First published in 1969. This title concerns itself with the
ambivalence of Lawrence's attitude towards corruption. Clarke
demonstrates that Lawrence's attitude to 'will' and to sensational
or disintegrative sex is much more equivocal than conceded. At the
same time this is a study of Lawrence's debt as a novelist to the
English Romantic poets. A tradition of metaphor is traced from the
second half of the eighteenth century, through the poetry of the
major Romantics to the Decadents, and so to Lawrence, whose
attitudes to mechanism and corruption are shown to be articulated,
above all, through ambivalent images of dissolution and
disintegration. This title will be of interest to students of
literature.
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