Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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Italian Renaissance Frames at the V&A (Paperback)
Loot Price: R1,203
Discovery Miles 12 030
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Italian Renaissance Frames at the V&A (Paperback)
Expected to ship within 12 - 17 working days
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This visually stunning and technically detailed book is an in-depth
analysis of the materials and techniques used on thirty eight of
the V&A's Renaissance frames. The book will teach the reader to
recognise frame style, structure and surface decoration of the
period, as well as additions and alterations and later frames in
the style. * First detailed technical analysis of the V&A's
most important Renaissance frames * Highly illustrated with 100 +
colour photos of front back and details, digital reconstructions,
section profiles, and illustrations of frame types, joints and
mouldings. * Provides a comparative reference for Renaissance
frames in other publications Christine Powell has worked at the
V&A since 1993. She is a Senior Furniture Conservator
specialising in gilt wood European Furniture, mirror and picture
frames. She has also worked at The National Gallery London for
seven years as conservator working on European painted and gilt
wood altarpieces and frames and The Wallace Collection for two
years on European gilt wood frames and furniture. She has taught
and published articles on the history, materials techniques and
conservation of gilding. Christine studied furniture making and
restoration of furniture at the London College of Furniture
(latterly the Metropolitan University) including wood finishing,
carving and gilding. Before this she worked in private practice for
furniture restoration and special paint effects firms. She also
attended Epsom School of Art and Design. Zoe Allen first joined the
V&A in 2000 to work on gilt wooden objects for the British
Galleries and returned to the V&A in 2003 where she has worked
since as Frames and Gilded Furniture Conservator. Before joining
the V&A full time she worked as a conservator for both public
institutions, such as English Heritage, and private practices
including projects at the Royal Academy, St Paul's Cathedral and
Somerset House. Zoe has published articles on her work. After a
first degree in French Literature, Zoe studied conservation at the
City & Guilds of London Art School. Her training covered the
conservation of objects made from wood, stone and other sculptural
materials, gilding and decorative surfaces. Internships included
the National Institute for Restoration, Croatia, the Royal
Collection, London and the Museum of London.
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