Left-handers have been described as "a people without a
history." This special issue provides scholarly analyses of aspects
of asymmetry in history, from the Renaissance to the 20th
Century.
- Lauren Harris presents three studies describing:
-
- An 1811 American child-care manual for parents fearing, "lest
their children should be left-handed";
- Manuals on swordsmanship from the Renaissance onwards
describing the "accepted minority" of left-handed swordsmen, a
minority that still dominates the Olympics;
- The enigmatic bias whereby parents use their left arm to carry
babies;
- Janet Snowman and Stephen Christman present two papers on
left-handed musical geniuses:
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- William Crotch, the self-taught, 18th Century, musical prodigy,
whose unconventional left-handed playing styles stimulate many
questions about the asymmetries of stringed instruments;
- Jimi Hendrix, the 20th Century, left-handed, guitarist of whom
Robert Krieger said, " he was just so different. He just came from
such a left-field place."
- Chris McManus, Richard Rawles, James Moore and Matthew Freegard
describe an early BBC TV programme presented in 1953 by Jacob
Bronowski on right and left-handedness. In an early example of
viewer participation, 6000 people sent postcards describing their
handedness and also their perceptions of a "mystery picture," that
was the duck-rabbit figure from Wittgenstein s recently published
Philosophical Investigations.
- Chris McManus and Janet Snowman describe A left-handed
compliment, a newly discovered lithograph by John Lewis Marks (ca.
1795-6 - ca. 1857-61). Given Marks,"seeming love of vulgarity for
its own sake," there is probably an obscene sub-text reminiscent of
a Donald McGill postcard.
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