use planning. Finally, a selection of case studies reviewing different aspects and practices of landscape impact assessment are reviewed. This book will be of interest to professionals involved in the day-to-day application of landscape impact assessment, as well as scholars and teachers working in the broad area of landscape planning andmanagement. The authors of thisbook have vast experiencein the research and practice of environmental assessment and landscape management.

Dense, organic cities with interconnected building structures and easily accessed common urban spaces. Cities that offer variety, vibrancy and architectural qualities that tempt people to go exploring on foot or by bike. Cities that have a sense of openness, make people feel safe and create opportunities for conversations in public spaces. Cities that are rooted in tradition and a respect for cultural heritage. Cities that provide meeting places in a setting conducive to cultural cohesion. Social and sensory cities. This book points to urban blocks as the structure best suited to pro moting sustainable building developments and cities. Its first part presents some urban qualities that have evolved from the urban block as a fundamental, flexible element. These examples have been selected from European block cities as well as from old and new urban districts in Copenhagen. The second part of the book outlines the elements of the urban block city and its potential, proposing 10 principles that underpin an action-oriented platform for transforming older urban districts or planning new ones.

Quantum City explores the metaphorical relationships between quantum theory, urban design and the concept of the city, with a very serious aim: to radically change the way the urban realm is both experienced and designed.Using the terminology and themes of quantum theory and the 'new physics', the author draws the reader into an intriguing discussion of the principles, practices and operations of urbanism. This new language offers the missing interface between the different disciplines of the city, and promises to be a potent metaphor for the development of various theories for the 21st century city.Challenging traditional approaches to the theory of cities, this thought-provoking book will be enjoyed by both design professionals and anyone interested in the city, its history and culture.

In 1834, Sir John Herschel, perhaps the most celebrated astronomer of his time, arrived at the Cape of Good Hope to spend four years observing the southern sky.

Among his many other talents he was an accomplished artist, skilled in the use of an optical device known as a camera lucida. During these four years Herschel produced more than a hundred exquisite landscape sketches, some depicting the Feldhausen estate in the suburb of Wynberg, where he and his family lived, others meticulously recording scenes that enlivened his trips to Cape Point, to Table Mountain, to Hout Bay and to places in the farther reaches. Among the latter were Caledon, Franschhoek, Stellenbosch and Paarl.

These Herschel landscape drawings are an almost unmatched contribution to the artistic and historical record of the Cape in the early nineteenth century. They are reproduced in this title, together with a narrative text and background material that firmly set the illustrations in their social and geographical context. The result is an evocative picture of the Cape Peninsula and its environs at a time when they were still largely wild.

Monterrey means mountain king, a name befitting its location surrounded by the Sierra Madre in north-eastern Mexico. It was founded in 1596 near the natural springs of Santa Lucia, a luscious oasis in an otherwise arid landscape. Its colonial beginnings are still visible in the architecture of the Barrio Antiguo district in the city centre. In the late 19th century, industrial development transformed the modest town into a flourishing, modern city. Its foundries and breweries reflect its industry, while its skyscrapers, universities, churches, and monuments designed by celebrated Mexican modernist architects like Mario Pani, Enrique de la Mora, Pedro Ramirez Vazquez, and Luis Barragan reflect its modernity. Today, Monterrey is an important cultural, educational, medical, and business metropolis with buildings by Ricardo Legorreta, Nicholas Grimshaw, and Tadao Ando. Its fast growing residential, corporate, and commercial developments feature designs by Norman Foster, Cesar Pelli, Zaha Hadid , and Alejandro Aravena. This book presents the role of architecture in the continuous transformation of this city.

The author started writing as a child. By seven wanted to be an architect. By twenty-four had become a builder. By thirty-four had become an architect registered and working in the UK. At the age of fifty he decided that architecture as a discipline was a social science of some sort. On this basis he earned a masters at UCL, then a PHD at Heriot Watt for discovering and defending philosophical position based on interpretation that he now calls thermenutics. When teaching about cultural contexts at the university of Ulster architectural school (2001 a " 2010) the link between perception and emotion became central to his interest. At which point he retired to write about understanding, in a series of books, this one being the fourth. The first three were about sharing the management of understanding. This fourth is about the way we share the management of understanding by way of conversations between us that allow us to understand each other.

In Asia, activities are all mixed, and one can find agricultural production sitting side by side with the housing, temples, or high tech factories. It is a new kind of mixite and, if properly managed, it looks the like of something more sustainable than a European periphery. In this context, public spaces are capable of structuring such particular landscape and provide both social spaces and a sense of identity to the communities living these places. In a way, it is now developing what landscape urbanism has been theorising for some time. But here, it is a concrete matter, especially in places the like of Taiwan, where some form of direct democracy is possible. Here, it is something that speaks about what the design culture of most of world future urbanization could become.

