When the Allied forces of World War II formed an international
tribunal to prosecute Nazi war crimes, they introduced two major
innovations to court procedure. The prosecution projected film
footage and newsreels shot by British, Soviet, and American
soldiers as they discovered Nazi camps. These images, presented as
human testimony and material evidence, were instrumental in naming
and prosecuting war crimes. At the same time, the Nuremberg
tribunal was filmed so that the memory of "the greatest trial in
history" would remain strong in future generations. In the decades
that followed, the use of film in the courtroom greatly influenced
the conduct of the Eichmann trial--and subsequently the trials of
Klaus Barbie, Paul Touvier, and Maurice Papon in France, as well as
the proceedings against Slobodan Milosević and the Khmer Rouge Kang
Kek lew.Combining the practical knowledge of a renowned director
with the perspective of a historian and media specialist, Christian
Delage examines archival footage from these trials and explores the
conditions and consequences of using film for the purposes of
justice and memory. Revised and expanded from the original French
publication, "Caught on Camera" retraces the steps by which the
United States pioneered jurisprudence that sanctioned the
introduction of film as evidence and then established the precedent
of preserving an audiovisual record of those proceedings. From the
Nuremberg trials to the current Khmer Rouge trials, Delage
considers how national attitudes toward the introduction of filmic
evidence in court vary widely, and how different countries have
sought to use film as a recordkeeping medium. "Caught on Camera"
demonstrates how reproduced images, as evidence, testimony, and
archival documentation, have influenced the writing of modern
history.
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