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Carl Nielsen and the Idea of Modernism (Hardcover)
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Carl Nielsen and the Idea of Modernism (Hardcover)
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A critical re-evaluation of the music of Carl Nielsen which
examines its context and relationship to musical modernism. Carl
Nielsen (1865-1931) is one of the most playful, life-affirming and
awkward voices in twentieth-century music. His work resists easy
stylistic categorisation or containment, yet its melodic richness
and harmonic vitality are immediately appealing and engaging.
Nielsen's symphonies, concertos and operas are an increasingly
prominent feature of the international repertoire, and his songs
remain perennially popular at home in Denmark. But his work has
only rarely attracted sustained critical attention within the
scholarly community; he remains arguably the most underrated
composer of his international generation. This book offers a
critical re-evaluation of Carl Nielsen's music and his rich
literary and artistic contexts. Drawing extensively on contemporary
writing and criticism, as well as the research of the newly
completed Carl Nielsen Edition, the book presents a series of case
studies centred on key works in Carl Nielsen's output, particularly
his comic opera Maskarade, the Third Symphony (Sinfonia Espansiva),
and his final symphony, the Sinfonia Semplice. Topics covered
include his relationship with symbolism and fin-de-siecle
decadence, vitalism, counterpoint, and the Danish landscape.
Running throughout the book is a critical engagement with the idea
of musical modernism - a term which, for Nielsen, was fraught
withanxiety and yet provided a constant creative stimulus. DANIEL
M. GRIMLEY holds a University Lectureship in Music at Oxford, and
is the Tutorial Fellow in Music at Merton College and Lecturer in
Music, Landscape at University College. His previous books include
Grieg: Music, Landscape and Norwegian Identity (Boydell, 2006) and
the Cambridge Companion to Sibelius (Cambridge University Press,
2004).
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