With reference to the relationship between text and author, a
subject as challenging as it is problematic in textual criticism
terms, the members of the Munich postgraduate research group on
ATextual Criticism as Foundation and Method in Historical StudiesA
here present the findings of their Venice symposium and in so doing
give impressive evidence of their competence on the practical and
theoretical plane. The range of subjects addressed stretches from
inscriptions from the ancient world and medieval authorial
awareness to musical works of the Renaissance and from there to
texts culled from present-day literary works. In terms of editorial
history, the spectrum extends from the beginnings of textual
criticism in the writings of J.J. Bodmer and J. Grimm to the
textual genesis approach in editorial practice of the modern age.
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