After finishing Martin Chuzzlewit, Dickens holidayed in Italy for a
year. But, of course, he wrote about his travels and here is 'a
chaotic magic-lantern show' of 19th-century Genoa, Parma, Verona,
Rome, Pisa, Naples, Pompeii, Herculaneum... The only drawback about
this wonderful book is the 25 pages of largely superfluous notes.
Ignore them, and enjoy what must certainly have been the best
travel book of 1846. (Kirkus UK)
After Martin Chuzzlewit was published in 1844, Dickens deliberately took a break from novels to travel in Italy for almost a year. Bored by many traditional tourist sites and repelled by the greed and empty rituals of the Catholic church, Dickens is far more attracted by urban desolation, the colourful life of the streets and visible signs of the nation's richly textured past. He is especially drawn to the costumes, cross-dressing and sheer exuberant energy of the Roman carnival. Although seldom overtly political, Pictures from Italy often touches on the corruption and cruelty of Italian history, the grinding poverty and a sense of continuing oppression lurking just below the surface. A thrilling travelogue which is also deeply revealing about its author's current anxieties and concerns, this neglected work deserves a secure place among the masterpieces of Dickens's maturity.
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