From Rosemary's Baby (1968) to The Witch (2015), horror films use
religious entities to both inspire and combat fear and to call into
question or affirm the moral order. Churches provide sanctuary,
clergy cast out evil, religious icons become weapons, holy ground
becomes battleground-but all of these may be turned from their
original purpose. This collection of new essays explores fifty
years of genre horror in which manifestations of the sacred or
profane play a material role. The contributors explore portrayals
of the war between good and evil and their archetypes in such
classics as The Omen (1976), The Exorcist (1973) and Dracula Has
Risen from the Grave (1968), as well as in popular franchises like
Hellraiser and Hellboy and cult films such as God Told Me To
(1976), Thirst (2009) and Frailty (2001).
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