This innovative book defines the concept of immured spaces across time, space and culture and investigates various categories of restricted places such as divided, segregated and protected spaces. Drawing on examples from across the world, this book analyses not only what separates and divides space, but also the wide variety of impacts that the imposition of new barriers and boundaries or the opening of existing ones has on places, people and surrounding areas. Contributors integrate case studies with theoretical analysis to draw conclusions and advance an analytical framework of immured spaces. The chapters present a point of reference to highlight areas of significance and also to encourage further detailed work in this important area. The book has a strong research dimension and will therefore be of interest to academic communities in planning, cultural heritage, psychology, architecture and urban studies. In addition, the use of case studies to develop a common framework will appeal to practitioners and policy makers.

The volume is a collection of thoughts, passages, research and projects that regard the emerging question of public space. The square and its evolution takes us, from a place of urban and human relationships to a place of different collective activities in the contemporary city. This analysis can teach one to read not only the design experience and the diffusion of new models, but also the changes in the aesthetic experience of public space, in its socio-urban and architectural implications, and in its relationships between horizontal space (i.e. the square) and vertical space (the building).

Land Stocks are landscapes whose potential is deemed lost or worthless. This book seeks to reclaim the latent usefulness of these areas. It envisions the residual spaces, wastelands, and destitute buildings that exist within the complex urban tapestry as a resource rather than a detriment. Land Stocks are not created. They are a consequence of the post-crisis city. They express the weakness of the metropolitan growth model and the need to investigate other possible transformation strategies, such as recycling existing urban fabric in order to reduce waste, maximise productivity, and return land capital to the urban life-cycle. With a material focus, Landstocks highlights issues that will influence contemporary and future city design.

Iran has one of the oldest town cultures in the world. It goes back more than 4,000 years. Between the Islamic conquest in the seventh century and the westernisation in the second half of the nineteenth century, the cities and towns in today's Islamic Republic of Iran underwent repeated changes. The Persian building culture influenced architects and artists as far as Central Asia in the north and India in the east. Unlike any other oriental country, Iran shows a unique urban and architectonic development whose defining characteristics merged with other cultures over the course of time, representing an important contribution to world architecture. In his Iran Architectural Guide, the author and architect Thomas Meyer-Wieser embarks on a journey into history, showcasing nearly 300 buildings and projects in Tehran, Isfahan, and Shiraz. His focus is on the identity of the Iranian- Islamic architecture, which has held its own since the rise of the Safavids in 1501.

Norwich is blessed with more surviving medieval churches than any other city north of the Alps. Architect David Luckhurst worked in the city for more than 40 years before turning to painting and drawing in his retirement, and many buildings he designed are to be seen there. This high-quality paperback reproduces his 32 paintings of Norwich's medieval churches (including the lone surviving tower of the bombed St Benedict), with an emphasis on their street setting. Each painting is accompanied by David's handwritten notes on the surrounding buildings and how the church interacts with them. The book is completed by David's hand-drawn map showing the location of each church and his pen drawing of their combined towers.

This book reinterprets architecture in Beijing during the reigns of the Kangxi (1661-1722), Yongzheng (1723-1735) and Qianlong (1736-1795) emperors in the eighteenth century. More specifically, it views the building processes of the four churches and the Western palaces in the Yuanming Yuan garden as an example of cultural dialogue in the context of the Enlightenment. The study is based firstly on archival sources from different institutions from around the globe, using Big Data to manage them. Secondly, it places increased emphasis on architectural remains, preserved both in international collections as well as at archaeological sites. To take advantage of these remains, some were recorded using close-range photogrammetry. Digital sunlight analyses of the buildings' interiors were also carried out. From these emerging technologies, as well as written sources, it becomes possible first to reinterpret Beijing as an imperial capital where religious tolerance and cosmopolitanism were increasing, and second to re-evaluate the entire Yuanming Yuan Garden complex as a miniature version of Beijing. This approach makes for easier subsequent comparisons with other imperial capitals of the time, such as London, Paris and Istanbul. As such, this study reveals a largely neglected chapter in the global history of architecture, while simultaneously offering a crucial re-examination of the existing architectural remains.

Abandoned Melbourne presents a collection of photographs of the perennially awarded world's most liveable city rendered empty, abandoned and in Covid lockdown during 2020. Abandoned Melbourne depicts Melbourne vacant, with the CBD's places and spaces, customarily buzzing, rendered motionless and without life. Landscape photographer Gavin John, a long-term resident of Melbourne, turned his camera and his focus onto vistas of a different nature and reveals downtown Melbourne as it has never been witnessed before.