This book is an attempt to explore Shakespearean drama from the
vantage point of the oppressed, invisible, and silent individuals
and collectivities constructed in the plays. It examines the
ideological apparatuses which produce and naturalise oppression and
the political structures through which that oppression is
sustained. Derek Cohen is concerned to demonstrate the many ways in
which political and personal life, always interdependent,
intersect. contradict, and disrupt one another often in the
interests of and to the advantage of the dominant social ideology.
General
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