In his first book of "Satires," written in the late, violent
days of the Roman republic, Horace exposes satiric speech as a tool
of power and domination. Using critical theories from classics,
speech act theory, and others, Catherine Schlegel argues that
Horace's acute poetic observation of hostile speech provides
insights into the operations of verbal control that are relevant to
his time and to ours. She demonstrates that though Horace is forced
by his political circumstances to develop a new, unthreatening
style of satire, his poems contain a challenge to our most profound
habits of violence, hierarchy, and domination. Focusing on the
relationships between speaker and audience and between old and new
style, Schlegel examines the internal conflicts of a notoriously
difficult text. This exciting contribution to the field of Horatian
studies will be of interest to classicists as well as other
scholars interested in the genre of satire.
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