An affective reading of twentieth-century Afro-Cuban literature
focussing on a set of concerns ranging from the filial to the
erotic. This book proposes an affective reading of
twentieth-century Afro-Cuban literature through its focus on a set
of concerns ranging from the filial to the erotic. Existing
scholarship on black Cuban literature tends to privilege national
political and economic discourses often focusing solely on the
dynamics of race in the Revolution and the place of the black
writer/artist within the nation's cultural institutions. And while
there is substantial engagementwith feminist and queer
articulations of desire within Cuban literary studies, there
remains an urgent need for a sustained analysis of black Cuban
writing which investigates its preponderant concerns with themes of
family, love and erotic politics-a need fully addressed in this
timely book. CONRAD MICHAEL JAMES is Associate Professor of World
Cultures and Literatures at the University of Houston.
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