Books > Arts & Architecture > The arts: general issues > Theory of art
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Art's Properties (Hardcover)
Loot Price: R556
Discovery Miles 5 560
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Art's Properties (Hardcover)
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Loot Price R556
Discovery Miles 5 560
Expected to ship within 12 - 17 working days
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A revisionist reading of modern art that examines how artworks are
captured as property to legitimize power In this provocative new
account, David Joselit shows how art from the nineteenth to the
twenty-first centuries began to function as a commodity, while the
qualities of the artist, nation, or period themselves became
valuable properties. Joselit explores repatriation, explaining that
this is not just a contemporary conflict between the Global South
and Euro-American museums, noting that the Louvre, the first modern
museum, was built on looted works and faced demands for restitution
and repatriation early in its history. Joselit argues that the
property values of white supremacy underlie the ideology of
possessive individualism animating modern art, and he considers
issues of identity and proprietary authorship. Joselit redefines
art's politics, arguing that these pertain not to an artwork's
content or form but to the way it is "captured," made to represent
powerful interests-whether a nation, a government, or a celebrity
artist collected by oligarchs. Artworks themselves are not
political but occupy at once the here and now and an "elsewhere"-an
alterity-that can't ever be fully appropriated. The history of
modern art, Joselit asserts, is the history of transforming this
alterity into private property. Narrating scenes from the emergence
and capture of modern art-touching on a range of topics that
include the Byzantine church, French copyright law, the 1900 Paris
Exposition, W.E.B. Du Bois, the conceptual artist Adrian Piper, and
the controversy over Dana Schutz's painting Open Casket-Joselit
argues that the meaning of art is its infinite capacity to generate
experience over time.
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