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Composing for the Red Screen - Prokofiev and Soviet Film (Hardcover)
Loot Price: R1,934
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Composing for the Red Screen - Prokofiev and Soviet Film (Hardcover)
Series: Oxford Music/Media Series
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Sound film captivated Sergey Prokofiev during the final two decades
of his life: he considered composing for nearly two dozen pictures,
eventually undertaking eight of them, all Soviet productions.
Hollywood luminaries such as Gloria Swanson tempted him with
commissions, and arguably more people heard his film music than his
efforts in all other genres combined. Films for which Prokofiev
composed, in particular those of Sergey Eisenstein, are now
classics of world cinema. Drawing on newly available sources,
Composing for the Red Screen examines-for the first time-the full
extent of this prodigious cinematic career. Bartig examines how
Prokofiev's film music derived from a self-imposed challenge: to
compose "serious" music for a broad audience. The picture that
emerges is of a composer seeking an individual film-music voice,
shunning Hollywood models and objecting to his Soviet colleagues'
ideologically expedient film songs. Looking at Prokofiev's film
music as a whole-with well-known blockbusters like Alexander Nevsky
considered alongside more obscure or aborted projects-reveals that
there were multiple solutions to the challenge, each with varying
degrees of success. Prokofiev carefully balanced his own populist
agenda, the perceived aesthetic demands of the films themselves,
and, later on, Soviet bureaucratic demands for accessibility.
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