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Forgeries of Memory and Meaning - Blacks and the Regimes of Race in American Theater and Film before World War II (Paperback, New edition)
Loot Price: R1,271
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Forgeries of Memory and Meaning - Blacks and the Regimes of Race in American Theater and Film before World War II (Paperback, New edition)
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Cedric J. Robinson offers a new understanding of race in America
through his analysis of theater and film of the early twentieth
century. He argues that economic, political, and cultural forces
present in the eras of silent film and the early ""talkies"" firmly
entrenched limited representations of African Americans. Robinson
grounds his study in contexts that illuminate the parallel growth
of racial beliefs and capitalism, beginning with Shakespearean
England and the development of international trade. He demonstrates
how the needs of American commerce determined the construction of
successive racial regimes that were publicized in the theater and
in motion pictures, particularly through plantation and jungle
films. In addition to providing new depth and complexity to the
history of black representation, Robinson examines black resistance
to these practices. Whereas D. W. Griffith appropriated black
minstrelsy and romanticized a national myth of origins, Robinson
argues that Oscar Micheaux transcended uplift films to create
explicitly political critiques of the American national myth.
Robinson's analysis marks a new way of approaching the
intellectual, political, and media racism present in the beginnings
of American narrative cinema.
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