This is the story of English Country Dance, from its 18th
century roots in the English cities and countryside, to its
transatlantic leap to the U.S. in the 20th century, told by not
only a renowned historian but also a folk dancer, who has both
immersed himself in the rich history of the folk tradition and
rehearsed its steps.
In City Folk, Daniel J. Walkowitz argues that the history of
country and folk dancing in America is deeply intermeshed with that
of political liberalism and the 'old left.' He situates folk
dancing within surprisingly diverse contexts, from progressive era
reform, and playground and school movements, to the changes in
consumer culture, and the project of a modernizing, cosmopolitan
middle class society.
Tracing the spread of folk dancing, with particular emphases on
English Country Dance, International Folk Dance, and Contra,
Walkowitz connects the history of folk dance to social and
international political influences in America. Through archival
research, oral histories, and ethnography of dance communities,
City Folk allows dancers and dancing bodies to speak. From the
norms of the first half of the century, marked strongly by
Anglo-Saxon traditions, to the Cold War nationalism of the post-war
era, and finally on to the counterculture movements of the 1970s,
City Folk injects the riveting history of folk dance in the middle
of the story of modern America.
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