In the middle of the nineteenth century, middle-class Americans
embraced a new culture of domestic consumption, one that centered
on chairs and clocks as well as family portraits and books. How did
that new world of goods, represented by Victorian parlors filled
with overstuffed furniture and daguerreotype portraits, come into
being? "A New Nation of Goods" highlights the significant role of
provincial artisans in four crafts in the northeastern United
States--chairmaking, clockmaking, portrait painting, and book
publishing--to explain the shift from preindustrial society to an
entirely new configuration of work, commodities, and culture. As a
whole, the book proposes an innovative analysis of early
nineteenth-century industrialization and the development of a
middle-class consumer culture. It relies on many of the objects
beloved by decorative arts scholars and collectors to evoke the
vitality of village craft production and culture in the decades
after the War of Independence."A New Nation of Goods" grounds its
broad narrative of cultural change in case studies of artisans,
consumers, and specific artifacts. Each chapter opens with an
"object lesson" and weaves an object-based analysis together with
the richness of individual lives. The path that such craftspeople
and consumers took was not inevitable; on the contrary, as
historian David Jaffee vividly demonstrates, it was strewn with
alternative outcomes, such as decentralized production with
specialized makers. The richly illustrated book offers a collective
biography of the post-Revolutionary generation, gathering together
the case studies of producers and consumers who embraced these
changes, those who opposed them, or, most significantly, those who
fashioned the myriad small changes that coalesced into a new
Victorian cultural order that none of them had envisioned or
entirely appreciated.
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