Since the 1950s, Abe Kobo (1924 1993) has achieved an
international reputation for his surreal or grotesque brand of
avant-garde literature. From his early forays into science fiction
to his more mature psychological novels and films, and finally the
complicated experimental works produced near the end of his career,
Abe weaves together a range of voices: the styles of science and
the language of literary forms.
In Abe s oeuvre, this stylistic interplay links questions of
language and subjectivity with issues of national identity and
technological development in a way that ultimately aspires to
become the catalyst for an artistic revolution. While recognizing
the disruptions such a revolution might entail, Abe s texts embrace
these disjunctions as a way of realizing radical new possibilities
beyond everyday experience and everyday values.
By arguing that the crisis of identity and postwar anomie in
Abe s works is inseparable from the need to marshal these different
scientific and literary voices, Christopher Bolton explores how
this reconciliation of ideas and dialects is for Abe part of the
process whereby texts and individuals form themselves a search for
identity that must take place at the level of the self and society
at large.
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